Frank Brady – författare

When Bobby Fischer died in January 2008, he left behind a confounding legacy. Everyone knew the basics of his life: he began as a brilliant youngster, then became the pride of American chess, then took a sharp turn, struggling with paranoia and mental illness. But nobody truly understood him. What motivated him from such a young age, and what was the source of his remarkable intellect? How could a man so ambivalent about money and fame be so driven to succeed? What drew this man of Jewish descent to fulminate against Jews, and how was it that a mind so famously disciplined could unravel so completely? From his meteoric rise, to an utterly dominant prime, to his eventual descent into madness, the book draws upon hundreds of newly discovered documents and recordings, and numerous firsthand interviews conducted with those who knew Fischer best, to paint, for the very first time, a complete picture of one of the most enigmatic icons. This is the definitive account of a fascinating man and an extraordinary life, one that at last reconciles Fischer's deeply contradictory legacy and answers the question: 'Who was Bobby Fischer?'

Endgame is acclaimed biographer Frank Brady’s decades-in-the-making tracing of the meteoric ascent—and confounding descent—of enigmatic genius Bobby Fischer.  Only Brady, who met Fischer when the prodigy was only 10 and shared with him some of his most dramatic triumphs, could have written this book, which has much to say about the nature of American celebrity and the distorting effects of fame.  Drawing from Fischer family archives, recently released FBI files, and Bobby’s own emails, this account is unique in that it limns Fischer’s entire life—an odyssey that took the Brooklyn-raised chess champion from an impoverished childhood to the covers of Time, Life and Newsweek to recognition as “the most famous man in the world” to notorious recluse. At first all one noticed was how gifted Fischer was.  Possessing a 181 I.Q. and remarkable powers of concentration, Bobby memorized hundreds of chess books in several languages, and he was only 13 when he became the youngest chess master in U.S. history.   But his strange behavior started early.  In 1972, at the historic Cold War showdown in Reykjavik, Iceland, where he faced Soviet champion Boris Spassky, Fischer made headlines with hundreds of petty demands that nearly ended the competition.  It was merely a prelude to what was to come. Arriving back in the United States to a hero’s welcome, Bobby was mobbed wherever he went—a figure as exotic and improbable as any American pop culture had yet produced.  No player of a mere “board game” had ever ascended to such heights.  Commercial sponsorship offers poured in, ultimately topping $10 million—but Bobby demurred.  Instead, he began tithing his limited money to an apocalyptic religion and devouring anti-Semitic literature.   After years of poverty and a stint living on Los Angeles’ Skid Row, Bobby remerged in 1992 to play Spassky in a multi-million dollar rematch—but the experience only deepened a paranoia that had formed years earlier when he came to believe that the Soviets wanted him dead for taking away “their” title.  When the dust settled, Bobby was a wanted man—transformed into an international fugitive because of his decision to play in Montenegro despite U.S. sanctions.  Fearing for his life, traveling with bodyguards, and wearing a long leather coat to ward off knife attacks, Bobby lived the life of a celebrity fugitive – one drawn increasingly to the bizarre.  Mafiosi, Nazis, odd attempts to breed an heir who could perpetuate his chess-genius DNA—all are woven into his late-life tapestry.  And yet, as Brady shows, the most notable irony of Bobby Fischer’s strange descent – which had reached full plummet by 2005 when he turned down yet another multi-million dollar payday—is that despite his incomprehensible behavior, there were many who remained fiercely loyal to him.  Why that was so is at least partly the subject of this book—one that at last answers the question: “Who was Bobby Fischer?”

This is a major new selection of Samuel Johnson's best work, delightfully introduced by W. K. Wimsatt and scrupulously annotated by Frank Brady and Mr. Wimsatt. Samuel Johnson, the only writer in English since the Renaissance to give his name to a literary period, was the center of English letters in his time. He was Dictionary Johnson, the lexicographer who had single-handedly settled the English language (it was hoped) on a firm basis; he was the author of a handful of fine poems, including two of the most remarkable satires of the century; he was a moralist whose "Rambler and Idler" essays, and novel-of-ideas "Rasselas", provided a searching view of men and matters. And in his final years he produced his greatest work, that extraordinary combination of biography and criticism which came to be known as the "Lives of the Poets".This first extensive anthology of Johnson's writings to be published in many years emphasizes Johnson the writer. It responds to those aspects of Johnson's work of special interest to modern readers.It comprises a selection of Johnson's letters, all of his major poems (including "London"), "Rasselas", twenty-one "Rambler", nineteen "Idlers", the "Prefaces to the Dictionary" and to the edition of Shakespeare, and the following "Lives of the Poets: Cowley, Milton, Swift, Pope, Savage, Collins, and Gray". All these works are extensively annotated and printed complete. Mr. Wimsatt, one of the outstanding Johnsonians of this century, provides in his introduction a clear, connected biographical account of Johnson, stressing his writings. An up-to-date bibliography is also included. Johnson's varied accomplishments - as poet, as moralist, as biographer, as critic - are all amply represented.

This is a major new selection of Samuel Johnson''s best work, delightfully introduced by W. K. Wimsatt and scrupulously annotated by Frank Brady and Mr. Wimsatt.Samuel Johnson, the only writer in English since the Renaissance to give his name to a literary period, was the center of English letters in his time. He was Dictionary Johnson, the lexicographer who had single-handedly settled the English language (it was hoped) on a firm basis; he was the author of a handful of fine poems, including two of the most remarkable satires of the century; he was a moralist whose Rambler and Idler essays, and novel-of-ideas Rasselas, provided a searching view of men and matters. And in his final years he produced his greatest work, that extraordinary combination of biography and criticism which came to be known as the Lives of the Poets.This first extensive anthology of Johnson''s writings to be published in many years emphasizes Johnson the writer. It responds to those aspects of Johnson''s work of special interest to modern readers. It comprises a selection of Johnson''s letters, all of his major poems (including London), Rasselas, twenty-one Rambler, nineteen Idlers, the Prefaces to the Dictionary and to the edition of Shakespeare, and the following Lives of the Poets: Cowley, Milton, Swift, Pope, Savage, Collins, and Gray. All these works are extensively annotated and printed complete. Mr. Wimsatt, one of the outstanding Johnsonians of this century, provides in his Introduction a clear, connected biographical account of Johnson, stressing his writings. An up-to-date bibliography is also included. Johnson''s varied accomplishments—as poet, as moralist, as biographer, as critic—are all amply represented.