Eszter Steierhoffer – författare

Idealistic visions of the Soviet capital that were never realised.Published at the centenary of the Russian Revolution, Imagine Moscow: Architecture, Propaganda, Revolution portrays Moscow as it was envisioned by a bold generation of architects in the 1920s and early 1930s. Through evocative imagery and a wealth of rarely seen material, this book provides a window into an idealistic fantasy of the Soviet capital that was never realised and has since been largely forgotten.Focusing on six unbuilt architectural landmarks, Imagine Moscow explores how these projects reflected changes in everyday life and society following the revolution, during one of the most fascinating periods of the twentieth century. Large-scale architectural plans, models and drawings are placed alongside propaganda posters, textiles and porcelain, contextualising the transformation of a city reborn as the new capital of the USSR and the international centre of socialism.

The twentieth century offered up countless visions of domestic life, from the aspirational to the radical. Whether it was the dream of the fully mechanised home or the notion that technology might free us from home altogether, the domestic realm was a site of endless invention and speculation. But what happened to those visions? Are the smart homes of today the future that architects and designers once predicted, or has ‘home’ proved resistant to radical change? Home Futures: Living in Yesterday’s Tomorrow –accompanying a major Design Museum exhibition of the same title–explores a number of different attitudes toward domestic life, tracing the social and technological developments that have driven change in the home. It proposes that we are already living in yesterday’s tomorrow, just not in the way anyone predicted. This book begins with a lavishly illustrated catalogue portraying the ‘home futures’ of the twentieth century and beyond, from the work of Ettore Sottsass and Joe Colombo to Google’s recent forays into the smart home. The catalogue is followed by a reader consisting of newly commissioned essays by writers such as Dan Hill and Justin McGuirk, which explore the changes in the domestic realm in relation to space, technology, society, economy and psychology.

Essays that trace connections between the work of Turner Prize-winning artist Tai Shani and the intellectual legacy of Charles Jencks, one of postmodernism’s most playful architectural thinkers.In this newly edited collection of essays, leading writers trace connections between the unique work of Turner Prize-winning multi-media artist Tain Shani, and the intellectual legacy of Charles Jencks, one of postmodernism’s most playful architectural thinkers. Catalysed by Shani’s exhibition The World To Me Was A Secret: Caesious, Zinnober, Celadon, And Virescent, developed for The Cosmic House in 2024, this far-reaching book draws upon the various mythologies metabolised by Mary Shelley’s Frankenstein; or, The Modern Prometheus. A surrealist exquisite corpse made real, the writings gathered here reanimate Frankenstein’s Monster within Jencks’ definition of Ad-Hocism, whereby the use of materials and objects for unintended purposes, might yield surreal results.  A collaboration between The Cosmic House and Strange Attractor Press, Cosmic Caesious, Cosmic Zinnober, Cosmic Celadon, Cosmic Virescent includes newly commissioned works by Anne Boyer, Annabel Frearson, Emily LaBarge, Basyma Saad, and Taylor Le Melle that explore themes of anthropomorphism, the tangled legacies of surrealism, and the Promethean impulse. The book also includes a foreword by Eszter Steierhoffer, Director of The Jencks Foundation, and an introduction and original text by artist Tai Shani.