Emily Keightley – författare

The first textbook on research methods and methodological questions in the fieldThis guide provides students and researchers with a clear set of outlines and discussions of particular methods of research in memory studies. It offers not only expert appraisals of a range of techniques, approaches and perspectives, but also focuses on key questions of methodology in order to help bring unity and coherence to this new field of study. Key Features:Investigating community remembering and memory in personal narrativesExploring the localisation of official national memory, and the contribution of different memoryscapes and different regimes of memory to cultural heritageAttending to painful pasts and disrupted memory Examining how memory is achieved and communicated in everyday interaction, and how it is manifested in emergent ethnicitiesFocusing on the production of social memory in the media and the use of media as self-produced vehicles of memoryAnalysing the dynamics of remembering in public confessions and apologias, and in testimonies offered by Holocaust survivors

Conceived at the unique, intersecting moment of commemoration of 1947 Partition of British India, 1971 Bangladesh independence, and 1972 exodus from Uganda, this book focuses on the entangled memories of Partition and its associated events in the diaspora. The chapters in this book explore the cultural and social significance of diasporic memorialisation done in reference to Partition, as it overlaps with the commemoration of key historical moments of change for the South Asian diaspora.Bringing together scholars based in Bangladesh, India, and the UK and working within memory studies, history, ethnomusicology, sound studies, literature, film studies, postcolonial studies and media and communication, this edited volume reflects the transnational and interdisciplinary nature of the study of Partition memory in the diaspora and the multiple ways diasporic Partition memory is inherited and creatively remembered. It examines how Partition memory is actively constructed and communicated in media and cultural forms and delves into the particularity and potential in diasporic remembering of Partition memory, the role of arts and culture in remembering contested pasts and shared cultural heritage, and the impact these commemorations have on diasporic identities in the present.This book is essential reading for students, scholars, and researchers of South Asian diaspora studies, memory studies, postcolonial studies, and those interested in the intersections of history, culture, and identity in the diaspora.The chapters in this book were originally published as a special issue of South Asian Diaspora.

This book explores how photography and recorded music act as vehicles or catalysts in processes of remembering, and how they are regarded, treated, valued and drawn upon as resources connecting past and present in everyday life. It does so via two key concepts: vernacular memory and the mnemonic imagination.

This collected volume is the first to study the interface between contemporary social movements, cultural memory and digital media. Establishing the digital memory work practices of social movements as an important area of research, it reveals how activists use digital media to lay claim to, circulate and curate cultural memories.

This collected volume is the first to study the interface between contemporary social movements, cultural memory and digital media. Establishing the digital memory work practices of social movements as an important area of research, it reveals how activists use digital media to lay claim to, circulate and curate cultural memories.

The book explores the connections of memory and remembering with transformations in intimate relationships, migration and spatial mobilities, loss and bereavement involving loved ones or those with whom close affinities are felt, resulting in a volume that helps fill the gap in memory studies caused by lack of sustained ethnographic work.