Emma Casey – författare

Drawing upon anthropological, sociological and historical perspectives, this volume provides a unique insight into women’s domestic consumption. The contributors argue that domestic consumption represents an important lens through which to examine the everyday production and reproduction of socio-economic relations. Through a variety of case studies (such as gambling, wedding day consumption and bedroom décor), the essays explore and reconsider the nature of public and private spaces, and the subsequent nature of domestic space - often by challenging traditional notions of what constitutes ’the domestic’. The volume demonstrates the broad range of experiences that domestic consumption offers women and reveals some of the complex meanings and motivations underpinning women’s consumption practices.

Drawing on a broad range of historical and sociological literature, this book traces the everyday gambling experiences of a diverse group of women. It provides fascinating and original insights into the pleasures afforded to women through their gambling participation and draws on a variety of feminist literature to understand women's motivations and experience of play, and to examine the ways in which women negotiate their right to gamble without reprimand. Since gambling tends to be framed within moral discourses of danger and excess, this book offers a defence of women's decisions to gamble against an often hostile backdrop. It rewrites claims that gambling is 'meaningless' and reckless spending, by pointing instead to the highly complex strategies that women who gamble employ. Importantly, it adds to contemporary feminist debates about women's leisure by showing how women seize control of their lives in order to carve out a time and space for the pursuit of pleasure.

This collection explores the relationships between the emotional and material, engaging with and developing the debates surrounding the emotional and material labour involved in producing and reproducing domestic and intimate spaces. The contributions examine the geographies and spaces of consumption in international and local-global spheres.

Drawing upon anthropological, sociological and historical perspectives, this volume provides a unique insight into women’s domestic consumption. The contributors argue that domestic consumption represents an important lens through which to examine the everyday production and reproduction of socio-economic relations. Through a variety of case studies (such as gambling, wedding day consumption and bedroom décor), the essays explore and reconsider the nature of public and private spaces, and the subsequent nature of domestic space - often by challenging traditional notions of what constitutes ’the domestic’. The volume demonstrates the broad range of experiences that domestic consumption offers women and reveals some of the complex meanings and motivations underpinning women’s consumption practices.

Drawing on a broad range of historical and sociological literature, this book traces the everyday gambling experiences of a diverse group of women. It provides fascinating and original insights into the pleasures afforded to women through their gambling participation and draws on a variety of feminist literature to understand women's motivations and experience of play, and to examine the ways in which women negotiate their right to gamble without reprimand. Since gambling tends to be framed within moral discourses of danger and excess, this book offers a defence of women's decisions to gamble against an often hostile backdrop. It rewrites claims that gambling is 'meaningless' and reckless spending, by pointing instead to the highly complex strategies that women who gamble employ. Importantly, it adds to contemporary feminist debates about women's leisure by showing how women seize control of their lives in order to carve out a time and space for the pursuit of pleasure.

A CHOICE Outstanding Academic Title 2025An illuminating look at the world of cleanfluencers that asks why the burden of housework still falls on women.Housework is good for you. Housework sparks joy. Housework is beautiful. Housework is glamorous. Housework is key to a happy family. Housework shows that you care. Housework is women’s work.Social media is flooded with images of the perfect housewife. TikTok and Instagram ‘cleanfluencers’ produce endless photos and videos of women cleaning, tidying and putting things right. Figures such as Marie Kondo and Mrs Hinch have placed housework, with its promise of a life of love and contentment, at the centre of self-care and positive thinking.And yet housework remains one of the world’s most unequal institutions. Women, especially poorer women and women of colour, do most low-paid and unpaid domestic labour. In The return of the housewife, Emma Casey asks why these inequalities matter and why they persist after a century of dramatic advances in women’s rights. She offers a powerful call to challenge the prevailing myths around housework and the ‘naturally competent’ woman homemaker.