Frederick Turner – författare
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A faded newspaperman downs a double Maker’s Mark and contemplates life as a “ham-and-egger,” a hack. Then one day he finds the scoop of a lifetime in a Chicago basement: diaries belonging to the infamous Judith Campbell Exner. Right, that Judy, the game girl who waltzed into the midst of America’s most powerful politicians, entertainers, and criminals as they conspired to rule America.
When Frank Sinatra flew Judy to Hawaii for a weekend of partying, she could hardly have imagined where it would lead her: straight to the White House and the waiting arms of Jack Kennedy. And then came the day that JFK and his brother Bobby asked her to carry a black bag to Chicago, where she was to hand it off to the boss of bosses, Sam Giancana. As our Narrator pieces the notebooks into a coherent story, he finds mob connections, rigged primaries, assassination plots, and trysts—and begins to see beyond the tabloid fare to a real woman, adrift and defenseless in a dangerous world where the fates of nations are at stake. As one by one the men Judy loved betrayed her and disappeared, and as the FBI pursued her into a living hell, her diary entries disintegrate along with the beautiful, tough, sweet woman the Narrator has come to know. Who was Exner, after all? Just a gangster’s moll? Or a bighearted woman who believed the sky-high promises of the New Frontier—and paid the price?
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The pure verbal energy characterizing Hungarian poetry may be regarded as one of the most striking components of Hungarian culture. More than 800 years ago, under the inspiration of classical and medieval Latin poetry, Hungarian poets began to craft a rich chain of poetic designs, much of it in response to the country’s cataclysmic history. With precision, depth, and great intensity, these verses give accounts of their authors’ vision of themselves as participants in history and their most personal experience in the world. Light within the Shade includes 135 of the most important Hungarian poems ranging from the fourteenth to the twenty-first century. Organized in chronological order, the poems are followed by an essay by Ozsváth providing the historical, biographical, and cultural background of the poets and the poetry. The book concludes with Turner’s essay on the special thematic and literary qualities of Hungarian poetry, as well as notes on translation practices. This essential volume exposes English-speaking readers to Hungarian poetry’s artistic achievement in history and culture, its evolutionary development as a tradition, and its significance within the context of world literature.
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Epic does many things. Among others, it defines the nature of the human storyteller; recalls the creation of the world and of the human race; describes the paradoxical role of the hero as both the Everyman and the radical exception; and establishes the complex quest underlying all human action. Epic illustrates that these ingredients of epic storytelling are universal cultural elements, in existence across multiple remote geographical locations, historical eras, ethnic and linguistic groups, and levels of technological and economic development.
Frederick Turner argues that epic, despite being scoffed at and neglected for over sixty years, is the most fundamental and important of all literary forms and thereby deserves serious critical attention. It is the source and originof all other literature, the frame within which any story is possible. The mission of this book is to repair gaps in the literary understanding of epic studies—and offer permission to future epic writers and composers.
The cultural genres of Marvel Comics, gothic, anime, manga, multi-user dungeon gaming, and superhero movies reprise all the epic themes and motifs. Consider The Wizard of Oz, Star Wars, The Lord of the Rings, Lost, The Matrix, Superman, Harry Potter, and Narnia. Here can be found the epic beast-man, the miraculous birth of the hero, the creation myth, the founding of the city, the quest journey, the descent into the land of the dead, the monsters, and the trickster. This book will be of interest to all readers fascinated by folklore, oral tradition, religious studies, anthropology, mythology, and enthusiastic about literature in general.
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Epic does many things. Among others, it defines the nature of the human storyteller; recalls the creation of the world and of the human race; describes the paradoxical role of the hero as both the Everyman and the radical exception; and establishes the complex quest underlying all human action. Epic illustrates that these ingredients of epic storytelling are universal cultural elements, in existence across multiple remote geographical locations, historical eras, ethnic and linguistic groups, and levels of technological and economic development.
Frederick Turner argues that epic, despite being scoffed at and neglected for over sixty years, is the most fundamental and important of all literary forms and thereby deserves serious critical attention. It is the source and originof all other literature, the frame within which any story is possible. The mission of this book is to repair gaps in the literary understanding of epic studies—and offer permission to future epic writers and composers.
The cultural genres of Marvel Comics, gothic, anime, manga, multi-user dungeon gaming, and superhero movies reprise all the epic themes and motifs. Consider The Wizard of Oz, Star Wars, The Lord of the Rings, Lost, The Matrix, Superman, Harry Potter, and Narnia. Here can be found the epic beast-man, the miraculous birth of the hero, the creation myth, the founding of the city, the quest journey, the descent into the land of the dead, the monsters, and the trickster. This book will be of interest to all readers fascinated by folklore, oral tradition, religious studies, anthropology, mythology, and enthusiastic about literature in general.
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There is widespread belief that the world''s religions con- tradict each other. It follows that if one religion is true, the others must be false--an assumption that implies, and may actually create, religious strife. In Natural Religion, acclaimed poet, critic and essayist Frederick Turner sets out to show that the natural world offers grounds for stating that all religions are, in some respect, true.
Through the ages, various ways have been proposed to resolve religious differences. Some argue for the destruction of all religions but one''s own. Others substitute an abstract principle for the real ritual and moral practice of religion. Still others doubt all religious truth and, consequently, all truth. Others accept a kind of pluralistic relativism. This book explores syncretism, whereby all religions are seen as grasping the same strange and complex reality, but by very different means and handles. The idea that all religions are true raises a supervening question: if so, what must the real physical universe be like? Turner approaches these questions in terms of scientific inquiry. There is not enough room in space itself to fit in all theologies; but there may be enough room in time if new scientific descriptions of time''s nature are to be believed. Turner argues that in the time-models of contemporary cosmological and evolutionary science all times may be connected and time may be infinitely branched and causally looped so that both forward-in-time and backward-in-time factors may be in operation in the same event. Thus, the fundamental substance of the universe may be information rather than matter or energy. The universe is more like a vast living organism than a vast machine.
Turner argues that all existing religions can be shown to fit into this model, which in turn points to deeper implications of religious doctrines, languages and practices. There would be plenty of "room" in such a view of time for a tree of different yet linked religious w