Fiona Robinson – författare

Although there is excellent work being done on ethics/normative theory and international relations and on gender/feminist theory and international relations, very little is available that seeks, explicitly, to integrate the two fields. Moreover, while feminist ethics, which explore the theory of care and noncontractual values such as trust and resp

This volume addresses the theoretical and practical relationships among the feminization of migrant labour, the ethics of care, and social policy in the new global economy.

This volume addresses the theoretical and practical relationships among the feminization of migrant labour, the ethics of care, and social policy in the new global economy.

Although there is excellent work being done on ethics/normative theory and international relations and on gender/feminist theory and international relations, very little is available that seeks, explicitly, to integrate the two fields. Moreover, while feminist ethics, which explore the theory of care and noncontractual values such as trust and responsibility, are increasingly linked to political theory, there appears to be a reluctance to relate this moral theory to the specific questions of international or global political theory.In Globalizing Care, Fiona Robinson successfully weaves feminist theory and ethics with international relations. By bringing in the important contributions of feminist moral and political theorists, contributions that are notably absent from most of the important work in this field, Robinson broadens the debate on normative theory in international relations. This text will be essential reading for students and scholars of gender or feminist studies, international relations, philosophy, and political theory and of special interest to scholars of feminist, moral, and political philosophy.

A gorgeous picture book biography of botanist and photographer Anna Atkins--the first person to ever publish a book of photographyAfter losing her mother very early in life, Anna Atkins (1799–1871) was raised by her loving father. He gave her a scientific education, which was highly unusual for women and girls in the early 19th century. Fascinated with the plant life around her, Anna became a botanist. She recorded all her findings in detailed illustrations and engravings, until the invention of cyanotype photography in 1842. Anna used this new technology in order to catalogue plant specimens—a true marriage of science and art. In 1843, Anna published the book Photographs of British Algae: Cyanotype Impressions with handwritten text and cyanotype photographs. It is considered the first book of photographs ever published. Weaving together histories of women, science, and art, The Bluest of Blues will inspire young readers to embark on their own journeys of discovery and creativity.

An innovative picture book biography about an unsung hero of early animationLotte Reiniger (1899–1981) was a German film director and animator best known for The Adventures of Prince Achmed, which was released in 1926 and is the oldest surviving animated movie. (It came out a full 11 years before Disney’s Snow White!) As a little kid, Reiniger loved reading fairytales and fell in love with puppetry. At school, she learned about paperschnitte, or papercuts, which helped her create her signature style of silhouettes. She grew up to make more than 40 films throughout her long career, most of which were fairytales that used her stop-film animation technique of hand-cut silhouettes. Reiniger is now seen as the foremost pioneer of silhouette animation and the inventor of an early form of the multiplane camera. With art inspired by Reiniger’s cut-paper style and a text that uses a fairytale motif that mimics her movies, Out of the Shadows is a sweeping tribute to one of most important figures of animation, whose influence still resonates today.

Applying feminist ethics to a comprehensive reworking of the theory of human security, addressing such issues as poverty, health, environment, conflict and peace building

Applying feminist ethics to a comprehensive reworking of the theory of human security, addressing such issues as poverty, health, environment, conflict and peace building

A Room of One's Own is a very clear example of how creative thinkers connect and present things in novel ways. Based on the text of a talk given by Virginia Woolf at an all-female Cambridge college, Room considers the subject of 'women and fiction.' Woolf’s approach is to ask why, in the early 20th century, literary history presented so few examples of canonically 'great' women writers. The common prejudices of the time suggested this was caused by (and proof of) women's creative and intellectual inferiority to men. Woolf argued instead that it was to do with a very simple fact: across the centuries, male-dominated society had systematically prevented women from having the educational opportunities, private spaces and economic independence to produce great art. At a time when 'art' was commonly considered to be a province of the mind that had no relation to economic circumstances, this was a novel proposal. More novel, though, was Woolf's manner of arguing and proving her contentions: through a fictional account of the limits placed on even the most privileged women in everyday existence. An impressive early example of cultural materialism, A Room of One's Own is an exemplary encapsulation of creative thinking.

A Room of One's Own is a very clear example of how creative thinkers connect and present things in novel ways. Based on the text of a talk given by Virginia Woolf at an all-female Cambridge college, Room considers the subject of 'women and fiction.' Woolf’s approach is to ask why, in the early 20th century, literary history presented so few examples of canonically 'great' women writers. The common prejudices of the time suggested this was caused by (and proof of) women's creative and intellectual inferiority to men. Woolf argued instead that it was to do with a very simple fact: across the centuries, male-dominated society had systematically prevented women from having the educational opportunities, private spaces and economic independence to produce great art. At a time when 'art' was commonly considered to be a province of the mind that had no relation to economic circumstances, this was a novel proposal. More novel, though, was Woolf's manner of arguing and proving her contentions: through a fictional account of the limits placed on even the most privileged women in everyday existence. An impressive early example of cultural materialism, A Room of One's Own is an exemplary encapsulation of creative thinking.

Care ethics first emerged as an attempt to decenter ethics; feminist scholars like Carol Gilligan argued that women’s moral experiences were not reflected in the dominant, masculinist approaches to ethics, which were centered on a rational, disembodied, atomistic moral subject. Care ethics challenged this model by positing ethics as relational, contextualized, embodied, and realized through practices rather than principles. Over the past decades, many care ethics scholars have sought to further this project by considering care politically and epistemologically, in relation to various intersecting hierarchies of power and knowledge.This book advances this project by discussing the ways care ethics contributes to the decentering of dominant epistemologies and to the challenging of privilege and by considering how to decenter care ethics itself via an encounter with non-Western philosophical traditions and alternative epistemologies. Written by scholars from different countries, disciplines, and intellectual traditions, the volume offers original care ethics contributions on epistemic injustice, privileged irresponsibility, ecofeminism, settler colonialism, social movements such as BLM, and various racialized and gendered inequities tied to care work.