Franny Choi – författare

Named A Most Anticipated Book by: LitHub * Vulture * Time * A PW 2022 Holiday Gift Pick One of: Time's "100 Must-Read Books of 2022" * NPR's 2022 "Books We Love" Vulture's "10 Best Books of 2022"A Goodreads Readers Choice Award SemifinalistFrom acclaimed poet Franny Choi comes a speculative poetry collection for the ends of worlds—past, present, and future. Choi’s third book features poems about historical and impending apocalypses, alongside musings on our responsibilities to each other and visions for our collective survival.Many have called our time dystopian. But The World Keeps Ending, and the World Goes On, an essential work of Asian American poetry, reminds us that apocalypse has already come in myriad ways for marginalized peoples.With lyric and tonal dexterity, these poems about survival spin backwards and forwards in time—from Korean comfort women during World War II, to the precipice of climate crisis, to children wandering a museum in the future. This collection of queer poetry explores narrative distances and queer linearity, investigating on microscopic scales before soaring towards the universal. As she wrestles with the daily griefs and distances of this apocalyptic world, Choi also imagines what togetherness—between Black and Asian and other marginalized communities, between living organisms, between children of calamity and conquest—could look like. Bringing together Choi's signature speculative imagination with even greater musicality than her previous work, The World Keeps Ending, and the World Goes On ultimately charts new paths toward hope in the aftermaths, and visions for our collective survival. How do we find hope when the world keeps ending?Apocalyptic Poetry: Journey from the apocalypses of the past to the precipice of the climate crisis, examining the endings that have already happened and those yet to come.Social Justice Themes: A powerful call for solidarity between Black, Asian, and other marginalized communities wrestling with shared histories of conquest and calamity.Historical Reckoning: Unflinching poems that bear witness to the lives of Korean comfort women and the generational trauma of war.Lyrical Futurism: Explores queer linearity while charting new paths toward collective survival and hope in the aftermath.

Named A Most Anticipated Book by: LitHub * Vulture * Time *A PW 2022 Holiday Gift PickOne of: Time's "e;100 Must-Read Books of 2022"e; * NPR's 2022 "e;Books We Love"e; Vulture's "e;10 Best Books of 2022"e;A Goodreads Readers Choice Award SemifinalistFrom acclaimed poet Franny Choi comes a poetry collection for the ends of worldspast, present, and future. Chois third book features poems about historical and impending apocalypses, alongside musings on our responsibilities to each other and visions for our collective survival.Many have called our timedystopian. ButThe World Keeps Ending, and the World Goes On reminds us that apocalypse has already come in myriad ways for marginalized peoples.With lyric and tonal dexterity, these poems spin backwards and forwards in time--from Korean comfort women during World War II, to the precipice of climate crisis, to children wandering a museum in the future. These poems explore narrative distances and queer linearity, investigating on microscopic scales before soaring towards the universal. As she wrestles with the daily griefs and distances of this apocalyptic world, Choi also imagines what togetherness--between Black and Asian and other marginalized communities, between living organisms, between children of calamity and conquest--could look like. Bringing together Choi's signature speculative imagination with even greater musicality than her previous work,The World Keeps Ending, and the World Goes Onultimately charts new paths toward hope in the aftermaths, and visions for our collective survival.

Blending lyric memoir and cultural criticism, acclaimed poet Franny Choi’s debut essay collection explores our obsession with cyborgs and what sci-fi representations of Asian femmes reveal about race, gender, sexuality, disability, labor, technology, and language. In the 2014 film Ex-Machina, a Japanese maid named Kyoko—beautiful, obedient, unspeaking—peels back the skin on her face to reveal glimmering circuitry. The white man who has been trying to understand her inscrutable behavior looks on in horror. When Franny Choi first watches this scene, their own face awash in the screen’s eerie glow, they feel a familiar mix of revulsion and self-recognition. Yes, Choi thinks, that’s what I’ve been trying to say. In this luminous essay collection, Choi descends into the uncanny valley to encounter notable cyborgs and robots from across American culture and asks why so many of them bear the faces of East Asian women. Just why is it that whenever artificial intelligence is represented, a sexy but unfeeling Asian woman enters the frame? What does the literal objectification of Asian femmes say about how the West imagines—and dreads—an increasingly automated future? Choi draws from their own experiences along with queer, feminist, and critical race theory to answer these questions. Refusing the detached safety of critical distance, they write instead “at stabbing range”—a risky intimacy that collapses the space between human and machine, critic and subject. We Radiant Things draws closer to the images carved out for us, the histories of oppression that animate them, and the future in which we try, painfully, to find ourselves.

Soft Science explores queer, Asian American femininity. A series of Turing Test-inspired poems grounds its exploration of questions not just of identity, but of consciousness—how to be tender and feeling and still survive a violent world filled with artificial intelligence and automation. We are dropped straight into the tangled intersections of technology, violence, erasure, agency, gender, and loneliness.

A beautiful anthology featuring some of the brightest voices in contemporary American poetry who challenge, expand, and illuminate the meaning of the label “Asian American and Pacific Islander” in today’s world.In this thoughtfully curated, intergenerational collection, poets of multiple languages, lands, and waters write against and through the contested terrain of AAPI identity. Too often, Pacific Islanders and Asian Americans are squeezed into the same story. The poets gathered here, and the lineages they represent, exceed this sameness. May this anthology uplift complexities and incite transformation and joy.Contributors include Marilyn Chin, Joshua Nguyen, Teresia Teaiwa, Haunani-Kay Trask, and many more writers, both established and emerging.