Ford Madox Ford - Böcker

Consisting of four novels - Some Do Not..., No More Parades, A Man Could Stand Up and The Last Post - Parade's End is the story of Christopher Tietjens and his progress from the secure world of Edwardian England into the First World War and beyond. Both a portrait of a love triangle - between Tietjens, his beautiful and reckless wife Sylvia, and the suffragette Valentine - and a depiction of life on the Western Front, Parade's End is one of the greatest fictional works of the twentieth century. Ranging from the drawing rooms of England to the trenches of France, and moving between past and present, it is a haunting exploration of identity, loss and memory.

A brilliant and heart-rending evocation of destructive passion.When John Dowell and his wife befriend Edward and Leonora Ashburnham they appear to be the perfect couple. He is a distinguished soldier and she is beautiful and intelligent. However, what lies beneath the surface of their marriage is far more sinister and their influence leads John into a tragic drama that threatens to destroy everything he cares about.WITH AN INTRODUCTION BY ZOE HELLER

Ford Madox Ford's extraordinary novel of passion and betrayal, The Good Soldier, is edited with an introduction by David Bradshaw in Penguin Classics.The Dowells, a wealthy American couple, have been close friends with the Ashburnhams for years. Edward Ashburnham, a first-rate soldier, seems to be the perfect English gentleman, and Leonora his perfect wife, but beneath the surface their marriage seethes with unhappiness and deception. Our only window on the strange tangle of events surrounding Edward is provided by John Dowell, the husband he deceives. Gradually Dowell unfolds a devastating story, in which everyone's honesty is in doubt. The Good Soldier is a masterpiece of narrative skill and emotional depth.David Bradshaw's introduction discusses John Dowell as the classic unreliable narrator and as English literature's most fascinating enigma, and shows how Ford Madox Ford's unconventional narrative structure makes The Good Soldier a modernist masterwork. Ford Madox Ford (1873-1939), born in Surrey and educated in England, Germany and France, changed his original surname, Hueffer, in 1919, after having served with the British army in World War I. As well as founding both the English Review and the Transatlantic Review, home to such writers as James Joyce, Ezra Pound and Gertrude Stein, Ford was the author of more than sixty works including novels, poems, criticism, travel writing and reminiscences. The Good Soldier (1915) is considered his masterpiece.If you enjoyed The Good Soldier, you might like Ford's Parade's End, also available in Penguin Classics, and now the subject of a major new BBC/HBO television miniseries.'A masterpiece'Julian Barnes, Booker Prize-winning author of The Sense of an Ending'I don't know how many times in nearly forty years I have come back to this novel'Graham Greene

'This is the saddest story I have ever heard.'Wealthy American John Dowell describes in a disarmingly casual, compellingly intimate manner how he and his wife Florence meet an English couple in a German spa resort. They become friends over the years and gradually the history of their relationships and the passions that lie behind the orderly Edwardian façade are unveiled. Dowell is the archetypal 'unreliable narrator', and his casual revelations are both unexpected and explosive. A masterpiece of early Modernism and a virtuoso performance of literary skill, Ford's 'Tale of Passion' reflects contemporary interests in psychology, sexuality, and the New Woman. Its portrayal of the destruction of a civilized elite anticipates the cataclysm of the First World War, which erupted while Ford was finishing the book. This new edition includes Ford's important essay 'On Impressionism', which sheds valuable light on his artistic technique. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Originally titled “The Saddest Story” and heralded by Graham Greene as “one of the finest novels of our century,” Ford’s 1915 tale of passion and deceit in the lives of two married couples is a modernist masterpiece. The Norton Critical Edition of The Good Soldier allows the reader to thoroughly study Ford’s great work and unravel its mysteries and meanings. This Second Edition is again based on the meticulously edited first text of the novel and offers detailed annotation, a note on the text, and sections on textual variants and manuscript development along with pertinent illustrations."Backgrounds and Contexts" brings together important appraisals of the work directly following its publication. Reactions from Rebecca West and Theodore Dreiser are included among the reviews. The section also collects critiques on literary impressionism, including one by Ford, and related writings by Henry James and by frequent Ford collaborator Joseph Conrad, among others."Biographical and Critical Commentary" collects differing assessments of The Good Soldier. Contributions from Richard Aldington, Samuel Hynes, John A. Meixner, Frank Kermode, Carol Jacobs, Thomas C. Moser, Ann Barr Snitow, and Vincent J. Cheng are joined by new selections from Colm Toibin, John G. Peters, Max Saunders, Karen A. Hoffman, and Julian Barnes.A Selected Bibliography is also included.

Novelist, poet, literary critic, editor, a founding father of English Modernism, and one of the most significant novelists of the twentieth century, Ford Madox Ford (1873-1939) was the author of over eighty books, editor of The English Review and The Transatlantic Review, and collaborator with Joseph Conrad on The Inheritors, Romance, and other works. His most famous novel is The Good Soldier (1915).This collection contains essays and letters on the English novel, impressionism, vers libre, Joseph Conrad, H. G. Wells, Henry James, Herbert Read, and Ernest Hemingway.

Critical Essays showcases a critic whom Ezra Pound called in 1914, "the best critic in England, one might say the only critic of any importance." This volume provides access to the best of Ford Madox Ford's essays. The essays are arranged chronologically and span nearly forty years--covering most of Ford's writing life. Saunders and Stang have included essays, literary portraits, and book reviews that Ford published in the English Review, The Tribune, The Bystander, The Outlook, Piccadilly Review, the Transatlantic Review, and the Chicago Tribune Sunday Magazine, among other places.

Ford wrote with engaging frankness about himself and his contemporaries. These reminiscences are an intimate personal record of a life distinguished by literary achievements and friendships with notable writers of his time.