Francis X. Connor – författare

'The moon's an arrant thief,And her pale fire she snatches from the sun.'How should society treat its bankrupts? What are the ethics of debt collection? What does it mean to be rich, to be poor? And can you ever really buy friendship? In Timon of Athens, Shakespeare and Middleton pose these and other questions as they chart the dramatic downfall of an Athenian nobleman, exposing the corrosive effects of money and status. At once a critique of wealth inequality and a meditation on the fragility of human bonds, the play presents Timon as one of the playwright's most puzzling and enigmatic creations. In her introduction, Sophie Battell connects early modern debates on usury to the continuing reverberations of the recent financial crisis and global recession. The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'A pair of star-crossed lovers take their life'This edition provides a clear and accessible introduction to Shakespeare's enduring tale of ill-fated lovers. Hannah August pays particular attention to the dramatic function of the famous prologue and the significance of the play's ending. August also explores ways of reading the play as a text that queries rather than validates the tenets of heterosexual romantic love, proving that at multiple points throughout the play's four-hundred-years-plus stage history, Verona has been more queer than the prevailing view of Romeo and Juliet as a core text of heterosexual love might lead us to believe. It includes a substantial section which addresses the play's early modern production and reception history in both print and performance, as well as providing an overview of later performance traditions drawing on up-to-date examples of key productions.The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

''We that are true lovers run into strange capers.''Four centuries after its publication in the Folio, As You Like It''s capacity to entertain and instruct remains evergreen. This edition provides a friendly yet authoritative introduction to the play, upholding it as a crowning expression of the Elizabethan Renaissance while underscoring its appeal to twenty-first century readers as Shakespeare''s most intrepid exploration of gender, sexuality, and the environment. Its double-cross-dressed heroine dominates the plot (and their love interest Orlando) to conduct a masterclass in gender fluidity. The melancholic Jaques unmasks the fundamental theatricality of existence and questions humanity''s prerogative to displace and harm other species. Through the clown Touchstone, the comedy tests the possibility that we might laugh ourselves wise, especially when we learn to laugh at ourselves. In the Forest of Arden, we encounter Shakespeare''s most beguiling vision of the natural world as a realm of serenity and harmony, while brushing up against the briars that puncture our fantasies of the simple life. The New Oxford Shakespeare offers authoritative editions of Shakespeare''s works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare''s work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare''s work.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

''We that are true lovers run into strange capers.''Four centuries after its publication in the Folio, As You Like It''s capacity to entertain and instruct remains evergreen. This edition provides a friendly yet authoritative introduction to the play, upholding it as a crowning expression of the Elizabethan Renaissance while underscoring its appeal to twenty-first century readers as Shakespeare''s most intrepid exploration of gender, sexuality, and the environment. Its double-cross-dressed heroine dominates the plot (and their love interest Orlando) to conduct a masterclass in gender fluidity. The melancholic Jaques unmasks the fundamental theatricality of existence and questions humanity''s prerogative to displace and harm other species. Through the clown Touchstone, the comedy tests the possibility that we might laugh ourselves wise, especially when we learn to laugh at ourselves. In the Forest of Arden, we encounter Shakespeare''s most beguiling vision of the natural world as a realm of serenity and harmony, while brushing up against the briars that puncture our fantasies of the simple life. The New Oxford Shakespeare offers authoritative editions of Shakespeare''s works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare''s work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare''s work.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

''A pair of star-crossed lovers take their life'' This edition provides a clear and accessible introduction to Shakespeare''s enduring tale of ill-fated lovers. Hannah August pays particular attention to the dramatic function of the famous prologue and the significance of the play''s ending. August also explores ways of reading the play as a text that queries rather than validates the tenets of heterosexual romantic love, proving that at multiple points throughout the play''s four-hundred-years-plus stage history, Verona has been more queer than the prevailing view of Romeo and Juliet as a core text of heterosexual love might lead us to believe. It includes a substantial section which addresses the play''s early modern production and reception history in both print and performance, as well as providing an overview of later performance traditions drawing on up-to-date examples of key productions. The New Oxford Shakespeare offers authoritative editions of Shakespeare''s works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare''s work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare''s work. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

''A pair of star-crossed lovers take their life'' This edition provides a clear and accessible introduction to Shakespeare''s enduring tale of ill-fated lovers. Hannah August pays particular attention to the dramatic function of the famous prologue and the significance of the play''s ending. August also explores ways of reading the play as a text that queries rather than validates the tenets of heterosexual romantic love, proving that at multiple points throughout the play''s four-hundred-years-plus stage history, Verona has been more queer than the prevailing view of Romeo and Juliet as a core text of heterosexual love might lead us to believe. It includes a substantial section which addresses the play''s early modern production and reception history in both print and performance, as well as providing an overview of later performance traditions drawing on up-to-date examples of key productions. The New Oxford Shakespeare offers authoritative editions of Shakespeare''s works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare''s work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare''s work. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'We that are true lovers run into strange capers.'Four centuries after its publication in the Folio, As You Like It's capacity to entertain and instruct remains evergreen. This edition provides a friendly yet authoritative introduction to the play, upholding it as a crowning expression of the Elizabethan Renaissance while underscoring its appeal to twenty-first century readers as Shakespeare's most intrepid exploration of gender, sexuality, and the environment. Its double-cross-dressed heroine dominates the plot (and their love interest Orlando) to conduct a masterclass in gender fluidity. The melancholic Jaques unmasks the fundamental theatricality of existence and questions humanity's prerogative to displace and harm other species. Through the clown Touchstone, the comedy tests the possibility that we might laugh ourselves wise, especially when we learn to laugh at ourselves. In the Forest of Arden, we encounter Shakespeare's most beguiling vision of the natural world as a realm of serenity and harmony, while brushing up against the briars that puncture our fantasies of the simple life. The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'Love surfeits not; lust like a glutton dies.Love is all truth, lust full of forgèd lies.'Love, lust, greed, grief, envy, ecstasy—Shakespeare's Venus and Adonis and Lucrece map and exhibit the full spectrum of emotion (human, divine, animal, and even vegetal). Written early in his career, these narrative poems were box-office sensations that defined Shakespeare as an author; in his lifetime, Venus proved to be his best-selling work, and Lucrece his most quoted. As well as exploring the poems in their literary and cultural contexts, this Oxford World's Classic edition highlights issues of environment, gender, sexuality, violence, and art that made these works so popular among their earliest readers, and which make them feel timely still.The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'Vengeance is in my heart, death in my hand,Blood and revenge are hammering in my head.'In Shakespeare's first tragedy, Titus Andronicus, the Roman general Titus incurs the wrath of the Queen of the Goths when he enslaves her and kills one of her sons. The shocking violence of her revenge and his retaliation earn Titus its reputation as Shakespeare's bloodiest play. This New Oxford Shakespeare edition offers a range of critical approaches to the play, considering its initial popularity in the theatre, the authors' engagement with narrative sources and Roman history, and the ongoing problems scholars and theatremakers have had with the play's presentation of violence, rape, and racial difference. Throughout, it incorporates up-to-date scholarship and close readings of a number of landmark productions to consider the play's place in Shakespeare's canon and to illustrate Titus Andronicus's enduring value in interrogating some of wider culture's darkest and most challenging concerns.The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'Vengeance is in my heart, death in my hand,Blood and revenge are hammering in my head.'In Shakespeare's first tragedy, Titus Andronicus, the Roman general Titus incurs the wrath of the Queen of the Goths when he enslaves her and kills one of her sons. The shocking violence of her revenge and his retaliation earn Titus its reputation as Shakespeare's bloodiest play. This New Oxford Shakespeare edition offers a range of critical approaches to the play, considering its initial popularity in the theatre, the authors' engagement with narrative sources and Roman history, and the ongoing problems scholars and theatremakers have had with the play's presentation of violence, rape, and racial difference. Throughout, it incorporates up-to-date scholarship and close readings of a number of landmark productions to consider the play's place in Shakespeare's canon and to illustrate Titus Andronicus's enduring value in interrogating some of wider culture's darkest and most challenging concerns.The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'Vengeance is in my heart, death in my hand,Blood and revenge are hammering in my head.'In Shakespeare's first tragedy, Titus Andronicus, the Roman general Titus incurs the wrath of the Queen of the Goths when he enslaves her and kills one of her sons. The shocking violence of her revenge and his retaliation earn Titus its reputation as Shakespeare's bloodiest play. This New Oxford Shakespeare edition offers a range of critical approaches to the play, considering its initial popularity in the theatre, the authors' engagement with narrative sources and Roman history, and the ongoing problems scholars and theatremakers have had with the play's presentation of violence, rape, and racial difference. Throughout, it incorporates up-to-date scholarship and close readings of a number of landmark productions to consider the play's place in Shakespeare's canon and to illustrate Titus Andronicus's enduring value in interrogating some of wider culture's darkest and most challenging concerns.The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.