Frances A Shirley - Böcker

First published in 1979.How do the elements of swearing and perjury work in Shakespeare's plays? What effect did Shakespeare intend when he wrote them? How did they contribute to the delineation of character? These questions are investigated by combining a history of ideas approach with close textual analysis.The book begins by bringing together material from a wide range of contemporary sources in order to create a sense of popular awareness of oaths in Queen Elizabeth's time. Out of this emerges a scale of the relative strength of various oaths, an awareness of the ways in which people regarded perjury, and an appreciation of the attempts to prohibit profanity. Shakespeare's work is then examined against this background.

This edition is the first to offer a detailed account of the theatrical treatment of Troilus and Cressida on the British and North American stages from its first revivals at the beginning of the twentieth century to the present. As social turmoil increased, audiences grew more in tune with the play's cynical undercutting of the Homeric tale of Greeks and Trojans, and less dismissive of Shakepeare's dark comedic treatment of the Medieval tale of Troilus and Cressida. This edition of this problematic and fascinating play traces its theatrical history, drawing upon critical responses, photographic archives, promptbooks, and video tapes of more recent productions to trace changes in production styles and emphases. Stage history is placed against a broader background of social change including shifting attitudes towards war, politics, sexual issues, and the rise of feminism that has increased understanding of Cressida's actions in a wartime man's world.

This edition is the first to offer a detailed account of the theatrical treatment of Troilus and Cressida on the British and North American stages from its first revivals at the beginning of the twentieth century to the present. As social turmoil increased, audiences grew more in tune with the play's cynical undercutting of the Homeric tale of Greeks and Trojans, and less dismissive of Shakepeare's dark comedic treatment of the Medieval tale of Troilus and Cressida. This edition of this problematic and fascinating play traces its theatrical history, drawing upon critical responses, photographic archives, promptbooks, and video tapes of more recent productions to trace changes in production styles and emphases. Stage history is placed against a broader background of social change including shifting attitudes towards war, politics, sexual issues, and the rise of feminism that has increased understanding of Cressida's actions in a wartime man's world.

First published in 1979.How do the elements of swearing and perjury work in Shakespeare's plays? What effect did Shakespeare intend when he wrote them? How did they contribute to the delineation of character? These questions are investigated by combining a history of ideas approach with close textual analysis.The book begins by bringing together material from a wide range of contemporary sources in order to create a sense of popular awareness of oaths in Queen Elizabeth's time. Out of this emerges a scale of the relative strength of various oaths, an awareness of the ways in which people regarded perjury, and an appreciation of the attempts to prohibit profanity. Shakespeare's work is then examined against this background.

Originally published in 1988. Arranged by play, the essays presented here focus first on production and then on a range of other issues such as characters, imagery, textual problems and themes. Both plays were more popular in earlier centuries and most later essayists focused on small issues rather than view the plays in wider perspective. More recent pieces included here seek organising principles for King John and look in more detail at Henry VIII. Beginning with the in-depth introduction by the editor, this collection shows the reception of the play by its Elizabethan audience compared to twentieth century audiences and looks at the history portrayed by Shakespeare. Some chapters review very varied stage productions while others are character analysis or individual focuses.