Evelyn S. Rawski – författare

During the eighteenth century, China’s new Manchu rulers consolidated their control of the largest empire China had ever known. In this book Susan Naquin and Evelyn S. Rawski draw on the most recent research to provide a unique overview and reevaluation of the social history of China during this period--one of the most dynamic periods in China’s early modern era."A lucid, original, and scholarly summary of the social, economic, and demographic history of China’s last great period of glory. This will be an important book for students of Chinese history."—Jonathan Spence, Yale University"Engaging, complex, and elegantly written. . . . Absorbing and valuable: a thorough, unique, and richly detailed account of the social forms and cultural and religious life of the people."—Choice"[An] interesting and well-informed survey of China between about 1680 and 1820."—W.J.F. Jenner, Asian Affairs"I would be a very odd scholar or general reader who could not derive profit from reading this elegant and painstaking survey of the social, cultural, and economic life of the Qing empire in its apparent prime. . . . A superb survey which readers may absorb and cherish."—Alexander Woodside, Pacific Affairs"A highly readable synthesis of recent secondary literature on the subject."—William S. Atwell, Journal of Asian Studies"Their coverage is comprehensive and their writing is clear and lucid. reading this book obtains one a very broad, yet penetrative, view of Chinese society at the time."—Alan P.L. Liu, Asian Thought & Society"The ground covered by this book is vast. . . . Its very breadth conveys with great clarity the extent of current knowledge of premodern China: it also serves as an excellent introduction to the social history of the Qing dynasty."—Hugh D.R. Baker, China Quarterly"This is a most challenging work and ambitious work. . . . Chinese Society in the Eighteenth Century give both the general reader and also the historian who does not study China a tool for grounding himself or herself in the basic patterns and trends that could be found in eighteenth century China as well as in the problems the specialists are now exploring. The book is also of great value to students of traditional and modern China, for it serves to synthesize much of the new literature on China in the High Qing. Thus it serves the ’China hand’ as a state of the field essay that shows just where we are even as it suggests directions for future research."—Murray A. Rubinstein, American Asian Review"This excellent book provides an intelligent summary our rapidly changing understanding of Chinese society in a crucial century of political stability and economic and demographic expansion. Susan Naquin and Evelyn S. Rawski are distinguished contributors to the field, energetically engaged in its multinational communication networks."—John E. Wills, Jr., American Historical Review

During the late imperial era (1500-1911), China, though divided by ethnic, linguistic, and regional differences at least as great as those prevailing in Europe, enjoyed a remarkable solidarity. What held Chinese society together for so many centuries? Some scholars have pointed to the institutional control over the written word as instrumental in promoting cultural homogenization; others, the manipulation of the performing arts. This volume, comprised of essays by both anthropologists and historians, furthers this important discussion by examining the role of death rituals in the unification of Chinese culture.

The Qing Dynasty (1644-1911) was the last and arguably the greatest of the conquest dynasties to rule China. Its rulers, Manchus from the north, held power for three centuries despite major cultural and ideological differences with the Han majority. In this book, Evelyn Rawski offers a bold new interpretation of the remarkable success of this dynasty, arguing that it derived not from the assimilation of the dominant Chinese culture, as has previously been believed, but rather from an artful synthesis of Manchu leadership styles with Han Chinese policies.

Popular Culture in Late Imperial China delves into the vibrant and multifaceted world of non-elite Chinese culture during the late imperial period, spanning roughly from 1550 to 1920. This collection of essays challenges the overemphasis on elite narratives in Chinese historical studies, highlighting the importance of exploring the values, ideas, and cultural expressions of the broader populace. Drawing on an array of texts—scriptures, plays, almanacs, novels, and oral traditions—the contributors investigate how popular culture was produced, consumed, and transmitted across social strata. Through this lens, the book reveals a cultural landscape that was both deeply diverse and intricately integrated, reflecting shared values and beliefs despite differences in class, region, and literacy.The essays explore topics such as local drama, sectarian religious practices, and the interplay between oral and written traditions, emphasizing how these cultural elements served as conduits for communication and the diffusion of values. The book also examines how popular culture intersected with state ideologies and policies, with some essays detailing the state's role in promoting or suppressing certain religious and cultural practices. From the transformation of folk deities into national symbols to the use of simplified explanations of imperial edicts for public instruction, Popular Culture in Late Imperial China illustrates the dynamic interaction between elite and non-elite spheres. This work is an essential resource for understanding the cultural richness of late imperial China and the social forces that shaped its historical trajectory.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.

Popular Culture in Late Imperial China delves into the vibrant and multifaceted world of non-elite Chinese culture during the late imperial period, spanning roughly from 1550 to 1920. This collection of essays challenges the overemphasis on elite narratives in Chinese historical studies, highlighting the importance of exploring the values, ideas, and cultural expressions of the broader populace. Drawing on an array of texts—scriptures, plays, almanacs, novels, and oral traditions—the contributors investigate how popular culture was produced, consumed, and transmitted across social strata. Through this lens, the book reveals a cultural landscape that was both deeply diverse and intricately integrated, reflecting shared values and beliefs despite differences in class, region, and literacy.The essays explore topics such as local drama, sectarian religious practices, and the interplay between oral and written traditions, emphasizing how these cultural elements served as conduits for communication and the diffusion of values. The book also examines how popular culture intersected with state ideologies and policies, with some essays detailing the state's role in promoting or suppressing certain religious and cultural practices. From the transformation of folk deities into national symbols to the use of simplified explanations of imperial edicts for public instruction, Popular Culture in Late Imperial China illustrates the dynamic interaction between elite and non-elite spheres. This work is an essential resource for understanding the cultural richness of late imperial China and the social forces that shaped its historical trajectory.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.

This volume of nine essays draws together leading scholars in anthropology, social history, musicology, and ethnomusicology to address the roles and functions of music in the Chinese ritual context. How does music, one of a constellation of essential performative elements in almost all rituals, empower an officiant, legitimate an officeholder, create a heightened state of awareness, convey a message, or produce a magical outcome, a transition, a transformation? After an introduction by the volume editors, Bell Yung proposes a theoretical framework for dealing with Chinese ritual sound. A group of three essays focuses on the music for rituals that create political and social legitimacy followed by a second group of essays considering the music associated with rites of passage. Two essays then deal with the music accompanying rituals of propitiation. In all these cases, music is seen to play a critical role, if not the core of the ritual.

In this revisionist history of early modern China, Evelyn Rawski challenges the notion of Chinese history as a linear narrative of dynasties dominated by the Central Plains and Hans Chinese culture from a unique, peripheral perspective. Rawski argues that China has been shaped by its relations with Japan, Korea, the Jurchen/Manchu and Mongol States, and must therefore be viewed both within the context of a regional framework, and as part of a global maritime network of trade. Drawing on a rich variety of Japanese, Korean, Manchu and Chinese archival sources, Rawski analyses the conflicts and regime changes that accompanied the region's integration into the world economy during the sixteenth and seventeenth centuries. Early Modern China and Northeast Asia places Sino-Korean and Sino-Japanese relations within the context of northeast Asian geopolitics, surveying complex relations which continue to this day.