Michael Pickering – författare
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38 produkter
38 produkter
Häftad, Engelska, 1997
605 kr
Skickas inom 10-15 vardagar
This elegantly written and illuminating book explores the attenuated relationship between history and cultural studies, reappraising some of the issues and positions which have led to the impasse between them and highlighting the contribution to be made by a new engagement between cultural and historical theory. Focusing on the contested concept of 'experience' as a central part of his argument, Pickering advances new ways of attending to the myriad voices of everyday cultures, past and present.
Häftad, Engelska, 2001
571 kr
Skickas inom 10-15 vardagar
Stereotyping stands in need of serious re-appraisal. This book provides a critical assessment of the concept and its use in the social sciences, considering its theoretical basis and historical development and linking these closely to the concept of the Other. As the first sustained book-length treatment of stereotyping in either sociology or media and cultural studies, the text embraces such key topics as nationalism and national identity, gender, racism and imperialism, normality and social order, and the figure of the stranger in the modern city. It is genuinely interdisciplinary, moving between sociology, social psychology, cultural history, psychoanalysis and postcolonial theory, and offers an indispensable examination of the roots of prejudice and bigotry in modern societies.
Häftad, Engelska, 2007
836 kr
Skickas inom 10-15 vardagar
Researching Communications, Second Edition provides a practical, authoritative, step-by-step guide to media and communications studies students taking courses in communications research. The authors also examine the complementary nature of qualitative and quantitative research methods, and aim to show how these techniques hold up in practice. The new edition also incorporates new information on using archives and computers as well as the use of the internet as a resource for research. 'This is an enormously useful text for anyone interested in an up-to-date guide to cultural analysis; it will be indispensible for teaching research methods in communication studies.' - Hanno Hardt, University of Iowa
Häftad, Engelska, 2008
554 kr
Skickas inom 3-6 vardagar
This new textbook addresses the neglect of practical research methods in cultural studies. It provides students with clearly written overviews of research methods in cultural studies, along with guidelines on how to put these methods into operation. It advocates a multi-method approach, with students drawing from a pool of techniques and approaches suitable for their own topics of investigation. The book covers the following main areas:* Drawing on experience, and studying how narratives make sense of experience.* Investigating production processes in the cultural industries, and the consumption and assimilation of cultural products by audiences and fans.* Taking both quantitative and qualitative approaches to the study of cultural life.* Analysing visual images and both spoken and written forms of discourse.* Exploring cultural memory and historical representation.The contributors, along with Michael Pickering, are Martin Barker, Aeron Davis, David Deacon, Emily Keightley, Steph Lawler, Anneke Meyer, Virginia Nightingale, and Sarah Pink. The book is designed for use by students on upper-level undergraduate and taught Masters-level courses as well as postgraduate research students and cultural studies researchers more generally. It will be of enormous value across all fields of study involved in cultural enquiry and analysis.
E-bok
PDF, Engelska, 2008394 kr
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This new textbook addresses the neglect of practical research methods in cultural studies. It provides students with clearly written overviews of research methods in cultural studies, along with guidelines on how to put these methods into operation. It advocates a multi-method approach, with students drawing from a pool of techniques and approaches suitable for their own topics of investigation. The book covers the following main areas:* Drawing on experience, and studying how narratives make sense of experience.* Investigating production processes in the cultural industries, and the consumption and assimilation of cultural products by audiences and fans.* Taking both quantitative and qualitative approaches to the study of cultural life.* Analysing visual images and both spoken and written forms of discourse.* Exploring cultural memory and historical representation.The contributors, along with Michael Pickering, are Martin Barker, Aeron Davis, David Deacon, Emily Keightley, Steph Lawler, Anneke Meyer, Virginia Nightingale, and Sarah Pink. The book is designed for use by students on upper-level undergraduate and taught Masters-level courses as well as postgraduate research students and cultural studies researchers more generally. It will be of enormous value across all fields of study involved in cultural enquiry and analysis.
Häftad, Engelska, 2013
364 kr
Skickas
The first textbook on research methods and methodological questions in the fieldThis guide provides students and researchers with a clear set of outlines and discussions of particular methods of research in memory studies. It offers not only expert appraisals of a range of techniques, approaches and perspectives, but also focuses on key questions of methodology in order to help bring unity and coherence to this new field of study. Key Features:Investigating community remembering and memory in personal narrativesExploring the localisation of official national memory, and the contribution of different memoryscapes and different regimes of memory to cultural heritageAttending to painful pasts and disrupted memory Examining how memory is achieved and communicated in everyday interaction, and how it is manifested in emergent ethnicitiesFocusing on the production of social memory in the media and the use of media as self-produced vehicles of memoryAnalysing the dynamics of remembering in public confessions and apologias, and in testimonies offered by Holocaust survivors
Inbunden, Engelska, 2008
2 482 kr
Skickas inom 10-15 vardagar
Blackface minstrelsy is associated particularly with popular culture in the United States and Britain, yet despite the continual two-way flow of performers, troupes and companies across the Atlantic, there is little in Britain to match the scholarship of blackface studies in the States. This book concentrates on the distinctively British trajectory of minstrelsy. The historical study and cultural analysis of minstrelsy is important because of the significant role it played in Britain as a form of song, music and theatrical entertainment. Minstrelsy had a marked impact on popular music, dance and other aspects of popular culture, both in Britain and the United States. Its impact in the United States fed into significant song and music genres that were assimilated in Britain, from ragtime and jazz onwards, but prior to these influences, minstrelsy in Britain developed many distinct features and was adapted to operate within various conventions, themes and traditions in British popular culture. Pickering provides a convincing counter-argument to the assumption among writers in the United States that blackface was exclusively American and its British counterpart purely imitative. Minstrelsy was not confined to its value as song, music and dance. Jokes at the expense of black people along with demeaning racial stereotypes were integral to minstrel shows. As a form of popular entertainment, British minstrelsy created a cultural low-Other that offered confirmation of white racial ascendancy and imperial dominion around the world. The book attends closely to how this influence on colonialism and imperialism operated and proved ideologically so effective. At the same time British minstrelsy cannot be reduced to its racist and imperialist connections. Enormously important as those connections are, Pickering demonstrates the complexity of the subject by insisting that the minstrel show and minstrel performers are understood also in terms of their own theatrical dynamics, talent and appeal.
Inbunden, Engelska, 2050
725 kr
Kommande
Inbunden, Engelska, 2004
2 517 kr
Skickas inom 11-20 vardagar
'There have been few critical engagements with the concept of creativity in recent years, so the authors provide an important contribution in drawing attention to what is arguably at the heart of much of what we most value in culture'
- Douglas Kellner, University of California, Los Angeles
'In this important book, Keith Negus and Michael Pickering challenge commonplace assumptions about creativity and casual invocations of genius. They give comfort neither to popular wisdom nor to academic convention. Drawing on the work of philosophers, sociologists, political theorists and economists, as well as artists, musicians and novelists, they raise profound questions about the very ideas which sustain our understanding of art and culture'
- Professor John Street, University of East Anglia
'It's all too rare to read a cultural studies book that offers any real originality. This one achieves this, not only by addressing debates and sources neglected in the field, but also by traversing high and low culture, and all points between'
- Dave Hesmondhalgh, The Open University
Creativity has become a buzzword and key issue in debates about cultural policy, human growth and the media and cultural industries. It has also become a very misused term used to describe anything from musical and artistic genius, to shady financial accounting, to the teaching of children and the management of employees.
But what does it mean?
Negus and Pickering provide a clear and logical way of understanding what we describe as creative, and how this term has become central to attaching cultural value. Their book:
· Develops an approach which enables us to think of creativity as both ordinary and exceptional
· Focuses on creativity as a way of rethinking key concepts in the study of culture such as:
Convention; innovation; tradition and experience.
This book is useful to those studying Media and Cultural Studies who need to understand Cultural Production, Communication, Popular Culture and Cultural Theory.
Häftad, Engelska, 2004
1 324 kr
Skickas inom 3-6 vardagar
'There have been few critical engagements with the concept of creativity in recent years, so the authors provide an important contribution in drawing attention to what is arguably at the heart of much of what we most value in culture'
- Douglas Kellner, University of California, Los Angeles
'In this important book, Keith Negus and Michael Pickering challenge commonplace assumptions about creativity and casual invocations of genius. They give comfort neither to popular wisdom nor to academic convention. Drawing on the work of philosophers, sociologists, political theorists and economists, as well as artists, musicians and novelists, they raise profound questions about the very ideas which sustain our understanding of art and culture'
- Professor John Street, University of East Anglia
'It's all too rare to read a cultural studies book that offers any real originality. This one achieves this, not only by addressing debates and sources neglected in the field, but also by traversing high and low culture, and all points between'
- Dave Hesmondhalgh, The Open University
Creativity has become a buzzword and key issue in debates about cultural policy, human growth and the media and cultural industries. It has also become a very misused term used to describe anything from musical and artistic genius, to shady financial accounting, to the teaching of children and the management of employees.
But what does it mean?
Negus and Pickering provide a clear and logical way of understanding what we describe as creative, and how this term has become central to attaching cultural value. Their book:
· Develops an approach which enables us to think of creativity as both ordinary and exceptional
· Focuses on creativity as a way of rethinking key concepts in the study of culture such as:
Convention; innovation; tradition and experience.
This book is useful to those studying Media and Cultural Studies who need to understand Cultural Production, Communication, Popular Culture and Cultural Theory.
Inbunden, Engelska, 2013
1 057 kr
Skickas inom 7-10 vardagar
Whether for weavers at the handloom, labourers at the plough or factory workers on the assembly line, music has often been a key texture in people's working lives. This book is the first to explore the rich history of music at work in Britain and charts the journey from the singing cultures of pre-industrial occupations, to the impact and uses of the factory radio, via the silencing effect of industrialisation. The first part of the book discusses how widespread cultures of singing at work were in pre-industrial manual occupations. The second and third parts of the book show how musical silence reigned with industrialisation, until the carefully controlled introduction of Music while You Work in the 1940s. Continuing the analysis to the present day, Rhythms of Labour explains how workers have clung to and reclaimed popular music on the radio in desperate and creative ways.
Inbunden, Engelska, 2015
1 220 kr
Skickas inom 10-15 vardagar
This book explores how photography and recorded music act as vehicles or catalysts in processes of remembering, and how they are regarded, treated, valued and drawn upon as resources connecting past and present in everyday life. It does so via two key concepts: vernacular memory and the mnemonic imagination.
E-bok
PDF, Engelska, 20151 718 kr
Läs direkt efter köp
This book explores how photography and recorded music act as vehicles or catalysts in processes of remembering, and how they are regarded, treated, valued and drawn upon as resources connecting past and present in everyday life. It does so via two key concepts: vernacular memory and the mnemonic imagination.
Village Song & Culture
A Study Based on the Blunt Collection of Song from Adderbury North Oxfordshire
Häftad, Engelska, 2017
540 kr
Skickas inom 10-15 vardagar
Originally published in 1982. The songs on which this study is based were once vibrant in the throats and ears and minds of living people. This book examines the songs and their meanings in relation to the lives of those people, and relates them to the cultural tradition and practice of which they were an integral part. The art of village song represents a sense of cohesiveness and mutual identity around local patterns of kinship, social groupings, territorial orientations and cultural relationships. The actual ways in which songs were part of village life is of course highly problematic, but this book endeavours, most of all, to present an understanding of the place of song in the social life of villagers.
Häftad, Engelska, 2016
856 kr
Skickas inom 10-15 vardagar
Blackface minstrelsy is associated particularly with popular culture in the United States and Britain, yet despite the continual two-way flow of performers, troupes and companies across the Atlantic, there is little in Britain to match the scholarship of blackface studies in the States. This book concentrates on the distinctively British trajectory of minstrelsy. The historical study and cultural analysis of minstrelsy is important because of the significant role it played in Britain as a form of song, music and theatrical entertainment. Minstrelsy had a marked impact on popular music, dance and other aspects of popular culture, both in Britain and the United States. Its impact in the United States fed into significant song and music genres that were assimilated in Britain, from ragtime and jazz onwards, but prior to these influences, minstrelsy in Britain developed many distinct features and was adapted to operate within various conventions, themes and traditions in British popular culture. Pickering provides a convincing counter-argument to the assumption among writers in the United States that blackface was exclusively American and its British counterpart purely imitative. Minstrelsy was not confined to its value as song, music and dance. Jokes at the expense of black people along with demeaning racial stereotypes were integral to minstrel shows. As a form of popular entertainment, British minstrelsy created a cultural low-Other that offered confirmation of white racial ascendancy and imperial dominion around the world. The book attends closely to how this influence on colonialism and imperialism operated and proved ideologically so effective. At the same time British minstrelsy cannot be reduced to its racist and imperialist connections. Enormously important as those connections are, Pickering demonstrates the complexity of the subject by insisting that the minstrel show and minstrel performers are understood also in terms of their own theatrical dynamics, talent and appeal.
Village Song & Culture
A Study Based on the Blunt Collection of Song from Adderbury North Oxfordshire
Inbunden, Engelska, 2015
2 108 kr
Skickas inom 10-15 vardagar
Originally published in 1982. The songs on which this study is based were once vibrant in the throats and ears and minds of living people. This book examines the songs and their meanings in relation to the lives of those people, and relates them to the cultural tradition and practice of which they were an integral part. The art of village song represents a sense of cohesiveness and mutual identity around local patterns of kinship, social groupings, territorial orientations and cultural relationships. The actual ways in which songs were part of village life is of course highly problematic, but this book endeavours, most of all, to present an understanding of the place of song in the social life of villagers.
Village Song & Culture
A Study Based on the Blunt Collection of Song from Adderbury North Oxfordshire
E-bok
Engelska, 2015639 kr
Läs direkt efter köp
Originally published in 1982. The songs on which this study is based were once vibrant in the throats and ears and minds of living people. This book examines the songs and their meanings in relation to the lives of those people, and relates them to the cultural tradition and practice of which they were an integral part. The art of village song represents a sense of cohesiveness and mutual identity around local patterns of kinship, social groupings, territorial orientations and cultural relationships. The actual ways in which songs were part of village life is of course highly problematic, but this book endeavours, most of all, to present an understanding of the place of song in the social life of villagers.
Village Song & Culture
A Study Based on the Blunt Collection of Song from Adderbury North Oxfordshire
E-bok
PDF, Engelska, 2015639 kr
Läs direkt efter köp
Originally published in 1982. The songs on which this study is based were once vibrant in the throats and ears and minds of living people. This book examines the songs and their meanings in relation to the lives of those people, and relates them to the cultural tradition and practice of which they were an integral part. The art of village song represents a sense of cohesiveness and mutual identity around local patterns of kinship, social groupings, territorial orientations and cultural relationships. The actual ways in which songs were part of village life is of course highly problematic, but this book endeavours, most of all, to present an understanding of the place of song in the social life of villagers.
E-bok
PDF, Engelska, 1997634 kr
Läs direkt efter köp
This elegantly written and illuminating book explores the attenuated relationship between history and cultural studies, reappraising some of the issues and positions which have led to the impasse between them and highlighting the contribution to be made by a new engagement between cultural and historical theory. Focusing on the contested concept of ''experience'' as a central part of his argument, Pickering advances new ways of attending to the myriad voices of everyday cultures, past and present.
Inbunden, Engelska, 2020
1 572 kr
Skickas inom 10-15 vardagar
This book addresses the nature and role of fear in the German world from the early modern period through to the 20th century. Offering the first collection that centres fear in the historical analysis of central Europe since 1600, these essays demonstrate the importance of emotional experience to the study of the past. Fear has been at the centre of many of the most important historical events in this region; witch hunts, religious conflicts, invasions and ultra-nationalism in the form of the Nazi regime. This book explores ways in which fear was understood, developed and negotiated throughout these historical contexts, and how people of the German world coped with it. From the fear of vampires to the loss of national sovereignty, pestilence, gypsies and criminals, Fear in the German Speaking World 1600-2000 draws connections between cases over a period of 400 years and considers fear alongside the history of emotions more generally. In doing so, the chapters reveal a complex, evolving construction of fear that is universally human, but also dependent upon its cultural and historical context.
E-bok
PDF, Engelska, 2020513 kr
Läs direkt efter köp
This book addresses the nature and role of fear in the German world from the early modern period through to the 20th century. Offering the first collection that centres fear in the historical analysis of central Europe since 1600, these essays demonstrate the importance of emotional experience to the study of the past. Fear has been at the centre of many of the most important historical events in this region; witch hunts, religious conflicts, invasions and ultra-nationalism in the form of the Nazi regime. This book explores ways in which fear was understood, developed and negotiated throughout these historical contexts, and how people of the German world coped with it. From the fear of vampires to the loss of national sovereignty, pestilence, gypsies and criminals, Fear in the German Speaking World 1600-2000 draws connections between cases over a period of 400 years and considers fear alongside the history of emotions more generally. In doing so, the chapters reveal a complex, evolving construction of fear that is universally human, but also dependent upon its cultural and historical context.
E-bok
Engelska, 2020513 kr
Läs direkt efter köp
This book addresses the nature and role of fear in the German world from the early modern period through to the 20th century. Offering the first collection that centres fear in the historical analysis of central Europe since 1600, these essays demonstrate the importance of emotional experience to the study of the past. Fear has been at the centre of many of the most important historical events in this region; witch hunts, religious conflicts, invasions and ultra-nationalism in the form of the Nazi regime. This book explores ways in which fear was understood, developed and negotiated throughout these historical contexts, and how people of the German world coped with it. From the fear of vampires to the loss of national sovereignty, pestilence, gypsies and criminals, Fear in the German Speaking World 1600-2000 draws connections between cases over a period of 400 years and considers fear alongside the history of emotions more generally. In doing so, the chapters reveal a complex, evolving construction of fear that is universally human, but also dependent upon its cultural and historical context.
Häftad, Engelska, 2021
477 kr
Skickas inom 10-15 vardagar
This book addresses the nature and role of fear in the German world from the early modern period through to the 20th century. Offering the first collection that centres fear in the historical analysis of central Europe since 1600, these essays demonstrate the importance of emotional experience to the study of the past. Fear has been at the centre of many of the most important historical events in this region; witch hunts, religious conflicts, invasions and ultra-nationalism in the form of the Nazi regime. This book explores ways in which fear was understood, developed and negotiated throughout these historical contexts, and how people of the German world coped with it. From the fear of vampires to the loss of national sovereignty, pestilence, gypsies and criminals, Fear in the German Speaking World 1600-2000 draws connections between cases over a period of 400 years and considers fear alongside the history of emotions more generally. In doing so, the chapters reveal a complex, evolving construction of fear that is universally human, but also dependent upon its cultural and historical context.
E-bok
Engelska, 20171 022 kr
Läs direkt efter köp
Blackface minstrelsy is associated particularly with popular culture in the United States and Britain, yet despite the continual two-way flow of performers, troupes and companies across the Atlantic, there is little in Britain to match the scholarship of blackface studies in the States. This book concentrates on the distinctively British trajectory of minstrelsy. The historical study and cultural analysis of minstrelsy is important because of the significant role it played in Britain as a form of song, music and theatrical entertainment. Minstrelsy had a marked impact on popular music, dance and other aspects of popular culture, both in Britain and the United States. Its impact in the United States fed into significant song and music genres that were assimilated in Britain, from ragtime and jazz onwards, but prior to these influences, minstrelsy in Britain developed many distinct features and was adapted to operate within various conventions, themes and traditions in British popular culture. Pickering provides a convincing counter-argument to the assumption among writers in the United States that blackface was exclusively American and its British counterpart purely imitative. Minstrelsy was not confined to its value as song, music and dance. Jokes at the expense of black people along with demeaning racial stereotypes were integral to minstrel shows. As a form of popular entertainment, British minstrelsy created a cultural low-Other that offered confirmation of white racial ascendancy and imperial dominion around the world. The book attends closely to how this influence on colonialism and imperialism operated and proved ideologically so effective. At the same time British minstrelsy cannot be reduced to its racist and imperialist connections. Enormously important as those connections are, Pickering demonstrates the complexity of the subject by insisting that the minstrel show and minstrel performers are understood also in terms of their own theatrical dynamics, t
E-bok
PDF, Engelska, 20171 019 kr
Läs direkt efter köp
Blackface minstrelsy is associated particularly with popular culture in the United States and Britain, yet despite the continual two-way flow of performers, troupes and companies across the Atlantic, there is little in Britain to match the scholarship of blackface studies in the States. This book concentrates on the distinctively British trajectory of minstrelsy. The historical study and cultural analysis of minstrelsy is important because of the significant role it played in Britain as a form of song, music and theatrical entertainment. Minstrelsy had a marked impact on popular music, dance and other aspects of popular culture, both in Britain and the United States. Its impact in the United States fed into significant song and music genres that were assimilated in Britain, from ragtime and jazz onwards, but prior to these influences, minstrelsy in Britain developed many distinct features and was adapted to operate within various conventions, themes and traditions in British popular culture. Pickering provides a convincing counter-argument to the assumption among writers in the United States that blackface was exclusively American and its British counterpart purely imitative. Minstrelsy was not confined to its value as song, music and dance. Jokes at the expense of black people along with demeaning racial stereotypes were integral to minstrel shows. As a form of popular entertainment, British minstrelsy created a cultural low-Other that offered confirmation of white racial ascendancy and imperial dominion around the world. The book attends closely to how this influence on colonialism and imperialism operated and proved ideologically so effective. At the same time British minstrelsy cannot be reduced to its racist and imperialist connections. Enormously important as those connections are, Pickering demonstrates the complexity of the subject by insisting that the minstrel show and minstrel performers are understood also in terms of their own theatrical dynamics, t
Häftad, Engelska, 2021
463 kr
Skickas
The new edition of the highly respected Researching Communications is a comprehensive and authoritative guide to researching media and communication. Researching Communications, Third Edition is an invaluable guide to performing and analysing research tasks, introducing the major research methods, giving detailed examples of research analysis and practical step-by-step guidance in clear language.Written by highly regarded experts in the field, the third edition includes new sections on social media analysis, digital research methods and comparative research, as well as updated case studies, international examples and details of recent developments in media and communication studies.Undergraduate and postgraduate media and communication students will find Researching Communications an invaluable resource at all stages of their course.
E-bok
PDF, Engelska, 2021500 kr
Läs direkt efter köp
The new edition of the highly respected Researching Communications is a comprehensive and authoritative guide to researching media and communication. Researching Communications, Third Edition is an invaluable guide to performing and analysing research tasks, introducing the major research methods, giving detailed examples of research analysis and practical step-by-step guidance in clear language. Written by highly regarded experts in the field, the third edition includes new sections on social media analysis, digital research methods and comparative research, as well as updated case studies, international examples and details of recent developments in media and communication studies.Undergraduate and postgraduate media and communication students will find Researching Communications an invaluable resource at all stages of their course.
E-bok
Engelska, 2021498 kr
Läs direkt efter köp
The new edition of the highly respected Researching Communications is a comprehensive and authoritative guide to researching media and communication. Researching Communications, Third Edition is an invaluable guide to performing and analysing research tasks, introducing the major research methods, giving detailed examples of research analysis and practical step-by-step guidance in clear language. Written by highly regarded experts in the field, the third edition includes new sections on social media analysis, digital research methods and comparative research, as well as updated case studies, international examples and details of recent developments in media and communication studies.Undergraduate and postgraduate media and communication students will find Researching Communications an invaluable resource at all stages of their course.
Inbunden, Engelska, 2021
550 kr
Skickas
The new edition of the highly respected Researching Communications is a comprehensive and authoritative guide to researching media and communication. Researching Communications, Third Edition is an invaluable guide to performing and analysing research tasks, introducing the major research methods, giving detailed examples of research analysis and practical step-by-step guidance in clear language.Written by highly regarded experts in the field, the third edition includes new sections on social media analysis, digital research methods and comparative research, as well as updated case studies, international examples and details of recent developments in media and communication studies.Undergraduate and postgraduate media and communication students will find Researching Communications an invaluable resource at all stages of their course.
Del 17 - Studies in Imperialism
Acts of Supremacy
E-bok
PDF, Engelska, 2017356 kr
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Imperialist discourse interacted with regional and class discourses. Imperialism's incorporation of Welsh, Scots and Irish identities, was both necessary to its own success and one of its most powerful functions in terms of the control of British society. Most cultures have a place for the concept of heroism, and for the heroic figure in narrative fiction; stage heroes are part of the drama's definition of self, the exploration and understanding of personal identity. Theatrical and quasi-theatrical presentations, whether in music hall, clubroom, Shakespeare Memorial Theatre or the streets and ceremonial spaces of the capital, contributed to that much-discussed national mood. This book examines the theatre as the locus for nineteenth century discourses of power and the use of stereotype in productions of the Shakespearean history canon. It discusses the development of the working class and naval hero myth of Jack Tar, the portrayal of Ireland and the Irish, and the portrayal of British India on the spectacular exhibition stage. The racial implications of the ubiquitous black-face minstrelsy are focused upon. The ideology cluster which made up the imperial mindset had the capacity to re-arrange and re-interpret history and to influence the portrayal of the tragic or comic potential of personal dilemmas. Though the British may have prided themselves on having preceded America in the abolition of slavery and thus outpacing Brother Jonathan in humanitarian philanthropy, abnegation of hierarchisation and the acceptance of equality of status between black and white ethnic groups was not part of that achievement.