Evan Jones – författare

Aural Skills in Context by Matthew Shaftel, Evan Jones, and Juan Chattah is the first complete text covering sight singing, ear training, and rhythm practice that features real musical examples (from classical to folk and jazz) as the composer wrote them. Other texts either feature simple melody lines that are edited from the standard repertoire or author-composed examples. By offering the melodies with the addition of the related harmony part, the book parallels the full Music Theory curriculum, resulting in a more comprehensive engagement than the typical sight-singing text. This approach reinforces the relevance of the aural skills curriculum to the students' other classes, as well as to their performance and listening interests. It exposes students to many examples of music that they will surely revisit as performers, scholars, or educators. It also gives a wealth of options for the instructor and students, going well beyond simply singing the melodies or writing them down from dictation. Improvisation; performance by multiple voices; switching between melody and accompanying lines; and creating new melodies above a given bass line, or an additional obbligato voice above the given melody or between the outer voices are all possible.

Covering modal music from Gregorian chant through the seventeenth-century, The Principles and Practice of Modal Counterpoint is a comprehensive textbook combining stylistic composition, theory and analysis, music history, and performance. By supplementing a modified species approach with a wealth of complete musical examples and historical information, this textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of modal counterpoint and familiarizing students with modal repertoire.

The Principles and Practice of Tonal Counterpoint is a comprehensive textbook that combines practical, "how-to" guidance in 18th-century techniques with extensive historical examination of contrapuntal works and genres. Beginning with an introductory grounding in species counterpoint, tonal harmony, and figured bass, students progress through the study of chorale preludes, invertible counterpoint, and canonic and fugal writing. This textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of tonal counterpoint and familiarizing students with contrapuntal styles from the Baroque period to the 21st century. Also available is a companion volume, The Principles and Practice of Modal Counterpoint, which focuses on 16th-century techniques and covers modal music from Gregorian chant through the 17th century.

Covering modal music from Gregorian chant through the seventeenth-century, The Principles and Practice of Modal Counterpoint is a comprehensive textbook combining stylistic composition, theory and analysis, music history, and performance. By supplementing a modified species approach with a wealth of complete musical examples and historical information, this textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of modal counterpoint and familiarizing students with modal repertoire.

The Principles and Practice of Tonal Counterpoint is a comprehensive textbook that combines practical, "how-to" guidance in 18th-century techniques with extensive historical examination of contrapuntal works and genres. Beginning with an introductory grounding in species counterpoint, tonal harmony, and figured bass, students progress through the study of chorale preludes, invertible counterpoint, and canonic and fugal writing. This textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of tonal counterpoint and familiarizing students with contrapuntal styles from the Baroque period to the 21st century. Also available is a companion volume, The Principles and Practice of Modal Counterpoint, which focuses on 16th-century techniques and covers modal music from Gregorian chant through the 17th century.

“Cooking something delicious is really much more satisfactory than painting pictures or making pottery. At least for most of us. Food has the tact to disappear, leaving room and opportunity for masterpieces to come. The mistakes don’t hang on the walls or stand on the shelves to reproach you forever.”—from Jane Grigson’s introduction. Originally published in 1971, Good Things is now available in a Bison Books edition for all those who appreciate good food and Jane Grigson’s witty and stylish way of writing about it. Including recipes for fish, meat, game, fresh fruits, vegetables, and a few splendid desserts, Good Things is a celebration of delicious everyday fare and its loving preparation.

The lively history of this frontier fort.History/RegionalThe lively history of this frontier fort, now back in print!In 1824 Colonel Josiah Snelling erected a stone fortress at the point where the Minnesota and Mississippi rivers merged, on territory secured by Lieutenant Zebulon Pike in a treaty with the Sioux chief Little Crow. Evan Jones describes the intriguing history of Fort Snelling, the Gibraltar of the West, its effect on the Native Americans of the region, and its role in the westward movement.“A story of bitter and complex rivalries. . . . With massive towers and walls capping a limestone cliff, [Fort Snelling] defied attack. But it influenced movements and events hundreds of miles away. The Sioux opposed the Chippewa, the North West Company contended with the Hudson’s Bay outfit, and Astor’s American Fur Company fought them both. . . . This book unfolds a forty-year struggle in the wilderness.” --New York Times Book Review“The author offers here a rollicking tale of high adventure and low shenanigans in and around Fort Snelling. As much the story of the Indians of the region as of the hardy Americans (famous and infamous) who walked inside this fort’s impressive walls, Citadel relays its message of courage and chicanery with a minimum of ‘undying prose’ but a maximum of straightforward and incisive storytelling.” --Library JournalEvan Jones (1915–1996) was born in Le Sueur, Minnesota. A writer of American history and cookbooks, he is the author of The Minnesota (also published in paperback by University of Minnesota Press), Trappers and Mountain Men, Epicurean Delight: The Life and Times of James Beard, and The L. L. Bean Book of New New England Cookery.ISBN 0-8166-3879-9 Paper £10.95 $14.95 256 Pages 23 black-and-white photos 5 3/8 x 8 1/2 MayFesler-Lampert Minnesota Heritage SeriesTranslation Inquiries: Penguin Putnam, Inc.

On Thermonuclear War was controversial when originally published and remains so today. It is iconoclastic, crosses disciplinary boundaries, and finally it is calm and compellingly reasonable. The book was widely read on both sides of the Iron Curtain and the result was serious revision in both Western and Soviet strategy and doctrine. As a result, both sides were better able to avoid disaster during the Cold War.The strategic concepts still apply: defense, local animosities, and the usual balance-of-power issues are still very much with us. Kahn's stated purpose in writing this book was simply: "avoiding disaster and buying time, without specifying the use of this time." By the late 1950s, with both sides H-bomb-armed, reason and time were in short supply. Kahn, a military analyst at Rand since 1948, understood that a defense based only on thermonuclear arnaments was inconceivable, morally questionable, and not credible.The book was the first to make sense of nuclear weapons. Originally created from a series of lectures, it provides insight into how policymakers consider such issues. One may agree with Kahn or disagree with him on specific issues, but he clearly defined the terrain of the argument. He also looks at other weapons of mass destruction such as biological and chemical, and the history of their use. The Cold War is over, but the nuclear genie is out of the bottle, and the lessons and principles developed in On Thermonuclear War apply as much to today's China, Russia, Iran, and North Korea as they did to the Soviets.

On Thermonuclear War was controversial when originally published and remains so today. It is iconoclastic, crosses disciplinary boundaries, and finally it is calm and compellingly reasonable. The book was widely read on both sides of the Iron Curtain and the result was serious revision in both Western and Soviet strategy and doctrine. As a result, both sides were better able to avoid disaster during the Cold War.The strategic concepts still apply: defense, local animosities, and the usual balance-of-power issues are still very much with us. Kahn's stated purpose in writing this book was simply: "avoiding disaster and buying time, without specifying the use of this time." By the late 1950s, with both sides H-bomb-armed, reason and time were in short supply. Kahn, a military analyst at Rand since 1948, understood that a defense based only on thermonuclear arnaments was inconceivable, morally questionable, and not credible.The book was the first to make sense of nuclear weapons. Originally created from a series of lectures, it provides insight into how policymakers consider such issues. One may agree with Kahn or disagree with him on specific issues, but he clearly defined the terrain of the argument. He also looks at other weapons of mass destruction such as biological and chemical, and the history of their use. The Cold War is over, but the nuclear genie is out of the bottle, and the lessons and principles developed in On Thermonuclear War apply as much to today's China, Russia, Iran, and North Korea as they did to the Soviets.

This book offers a contemporary look at Somali from the standpoint of its major varieties and provides a comprehensive account of the language that is grounded in linguistic theory and the latest scholarship. The grammar includes an extensive array of examples drawn from online corpora and from fieldwork with native speakers of the language.

Leading authorities explore, in direct and accessible language, chamber-music masterpieces by twenty-one prominent composers since 1900.Modern composers as diverse as Béla Bartók, Maurice Ravel, Benjamin Britten, and John Cage have confided some of their most personal and intense thoughts to the medium of the string quartet. The resulting repertoire has won the allegiance of string players-and of listeners in the concert hall and at home. Yet, until now, no book has addressed the language of these remarkable works, their interactions with the masterpieces of Beethoven and others, and theirnew approaches to musical expression. Intimate Voices, organized in rough chronological order, offers the observations and intuitions of leading authorities on quartets by twenty-one composers from eleven countries. Its two volumes-available separately or together-comprise an indispensable guide to amateur and professional chamber musicians, scholars, students, and anyone seeking a deeper acquaintance with the great achievements of twentieth-century music. Edited by Evan Jones, Associate Professor of Music Theory, Florida State University College of Music.

Leading authorities explore, in direct and accessible language, chamber-music masterpieces by twenty-one prominent composers since 1900.Modern composers as diverse as Béla Bartók, Maurice Ravel, Benjamin Britten, and John Cage have confided some of their most personal and intense thoughts to the medium of the string quartet. The resulting repertoire has won the allegiance of string players-and of listeners in the concert hall and at home. Yet, until now, no book has addressed the language of these remarkable works, their interactions with the masterpieces of Beethoven and others, and theirnew approaches to musical expression. Intimate Voices, organized in rough chronological order, offers the observations and intuitions of twenty leading authorities on quartets by twenty-one composers from eleven countries.Its two volumes-available separately or together-comprise an indispensable guide to amateur and professional chamber musicians, scholars, students, and anyone seeking a deeper acquaintance with the great achievements of twentieth-century music. Edited by Evan Jones, Associate Professor of Music Theory, Florida State University College of Music.Volume 1: Debussy and Ravel [Marianne Wheeldon]; Sibelius [Joseph Kraus]; Bartók [JosephN. Straus]; Hindemith [David Neumeyer]; Schoenberg [Matthew R. Shaftel]; Berg [Dave Headlam]; Webern [David Clampitt]; Villa-Lobos [Eero Tarasti]; Prokofiev [Neil Minturn]Volume 2: Shostakovich [Patrick McCreless]; Britten [Christopher Mark]; Ligeti [Jane Piper Clendinning]; Berio [Richard Hermann]; Xenakis [Evan Jones]; Scelsi [Eric Drott]; Cage (David W. Bernstein]; Babbitt [Andrew Mead]; Carter [Jonathan W. Bernard]; Mel Powell [Jeffrey Perry]; Shulamit Ran [Robert W. Peck]

Leading authorities explore, in direct and accessible language, chamber-music masterpieces by twenty-one prominent composers since 1900.2 volume set: Modern composers as diverse as Béla Bartók, Maurice Ravel, Benjamin Britten, and John Cage have confided some of their most personal and intense thoughts to the medium of the string quartet. The resulting repertoire has won the allegiance of string players and of listeners in the concert hall and at home. Yet, until now, no book has addressed the language of these remarkable works, their interactions with the masterpieces of Beethoven and others, and their new approaches to musical expression. Intimate Voices, organized in rough chronological order, offers the observations and intuitions of twenty leading authorities on quartets by twenty-one composers from eleven countries. Its two volumes -- available separately or together -- comprise an indispensable guide to amateur and professional chamber musicians, scholars, students, and anyone seeking a deeper acquaintance with the great achievements of twentieth-century music. Edited by Evan Jones, Associate Professor of Music Theory, Florida State University College of MusicContents and authors: Volume 1: Debussy and Ravel (MarianneWheeldon); Sibelius (Joseph Kraus); Bartók (Joseph N. Straus); Hindemith (David Neumeyer); Schoenberg (Matthew R. Shaftel); Berg (Dave Headlam); Webern (David Clampitt); Villa-Lobos (Eero Tarasti); Prokofiev (Neil Minturn)Volume 2: Shostakovich [Patrick McCreless]; Britten [Christopher Mark]; Ligeti [Jane Piper Clendinning]; Berio [Richard Hermann]; Xenakis [Evan Jones]; Scelsi [Eric Drott]; Cage [David W. Bernstein]; Babbitt [Andrew Mead]; Carter [Jonathan W. Bernard]; Mel Powell [Jeffrey Perry]; Shulamit Ran [Robert W. Peck]

Longlisted for the Anglo-Hellenic League Runciman Award 2026Men of the Same Name is satirical, elegiac and memorable, bringing together lost books, burned libraries, Goethe, the lives and deaths of Presocratic philosophers, Paris, statues of Niobe, patterns in history, war, displacement, the evils of ambition, and Pachynian tuna.What if, Jones asks, instead of using the ancient world as a metaphorfor modern life, the poet uses modern life as a metaphor for the ancient world? Working in this way between allegory and reality, the book rethinks poetry's changing relationships to politics and our historical moment.A celebrated translator of Cavafy, here Jones blends translation (Goethe, Lucian of Samosata, Diogenes Laertius) with original poetry so that the world of his writing is distant yet familiar, both unequivocally our own and boldly inventive.

Political Economy Now! is the story of one of the most substantial and enduring conflicts in the history of Australian universities.