Fabio Santos – författare

Interweaving rich ethnographic descriptions with an innovative theoretical approach, this book explores and unsettles conventional maps and understandings of Europe and the Americas. Through an examination of the recently inaugurated cross-border bridge between France’s overseas department of French Guiana and Brazil’s northern state of Amapá, which effectively acts as a one-way street and serves to perpetuate inequalities in a historically deeply entangled region, it foregrounds the ways in which borderland inhabitants such as indigenous women, illegalised migrants, and local politicians deal with these inequalities and the increasingly closed Amazonian border in everyday life. A study that challenges the coloniality of memory, this volume shows how the borderland along and across the Oyapock River, far from being the hinterland of France and Brazil, in fact illuminates entangled histories and their concomitant inequalities on a large scale. As such, it will appeal to scholars of sociology and border studies with interests in postcolonialism, memory, and inequality.

Interweaving rich ethnographic descriptions with an innovative theoretical approach, this book explores and unsettles conventional maps and understandings of Europe and the Americas. Through an examination of the recently inaugurated cross-border bridge between France’s overseas department of French Guiana and Brazil’s northern state of Amapá, which effectively acts as a one-way street and serves to perpetuate inequalities in a historically deeply entangled region, it foregrounds the ways in which borderland inhabitants such as indigenous women, illegalised migrants, and local politicians deal with these inequalities and the increasingly closed Amazonian border in everyday life. A study that challenges the coloniality of memory, this volume shows how the borderland along and across the Oyapock River, far from being the hinterland of France and Brazil, in fact illuminates entangled histories and their concomitant inequalities on a large scale. As such, it will appeal to scholars of sociology and border studies with interests in postcolonialism, memory, and inequality.

An international arts organisation and network engaging with music, dance, theatre and visual art, Phakama creates adventurous, site-responsive performances with large groups of people from diverse backgrounds. With contributions from participants, artists, academics and cultural commentators from India, Ireland, South Africa, the UK and USA, this book features case studies, interviews and articles covering two decades of practice. At the heart of the book is a selection of carefully explained and beautifully illustrated exercises which will enable Phakama's methodology to be used by organisations and practitioners working with young people internationally.Phakama is a Xhosa and Zulu word for stand up, arise, empower yourself. With a focus on collaborative, non-hierarchical performance making, Phakama invites cultural sharing and critical engagement with the world we live in. As well as engaging with political and critical concerns about contemporary theatre and performance, the book offers unique approaches to devising theatre, applied and social theatre, intercultural performance practices and pedagogic models of collaboration and cultural leadership.

An international arts organisation and network engaging with music, dance, theatre and visual art, Phakama creates adventurous, site-responsive performances with large groups of people from diverse backgrounds. With contributions from participants, artists, academics and cultural commentators from India, Ireland, South Africa, the UK and USA, this book features case studies, interviews and articles covering two decades of practice. At the heart of the book is a selection of carefully explained and beautifully illustrated exercises which will enable Phakama's methodology to be used by organisations and practitioners working with young people internationally.Phakama is a Xhosa and Zulu word for stand up, arise, empower yourself. With a focus on collaborative, non-hierarchical performance making, Phakama invites cultural sharing and critical engagement with the world we live in. As well as engaging with political and critical concerns about contemporary theatre and performance, the book offers unique approaches to devising theatre, applied and social theatre, intercultural performance practices and pedagogic models of collaboration and cultural leadership.

Die Herausgebenden legen mit „Globale Soziologie“ einen Band vor, der in Debatten um die Dekolonisierung der Disziplin interveniert. Sie vereinen Beiträge, die anhand dreier Fragenkomplexe die international bereits geebneten, im deutschsprachigen Raum jedoch kaum betretenen Wege zu einer Globalen Soziologie aufzeigen und erweitern. Sie stellen zunächst die Geschichte der Soziologie auf den Prüfstand und fragen, von welchen Standpunkten aus „klassische“ Theorien entworfen wurden und wessen Lebensrealitäten sie erfassen und adressieren. Insbesondere die ungleichen Voraussetzungen in der Konstruktion und Zirkulation von „Klassikern“ bei institutionell hergestellter Unsichtbarkeit anderer Werke finden Berücksichtigung. Zweitens gehen die Beiträge des Buchs der Frage nach, welche epistemologischen und methodologischen Schlüsse sich aus diesen historiographischen und theoretischen Kritiken und Rekonstruktionen ziehen lassen. Sie erarbeiten Vorschläge, die einen erkenntnistheoretischen Wandelhin zu einer reflexiven, multiperspektivischen und global verflochtenen Soziologie begründen und fortführen können. Drittens werden Schlüsselthemen identifiziert und anhand empirischer Studien aus der Arbeits-, Migrations- und Geschlechtersoziologie illustriert.