Eugenia Russell – författare

At the beginning of the nineteenth century, the life of a petty tyrant in an obscure corner of the Ottoman Empire became the stuff of legend. What propelled this cold-blooded archetype of Oriental despotism, grandly known as the Lion of Ioannina and the Balkan Napoleon, into the consciousness of Western rulers and the general public? This book charts the rise of Ali Pasha from brigand leader to a player in world affairs and, ultimately, to a gruesome end. Ali exploited the internal weakness of the Ottoman Empire to carve out his own de facto state in Albania and Western Greece. Although a ruthless tyrant guilty of cruel atrocities, his lavish court became an attraction to Western travellers, most famously Lord Byron, and his military prowess led Britain, Russia and France to seek his alliance during the Napoleonic Wars. His activities undermined the Sultan's authority and helped bring about the Greek War of Independence. Quentin and Eugenia Russell describe his remarkable life and military career as well as the enigmatic legacy he bequeathed in his homeland both as a nationalist hero and a tyrant, and further afield as inspiration for writers and artists of the Romantic movement.

The late medieval eastern Mediterranean, before its incorporation into the Ottoman Empire in the sixteenth century, presents a complex and fragmented picture. The Ayyubid and Mamluk sultanates held sway over Egypt and Syria, Asia Minor was divided between a number of Turkish emirates, the Aegean between a host of small Latin states, and the Byzantine Empire was only a fragment of its former size. This collection of thirteen original articles, by both established and younger scholars, seeks to find common themes that unite this disparate world. Focusing on religious identity, cultural exchange, commercial networks, and the construction of political legitimacy among Christians and Muslims in the late Medieval eastern Mediterranean, they discuss and analyse the interaction between these religious cultures and trace processes of change and development within the individual societies. A detailed introduction provides a broad geopolitical context to the contributions and discusses at length the broad themes which unite the articles and which transcend traditional interpretations of the eastern Mediterranean in the later medieval period.

The 'long' fourteenth century perhaps can be seen as Thessalonica's heyday. Alongside its growing commercial prowess, the city was developing into an important centre of government, where members of the Byzantine imperial family of the Palaiologoi ruled independently under full imperial titles, striking coinage and following an increasingly autonomous external policy. It was also developing into a formidable centre for letters, education, and artistic expression, due in part to Palaiologan patronage. This volume sets out the political and commercial landscape of Thessalonica between 1303 and 1430, when the city fell to the Ottoman Turks, before focusing on the literary and hymnographical aspects of the city's cultural history and its legacy. The cosmopolitan nature of urban life in Thessalonica, the polyphony of opinions it experienced and expressed, its multiple links with centres such as Constantinople, Adrianople, Athos, Lemnos and Lesvos, and the diversity and strength of its authorial voices make the study of the city's cultural life a vital part of our understanding of the Byzantine Eastern Mediterranean.

The 'long' fourteenth century perhaps can be seen as Thessalonica's heyday. Alongside its growing commercial prowess, the city was developing into an important centre of government, where members of the Byzantine imperial family of the Palaiologoi ruled independently under full imperial titles, striking coinage and following an increasingly autonomous external policy. It was also developing into a formidable centre for letters, education, and artistic expression, due in part to Palaiologan patronage. This volume sets out the political and commercial landscape of Thessalonica between 1303 and 1430, when the city fell to the Ottoman Turks, before focusing on the literary and hymnographical aspects of the city's cultural history and its legacy. The cosmopolitan nature of urban life in Thessalonica, the polyphony of opinions it experienced and expressed, its multiple links with centres such as Constantinople, Adrianople, Athos, Lemnos and Lesvos, and the diversity and strength of its authorial voices make the study of the city's cultural life a vital part of our understanding of the Byzantine Eastern Mediterranean.

The 'long' fourteenth century perhaps can be seen as Thessalonica's heyday. Alongside its growing commercial prowess, the city was developing into an important centre of government, where members of the Byzantine imperial family of the Palaiologoi ruled independently under full imperial titles, striking coinage and following an increasingly autonomous external policy. It was also developing into a formidable centre for letters, education, and artistic expression, due in part to Palaiologan patronage. This volume sets out the political and commercial landscape of Thessalonica between 1303 and 1430, when the city fell to the Ottoman Turks, before focusing on the literary and hymnographical aspects of the city's cultural history and its legacy. The cosmopolitan nature of urban life in Thessalonica, the polyphony of opinions it experienced and expressed, its multiple links with centres such as Constantinople, Adrianople, Athos, Lemnos and Lesvos, and the diversity and strength of its authorial voices make the study of the city's cultural life a vital part of our understanding of the Byzantine Eastern Mediterranean.

The 'long' fourteenth century perhaps can be seen as Thessalonica's heyday. Alongside its growing commercial prowess, the city was developing into an important centre of government, where members of the Byzantine imperial family of the Palaiologoi ruled independently under full imperial titles, striking coinage and following an increasingly autonomous external policy. It was also developing into a formidable centre for letters, education, and artistic expression, due in part to Palaiologan patronage. This volume sets out the political and commercial landscape of Thessalonica between 1303 and 1430, when the city fell to the Ottoman Turks, before focusing on the literary and hymnographical aspects of the city's cultural history and its legacy. The cosmopolitan nature of urban life in Thessalonica, the polyphony of opinions it experienced and expressed, its multiple links with centres such as Constantinople, Adrianople, Athos, Lemnos and Lesvos, and the diversity and strength of its authorial voices make the study of the city's cultural life a vital part of our understanding of the Byzantine Eastern Mediterranean.

This book highlights the importance of Watford as a regional centre within South West Herts during the years of the Great War as well as the cohesion of the local area and the impact events and initiatives had on the entire region. The organization and presence of the Army are discussed before focusing on different aspects of civilian life such as the contribution of civilians to the war effort, the Police and Fire Service, the role of Churches, Schools and the Press and changes in employment and local businesses. As the War wore on and the magnitude of the sacrifice sunk in, hospitals and charities became more prominent. The latter part of the book presents these as well as the many public and private ways of commemorating the War Dead in the aftermath of the conflict. The distinctiveness of such Memorials reflects the legacy of the Arts and Crafts Movement and the artistic communities resident in Bushey and Watford.

The cult of St Demetrius is of considerable age but it peaked with the emergence of his city, Thessalonica, as a prominent political and cultural centre in late Byzantium. This book examines the intensification of his popularity and veneration in the late Middle Ages and his impact on contemporary thought and ritual. The encomia written in the saint’s honour are significant historical and literary monuments and in their suggestiveness and beauty they are on a level with many better-known works in medieval Greek. Indeed, the encomia have added historical interest because of the prominence of those who wrote them. The likes of Nicholas Kavasilas, Gregory Palamas, Constantine Harmenopoulos and Symeon of Thessalonica were the elite of late Byzantium in intellect and personal influence, while Nikephoros Gregoras was perhaps the finest of Byzantine minds. With their clear links to individual authors, the encomia on St Demetrius present opportunities to the historian and the literary critic, which are fully explored in this book, the first to give them sustained scholarly attention.