Frank Stewart – författare

The most comprehensive collection of modern Chinese poetry in English translation available todayThis volume—a completely overhauled and updated version of Michelle Yeh’s 1992 classic Anthology of Modern Chinese Poetry—brings together modern poetry from the Chinese-speaking world dating from the 1910s to the 2010s. Featuring the work of 85 poets from mainland China, Taiwan, Hong Kong, Malaysia, and Singapore, it contains more than 280 poems that span the entire history of modern Chinese poetry. Poets include those regarded as canonical as well as some who have been newly “discovered” or reevaluated in recent years, each selected for their distinctive voice and inimitable style. Also, for the first time, contemporary song lyrics are included as poetry. This diversity of perspectives, along with its geographic reach and expansive timeframe, make the anthology a much-needed contribution to the study of Chinese poetry and world literature. With short biographies of the poets, a select bibliography, and a comprehensive introduction, A Century of Modern Chinese Poetry is a critical resource for students, scholars, and general readers alike.

The most comprehensive collection of modern Chinese poetry in English translation available todayThis volume—a completely overhauled and updated version of Michelle Yeh’s 1992 classic Anthology of Modern Chinese Poetry—brings together modern poetry from the Chinese-speaking world dating from the 1910s to the 2010s. Featuring the work of 85 poets from mainland China, Taiwan, Hong Kong, Malaysia, and Singapore, it contains more than 280 poems that span the entire history of modern Chinese poetry. Poets include those regarded as canonical as well as some who have been newly “discovered” or reevaluated in recent years, each selected for their distinctive voice and inimitable style. Also, for the first time, contemporary song lyrics are included as poetry. This diversity of perspectives, along with its geographic reach and expansive timeframe, make the anthology a much-needed contribution to the study of Chinese poetry and world literature. With short biographies of the poets, a select bibliography, and a comprehensive introduction, A Century of Modern Chinese Poetry is a critical resource for students, scholars, and general readers alike.

Words and images come together in a collaboration between celebrated poet Ntozake Shange and an acclaimed group of photographers, to result in this stunning celebration of contemporary Black life in America.From the first publication of The Sweet Flypaper of Life by Langston Hughes and Roy DeCarava in 1967, to Crowns: Portraits of Black Women in Church Hats, collaborations between writers and photographers have been important in African American culture. These books examine the issues of identity and representation that have been so central to this group's efforts to thrive. The Kamoinge Workshop photographers who contributed their work to this inspiring collection consist of names that have appeared in The New York Times, National Geographic, the Museum of Modern Art (MOMA), and more. Names such as Anthony Barboza, Adger W. Cowans, Ming Smith Murray, Beuford Smith, John Pinderhuges, and many others. The Workshop’s mission was a response from the bias portrayals of African Americans in the media. They sought to shed positive light on their subjects, as well as to demystify Black life in America. And The Sweet Breath of Life does exactly that.

Nearly two million people died in Cambodia between 1975 and 1979 as a result of the Khmer Rouge's genocidal regime. Cambodians who were educated, teachers, artists, and authors were among the first to be killed. One generation later, literature is re-emerging from the ashes.

A collection of six plays by award-winning playwright Catherine Filloux: Eyes of the Heart; Kidnap Road; Lemkin’s House; Mary and Myra; Selma ’65; and Silence of God. National and international settings. Subjects include key figures in the history of human and civil rights; genocide; crimes against women during armed conflicts; international human rights law; U.S. Civil Rights Movement; and Woman’s Suffrage.Several real-life figures appear in Filloux’s plays: Ingrid Betancourt, a woman politician in Colombia who campaigned for presidency and was kidnapped by FARC revolutionary forces in 2002; Myra Bradwell, first US woman lawyer; political activist, instrumental in getting Mary Todd Lincoln released from an insane asylum and her inheritance restored; Raphael Lemkin, originator of the term genocide, activist lawyer against international war crimes; nominee for the Nobel Peace Prize; Mary Todd Lincoln, widow of President Abraham Lincoln; Viola Liuzzo, civil rights activist murdered by the KKK; only white woman killed during the 1960s Civil Rights Movement; Pol Pot, head of the Khmer Rouge, responsible in the 1970s for the deaths of nearly two million Cambodians; William Proxmire, senator who advocated for the U.S. adoption of the International Convention for the Prevention and Punishment of the Crime of Genocide.

Mountain/Home presents new translations of Japanese literature from the country’s medieval period to the present. The narrative arc of the selections follows the evolution of Japan’s national self-image. Because Mount Fuji, more than any other national symbol, has represented the soul of Japan, Mountain/Home begins with works inspired by the mountain’s presence. They include excerpts from some of the first literary works in which Mount Fuji appears: the mysterious Tale of the Bamboo Cutter, early court poetry, and the Confessions of Lady Nij?¯, among others. These works are followed by a chapter from Lady Murasaki’s brilliant novel, The Tale of Genji, and Edo-period haiku by Bash?¯ and Issa. In the twentieth century, Japan went through its darkest years. But out of the trauma of militarism, war, devastation, and defeat came outstanding fiction by Dazai Osamu and Natsume S?¯seki, as well as avant-garde poetry by Yoshioka Minoru and Ayukawa Nobuo. In recent decades, contemporary optimism has produced writing that breaks new literary ground without forgetting the past: experimental fiction by Kurahashi Yumiko and poetry about everyday life by Takahashi Mutsuo.

Featured in this volume is The Woman Zou, the third in a series of novellas by the distinguished woman writer Zhang Yihe. Born in 1942 in Chongqing, Sichuan, Zhang Yihe was the daughter of Zhang Bojun, a high official in the Chinese Communist Party who was purged in 1957 and labeled a public enemy. By association, Zhang Yihe was convicted of counterrevolutionary activities and sentenced to twenty years in a remote prison camp. After serving ten years, she was released and allowed to return to Beijing in 1979. When she retired in 2001 from teaching at the Chinese National Opera Academy, she began writing her novellas based on the lives of her fellow women prisoners. Her nonfiction books were banned in China and she became an outspoken critic of China’s censorship laws. In 2004, she received the International PEN Award for Independent Chinese Writing. The award committee wrote thatZhang Yihe’s writing is not only an indictment of the age of darkness, but it is also an affirmation of the indefatigable human dignity and a negation of all attempts to destroy this dignity… Zhang Yihe's work illustrates the rarely seen courage among contemporary Chinese writers to defend freedom, dignity and historical memories.The other outstanding writers in this volume are Yi Zhou, whose writing awards include the first prize for novellas and short stories in the Yellow River Literature competition, the Dunhuang Literary Award, and the Lu Xun literary prize, and Zhu Wenying, who is considered one of the leading representatives of post-70s women writers and has received the Annual People’s Literature Prize, among other awards.

With nearly 400 pages, Out of the Shadows of Angkor: Cambodian Poetry, Prose, and Performance through the Ages is an outstanding collection of classic and contemporary writing. The volume emerges from the thirty-year effort of a community to gather Cambodian literary and cultural works. In doing so, they not only translated rare works into English for the first time, but also helped to rescue writing lost during the Khmer Rouge regime (1975–1979).Readers will find the following and more:–Cambodian writing ranging over fourteen hundred years, from the seventh century to the present;–translations of classical texts;selections of modern Cambodian poetry, prose, and folk theater;–contemporary writings by Cambodian refugees and children of the diaspora living in countries from Australia to the United States, Canada, and Europe;–visual art, including oil paintings by Theanly Chov and excerpts from a graphic novel by Tian Veasna."The work included in Out of the Shadows of Angkor is just a part of the vast, diverse repertoire of Cambodian literature created by those born in Cambodia, in the camps, and in new lands. Soth Polin once told me, ‘What we have lost is indescribable . . . what we have lost is not reconstructable. An epoch is finished. So when we have literature again, it will be a new literature.’ We hope this book brings out of the shadows some of the lost, hidden, and emerging gems of Cambodian literature—past, present, and moving into the future." —From the overview essay by guest editor Sharon May

Here are the voices and visions from a world having need of an angel—most of all an angel of reality to help us see the Earth again, its people, and objects, to hear its tragic drone, and to recognize what it is to be human. The writing ranges from Burma/Myanmar to South Asia, China, Central America, Africa, and the U.S. From the oration of Frederick Douglass in the 1850s and the reportage of Walter F. White in the Jim Crow South during the 1920s. From the Apache genocide in the American Southwest, to the displacement of Rohingya in Burma, and the massacre of Tutsi in Rwanda. Despite the dark reality that the authors record, we recognize, as artist Claudia Bernardi says, "that life is worth living, no matter what."In the Silence is the Winter 2022 (34:2) issue of Mānoa. It features photographs of the Rohingya people by George Constantine.Alok Bhalla is a scholar, translator, and poet based in Delhi, India. He is a fellow at the Indian Institute of Advanced Study, and editor of the four-volume Stories about the Partition of India. Penny Edwards is professor of Southeast Asian studies at the University of California, Berkeley. Her books include Kingdoms of the Mind: Burma’s Fugitive Prince and the Fracturing of Empire. ko ko thett is a bilingual poet and author of collections of poetry and poetry translations in Burmese and English. Kenneth Wong teaches Burmese language at the University of California, Berkeley. His short stories, essays, and poetry translations have appeared widely. Frank Stewart is a writer, translator, and founding editor of Mānoa: A Pacific Journal of International Writing.

Words and images come together in a collaboration between celebrated poet Ntozake Shange and an acclaimed group of photographers, to result in this stunning celebration of contemporary Black life in America.From the first publication of The Sweet Flypaper of Life by Langston Hughes and Roy DeCarava in 1967, to Crowns: Portraits of Black Women in Church Hats, collaborations between writers and photographers have been important in African American culture. These books examine the issues of identity and representation that have been so central to this group''s efforts to thrive. The Kamoinge Workshop photographers who contributed their work to this inspiring collection consist of names that have appeared in The New York Times, National Geographic, the Museum of Modern Art (MOMA), and more. Names such as Anthony Barboza, Adger W. Cowans, Ming Smith Murray, Beuford Smith, John Pinderhuges, and many others. The Workshop’s mission was a response from the bias portrayals of African Americans in the media. They sought to shed positive light on their subjects, as well as to demystify Black life in America. And The Sweet Breath of Life does exactly that.