Federico García Lorca – författare

'Lorca brought an understanding of the paradox that was Spain - sensuality chafing under a rigid moral code, individual desire at war with tradition.' Manuel DuranFederico García Lorca is perhaps the most celebrated of all twentieth-century Spanish writers, known not only for his plays but also for several collections of poems published both in his short lifetime and after. Lorca's poetry is steeped in the land, climate, and folklore of his native Andalusia, though he writes memorably of New York and Cuba too. Often in modernist idiom, and full of startling imagery, he evokes a world of intense feelings, silent suffering, and dangerous love.This selection balances poems from Lorca's early collections with his better-known work to give a clear vision of his poetic development. Martin Sorrell's accomplished translations are complemented by D. Gareth Walters's shrewd Introduction, with its distinctive focus on the achievements of the poet. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

La casa de Bernarda Alba (1936) es una de las obras teatrales más conocidas y representadas de Federico García Lorca, y la última que publicó antes de su muerte. No fue hasta 1945 cuando se publicó y estrenó en Buenos Aires, de la mano de la actriz Margarita Xirgu. Escrita en tres actos, y ambientada en una época en la que las mujeres están sujetas a la tradición y opresión, Lorca utiliza esta obra para representar la lucha entre la represión y la libertad.Tras la muerte de su segundo marido, Bernarda Alba, de carácter fuerte y autoritario, obliga a sus hijas, como luto, a una reclusión de 8 años en su casa. Será ahí donde se desarrollará toda la obra teatral, donde sus cinco hijas lucharán por liberarse de su encierro.

The notion of “duende”—a demonic earth spirit embodying irrationality, earthiness, and a heightened awareness of death—became a cornerstone of Lorca’s poetics. In Search of Duende gathers Lorca’s writings about the duende and three art forms susceptible to it: dance, music, and the bullfight. A bilingual sampling of Lorca’s poetry is also included, making this an excellent introduction to Lorca’s poetry and prose for American readers.

La casa de Bernarda Alba es es una tragedia en prosa escrita por Federico García Lorca en 1936, poco antes de su asesinato, y considerada su última gran obra teatral. Fue estrenada de forma póstuma en Buenos Aires en 1945, bajo la dirección de Margarita Xirgu, estrecha colaboradora del autor.Ambientada en un pueblo andaluz, la obra narra la vida de Bernarda Alba y sus cinco hijas, sometidas a un riguroso luto de ocho años tras la muerte del padre. El encierro, la represión y el deseo contenido marcan una convivencia asfixiante, que terminará por estallar en tragedia.Inspirada en observaciones reales de la vida rural andaluza, La casa de Bernarda Alba es una profunda reflexión sobre el poder, la tradición, la represión femenina y el conflicto entre el deber social y la libertad personal.

I Spanien i mitt hjärta har Thomas Almqvist valt ut elva spanska favoritpoeter, varav flera aldrig tidigare har översatts till svenska. Antonio Machado, Federico García Lorca, Miguel Hernández, Rafael Alberti, Emilio Prados, Gabriel Celaya, Vicente Aleixandre, León Felipe, Blas de Otero, José Agustín Goytisolo och Carlos Bousoño. Många av poeterna i urvalet hörde till Generation 27, kallad La Generación de la República, »Republikens Generation«. Tre av dessa elva dog som martyrer under eller strax efter spanska inbördeskriget 1936-1939 – Lorca, Hernández och Machado, medan de andra fängslades eller tvingades i landsflykt. Kriget och döden är ofta närvarande i dessa dikter, men här finner läsaren också dikter om kärlek, om längtan till havet och naturen, om kamp och uppror.

This first English-language edition of Federico Garcia Lorca’s Selected Letters presents an intimate autobiographical record of the Spanish poet from the age of twenty to a month before his death at the hands of Franco’s forces in 1936. “I was born for my friends,” Lorca wrote to Melchor Fernández Almagro in 1926, and these letters reveal the personality his friends found so magical. (“A happiness, a brilliance…” Pablo Neruda called him.) Lorca was by turns sympathetic, generous, demanding, whimsical, insecure, and always lyrical. Over the nineteen years covered in this selection, he maintained a correspondence with his closest friends, particularly his childhood companion Melchor Fernández Almagro and his fellow poet Jorge Guillén, and wrote in concentrated bursts to many others. He could be playful with Salvador Dali’s younger sister Ana Maria; deferential to composer Manuel de Falla; lively and descriptive with his family; and exasperating to Barcelona critic Sebastian Gasch as he poured out literary plans and solicited favors, ever impassioned but good-natured. With their frequent enclosures of poems and scenes from plays, the letters also chronicle Lorca’s growth as an artist, from self-doubting romantic dilettante to confident, internationally respected playwright and poet. Begun at Columbia University under the aegis of Lorca’s brother, Francisco Garcia Lorca, the translation and selection of these letters has been made by David Gershator, poet, teacher, and co-founder of the Downtown Poets Co-op. Dr. Gershator has also provided an informative biographical introduction.

In The House of Bernarda Alba, a tyrannical matriarch rules over her house and five daughters, cruelly crushing their hopes and needs. The other plays here also portray female characters whose desires are tragically and violently frustrated: a woman’s longing for a child in Yerma, and a bride’s yearning for her lover in Blood Wedding. All appeal for freedom and sexual and social equality, and are also passionate defences of the imagination: in Christopher Maurer’s words, ‘poetic drama unsurpassed by any writer of our time’.

Spain's greatest and most well-loved modern poet, Lorca has long been admired for the emotional intensity and dark brilliance of his work, which drew on music, drama, mythology and the songs of his Andulucian childhood. From the playful Suites and stylized Gypsy Ballads, to his own dark vision of urban life, Poet in New York, and his elegaic meditation on death, Lament for Ignacio Sánchez Mejías; his range was remarkable. This bilingual edition provides versions by distinguished poets and translators, drawing on every book of poems published by Lorca and on his uncollected works.

`I have made a terrible discovery ... I have not yet been born ... I live off borrowed substance; what I have within me is not mine.'In his four last plays Federico García Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s - unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The ill-fated lovers of Blood Wedding, the desolate Yerma, the fading spinster Rosita, and Bernarda Alba's abused household of women all inhabit a familiar Andalusia. Their predicaments are starkly plotted, with a stagecraft rooted in classical theatrical tradition. In such figures Lorca addresses the cultural and political ferment of his time with a fiercely libertarian assault on 'old and wrong moralities', fusing the personal and the political through his virtuoso mastery of images. Yet all that mastery can barely keep at bay the anguished contradictions of these doomed human lives. Hence the authentic sense of danger - the duende, to use his own word of Lorca's theatre, finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

My heartbrims with billowsand minnowsof shadows and silverBeautiful, brutal, strange and lovely: this is Lorca reborn, in a selection of previously unpublished pieces and masterful new translations. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

Heralded as one of the geniuses of twentieth-century literature, Federico García Lorca is among Spain’s most beloved poets and dramatists. Gypsy Ballads, his most influential collection of verses, fuses the traditional form of the Spanish ballad with startling imagery, metaphor and wit, showcasing his bold, experimental style. In these deeply political, dream-like poems, inspired by the rhythms, lore and struggles of the marginalised Roma people, Lorca has encapsulated the essence of Andalusia.Now, for the very first time in the English language, the text has been translated in rhyming ballad metre, allowing readers to experience the extraordinary musicality and beauty of Lorca’s masterpiece.

90 classic titles celebrating 90 years of Penguin BooksNow you slip away in sleep.Your boat is sea-mist, dreaming, by the shore.Spain’s most beloved poet, Federico García Lorca brilliantly captures the beauty and brutality of the twentieth century. His creative imagination transcends his own experiences – be it from the perspective of an ant, a gypsy nun, or Socrates – to meditate on death, love and honour, and to interrogate the decay and pretence of his society. Lorca’s poetry excites, moves and disarms.

Written while Federico Garcia Lorca was a student at Columbia University in 1929-30, Poet in New York is one of the most important books he produced, and certainly one of the most important books ever published about New York City. Indeed, it is a book that changed the direction of poetry in both Spain and the Americas, a path breaking and defining work of modern literature. Timed to coincide with the citywide celebration of Garcia Lorca in New York planned for 2013, this edition, which has been revised once again by the renowned Garcia Lorca scholar Christopher Maurer, includes thrilling material -new photographs, new and emended letters - that has only recently come to light. Complementing these additions are Garcia Lorca's witty and insightful letters to his family describing his feelings about America and his temporary home there (a dorm room in Columbia's John Jay Hall), the annotated photographs that accompany those letters, a prose poem, extensive notes, and an interpretive lecture by Garcia Lorca himself.An excellent introduction to the work of a key figure of modern poetry, this bilingual edition of Poet in New York, a strange, timeless, vital book of verse, is also an exposition of the American city in the twentieth century.

These three tragedies were written at the height if Lorca's powers and display his innovative mix of Spanish popular tradition and modern dramatic technique. Blood Wedding tells the story of a couple drawn irresistibly together in the face of an arranged marriage; Dona Rosita the Spinster follows the appalling fate of a young woman beguiled into the expectation of marriage and left stranded for a lifetime whilst Yerma is possibly Lorca's harshest play following a woman's Herculean struggle against the curse of infertility. Set in and around his home territory, Granada, the plays return again and again to the lives of passionate individuals, particularly women, trapped by the social conventions of narrow peasant communities. The plays appear here in new playable translations.

"Lorca is one of the few indisputably great dramatists of the twentieth century" Observer The Shoemaker's Wonderful Wife and The Love of Don Perlimplin use an old story of the old man married to the young wife to expose the social attitudes of a traditional Spain bound by rigid concepts of decency, reputation and honour. The Puppet Play deploys the puppets' uninhibited and passionate emotions as a direct attack on the 'tedious triviality' of commercial theatre. The Butterfly's Evil Spell explores the themes of love and frustration, while When Five Years Pass is a surrealist play with references to the film Un Chien Andalou [The Andalusian Dog] by Lorca's friend and collaborator, Luis Bunuel.

"Lorca is one of the few indisputably great dramatists of the twentieth century" Observer Mariana Pineda achieved immediate critical success on its first performance in Barcelona in 1927. The Public is a powerful and uncompromising demand for sexual, and specifically homosexual, freedom - as predicted it was never performed in Lorca's time - it was first performed in this country by Theatre Royal Stratford East in the 80s. Play Without a Title, an unfinished Lorca rarity, realises his wish 'to do something different, including modern plays on the age we live in'.

Lorca's Blood Wedding is a classic of twentieth-century theatre. The story is based on a newspaper fragment which told of a family vendetta and a bride who ran away with the son of the enemy family. Lorca uses it to investigate the subjects which fascinated him: desire, repression, ritual, and the constraints and commitments of the rural Spanish community in which the play is rooted. Ted Hughes's version stays close in spirit and letter to the original Spanish. With marvellous directness, he fused Lorca's vision to his own, and the result is a powerful poetic text which captures all the violence and pathos of the play for an English-speaking audience.

Finished just two months before the author's murder on 18 August 1936 by a gang of Franco's supporters, The House of Bernarda Alba is now accepted as Lorca's great masterpiece of love and loathing.Five daughters live together in a single household with a tyrannical mother. When the father of all but the eldest girl dies, a cynical marriage is advanced which will have tragic consequences for the whole family. Lorca's fascinatingly modern play, rendered here in an English version by David Hare, speaks as powerfully as a political metaphor of oppression as it does as domestic drama. The House of Bernarda Alba premiered at the National Theatre, London, in March 2005.

A. L. Lloyd was nothing if not versatile, ethnomusicologist, journalist, radio and television broadcaster, and translator. It is as the author of Folk Song in England, also reissued in Faber Finds, that he is best known, but, in this his centenary year (2008) Faber Finds is also celebrating him as a translator.1937 was A. L. Lloyd's annus mirabilis as a translator. In it he published both his translations of Lorca - Lament for the Death of a Bullfighter - and Kafka's Metamorphosis. There aren't many who can translate with equal facility from Spanish and German. Not only did A. L. Lloyd do that, his translations were both firsts, the first translation of Lorca into English and the first English translation of Kafka's most famous story. On first publication A. L. Lloyd's Lorca translation was widely praised with V. S. Pritchett especially commending it in The New Statesman.

Finished just two months before the author's murder on 18 August 1936 by a gang of Franco's supporters, The House of Bernarda Alba is now accepted as Lorca's great masterpiece of love and loathing.Five daughters live together in a single household with a tyrannical mother. When the father of all but the eldest girl dies, a cynical marriage is advanced which will have tragic consequences for the whole family. Lorca's fascinatingly modern play, rendered here in an English version by David Hare, speaks as powerfully as a political metaphor of oppression as it does as domestic drama. The House of Bernarda Alba premiered at the National Theatre, London, in March 2005.

A bride promised. A blood vow broken. The vengeance of a village released.I want you green. Green wind, green branches. Boat on the ocean. Horse on the mountain. Written in the summer of 1932 with the Spanish civil war looming, Lorca's anarchic meditation on the fate of the individual versus society is a prophetic foreshadowing of the violence that would soon tear his beloved country apart and lead to his own tragic end.The mysteries of love and hate are explored against the backdrop of a community gearing up to unleash these elemental forces upon itself, with unstoppable consequences.What is done cannot be undone.Marina Carr's version of Federico García Lorca's Blood Wedding premiered at the Young Vic, London, in September 2019.