Emrys Jones – författare

'Shakespeare's play is death-haunted from the start, and its self-glorifying lovers exist in a dream of passion' GuardianA battle-hardened soldier, Antony is one of the three leaders of the Roman world. But he is also a man in the grip of an all-consuming passion for the tempestuous and alluring queen of Egypt, Cleopatra. And when their life of pleasure together is threatened by encroaching politics, the conflict between love and duty has devastating consequences. A tragic drama of love and loss, sex and power, told in language of poetic sublimity, Antony and Cleopatra is one of Shakespeare's supreme imaginative achievements.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by Emrys JonesIntroduction by René Weis

The sixteenth century has long been acknowledged the 'Golden Age' of English verse - with such names as Shakespeare, Donne, and Spenser to its credit it could hardly be otherwise. Yet this anthology, which includes both undisputed masterpieces and achievements in hitherto neglected fields, is the first to reveal the full range and diversity of the century's poetic riches. What emerges is the most complete picture available of the poetic vitality of the sixteenth century.

Friendship and Allegiance explores the concept of friendship as it was defined, contested and distorted by writers of the early eighteenth century. Setting well-known canonical texts (The Beggar's Opera, Gulliver's Travels) alongside lesser-known works, it portrays a literary world renegotiating the meaning of public and private virtue.

Friendship and Allegiance explores the concept of friendship as it was defined, contested and distorted by writers of the early eighteenth century. Setting well-known canonical texts (The Beggar''s Opera, Gulliver''s Travels) alongside lesser-known works, it portrays a literary world renegotiating the meaning of public and private virtue.

Friendship and Allegiance explores the concept of friendship as it was defined, contested and distorted by writers of the early eighteenth century. Setting well-known canonical texts (The Beggar's Opera, Gulliver's Travels) alongside lesser-known works, it portrays a literary world renegotiating the meaning of public and private virtue.

This work examines how the Welsh became absorbed into London's population yet retained aspects of Welsh culture from language to Eisteddfod, through societies. The study begins with the earliest contacts with the Welsh in Tudor London, through the Anglicization of the gentry to conformity and renaissance of Welsh literature in the 18th century. The book concludes with a series of essays noting the contributions of the London-Welsh to various aspects of Welsh life, and aspects of assimilation and acculturation, with a view from Wales of the nature of the London-Welsh migrant. The main concern of the study is with the lives of migrants as a whole, however the final chapter of the book deals more systematically with contributions to Welsh life through the achievements of individuals.