Frederick Turner – författare

Based on the proven maxim that "money makes the world go round", this study, drawing from Shakespeare's texts, presents a lexicon of common words as well as a variety of familiar familial and cultural sitations in an economic context. Making constant recourse to well-known material from Shakespeare's plays, Turner demonstrates that terms of money and value permeate our minds and lives even in our most mundane moments. His book offers a new, humane, evolutionary economics that fully expresses the moral, spiritual, and aesthetic relationships among persons, and between humans and nature. Playful and incisive, Turner's book offers a way to engage the wisdom of Shakespeare in everyday life in a trenchant prose that is accessible to scholars and to the general reader.

“The best assembly of Turner’s essays now available. Faragher’s introductory and concluding commentaries add considerably to the import of the book.”—Stephen Aron, University of California, Los Angeles “Still ranks as the most influential piece of writing on American history.”—Carlin Romano, Philadelphia Inquirer, A Notable Book of 1994 “Faragher’s invaluable afterword . . . provides a judicious introduction to the issues that divide the revisionist New Western Historians from Turner and his disciples.”—Michael Kammen, FanFare Frederick Jackson Turner is often considered to be the most influential American historian of the century, and his views continue to shape the controversial field of Western American history. In this book, John Mack Faragher introduces and comments on ten of Turner’s most significant essays, concluding with a comment on the recent debate over Turner’s legacy and his effect on Americans’ understanding of their national character.

The untold story of Henry Miller’s explosive 1934 novel, banned in America for more than a quarter centuryThough branded as pornography for its graphic language and explicit sexuality, Henry Miller’s Tropic of Cancer is far more than a work that tested American censorship laws. In this riveting book, published to coincide with the fiftieth anniversary of Tropic of Cancer's initial U.S. release, Frederick Turner investigates Miller’s unconventional novel, its tumultuous publishing history, and its unique place in American letters.Written in the slums of a foreign city by a man who was an utter literary failure in his homeland, Tropic of Cancer was published in 1934 by a pornographer in Paris, but soon banned in the United States. Not until 1961, when Grove Press triumphed over the censors, did Miller’s book appear in American bookstores. Turner argues that Tropic of Cancer is “lawless, violent, colorful, misogynistic, anarchical, bigoted, and shaped by the same forces that shaped the nation.” Further, the novel draws on more than two centuries of New World history, folklore, and popular culture in ways never attempted before. How Henry Miller, outcast and renegade, came to understand what literary dynamite he had within him, how he learned to sound his “war whoop” over the roofs of the world, is the subject of Turner’s revelatory study.

In his stirring biography, Frederick Turner, the distinguished writer and cultural historian, captures the legendary scale of the life of an American icon. Immigrant, inventor, botanist, and founder of the conservation movement, John Muir (1838-1914) truly led those of his time-and now ours-to rediscover the natural beauty of this land. From his harsh childhood in Scotland and on a Wisconsin pioneer farm, to his rugged, solitary explorations all over America and especially in the Sierras, to his passionate battle, in person and in his writings, to save and celebrate our wilderness, Muir was a heroic figure. Turner's biography is every bit as monumental and inspiring as its subject.

There is widespread belief that the world's religions con- tradict each other. It follows that if one religion is true, the others must be false--an assumption that implies, and may actually create, religious strife. In Natural Religion, acclaimed poet, critic and essayist Frederick Turner sets out to show that the natural world offers grounds for stating that all religions are, in some respect, true.Through the ages, various ways have been proposed to resolve religious differences. Some argue for the destruction of all religions but one's own. Others substitute an abstract principle for the real ritual and moral practice of religion. Still others doubt all religious truth and, consequently, all truth. Others accept a kind of pluralistic relativism. This book explores syncretism, whereby all religions are seen as grasping the same strange and complex reality, but by very different means and handles. The idea that all religions are true raises a supervening question: if so, what must the real physical universe be like? Turner approaches these questions in terms of scientific inquiry. There is not enough room in space itself to fit in all theologies; but there may be enough room in time if new scientific descriptions of time's nature are to be believed. Turner argues that in the time-models of contemporary cosmological and evolutionary science all times may be connected and time may be infinitely branched and causally looped so that both forward-in-time and backward-in-time factors may be in operation in the same event. Thus, the fundamental substance of the universe may be information rather than matter or energy. The universe is more like a vast living organism than a vast machine.Turner argues that all existing religions can be shown to fit into this model, which in turn points to deeper implications of religious doctrines, languages and practices. There would be plenty of "room" in such a view of time for a tree of different yet linked religious worlds and poetic language may be the most effective tool for describing the divine.

First published in 1980, Beyond Geography continues to influence and impress its readers. This new edition, prepared for the Columbus quincentennial, includes a new introduction by T. H. Watkins and a new preface by the author. As the public debates Columbus's legacy, it is important for us to learn of the spiritual background of European domination of the Americas, for the Europeans who conquered the Americas substituted history for myth as a way of understanding life.

In this groundbreaking interdisciplinary work, Frederick Turner presents a new theory of aesthetics based on the argument that beauty is an objective reality in the universe. He identifies the experience of beauty as a pancultural, neurobiological phenomenon. Drawing on a wide range of fields - ritual and dramatic performance, the oral tradition, paleoanthropology and human evolution, neurobiology, cosmology and theoretic physics, chaos theory and fractal mathematics - the book describes evolution as a self-organizing, emergent process that generates increasingly advanced forms of self-reflection, and proposes that the experience of beauty is the recognition of this evolutionary process and the reward for participating in it.

In this groundbreaking interdisciplinary work, Frederick Turner presents a new theory of aesthetics based on the argument that beauty is an objective reality in the universe. He identifies the experience of beauty as a pancultural, neurobiological phenomenon. Drawing on a wide range of fields - ritual and dramatic performance, the oral tradition, paleoanthropology and human evolution, neurobiology, cosmology and theoretic physics, chaos theory and fractal mathematics - the book describes evolution as a self-organizing, emergent process that generates increasingly advanced forms of self-reflection, and proposes that the experience of beauty is the recognition of this evolutionary process and the reward for participating in it.

The pure verbal energy characterizing Hungarian poetry may be regarded as one of the most striking components of Hungarian culture. More than 800 years ago, under the inspiration of classical and medieval Latin poetry, Hungarian poets began to craft a rich chain of poetic designs, much of it in response to the country’s cataclysmic history. With precision, depth, and great intensity, these verses give accounts of their authors’ vision of themselves as participants in history and their most personal experience in the world. Light within the Shade includes 135 of the most important Hungarian poems ranging from the fourteenth to the twenty-first century. Organized in chronological order, the poems are followed by an essay by Ozsváth providing the historical, biographical, and cultural background of the poets and the poetry. The book concludes with Turner’s essay on the special thematic and literary qualities of Hungarian poetry, as well as notes on translation practices. This essential volume exposes English-speaking readers to Hungarian poetry’s artistic achievement in history and culture, its evolutionary development as a tradition, and its significance within the context of world literature.

Although Juan Peron changed the course of modern Argentine history, scholars have often interpreted him in terms of their own ideologies and interests, rather than seeing the effect of this man and his movement had on the Argentine people. The essays in this volume seek to uncover the man behind the myth, to define the true nature of Peronism. Several chapters view Per\u00f3n's rise to power, his deposition and eighteen-year exile, and his dramatic return in 1973. Others examine: opposing forces in modern Argentina, including the church and its role in politics; the conflict between landed stancieros and urban industrialists, terrorist activities and their populist support base; Peronism and the labor movement; and Evita Per\u00f3n's role in advancing the political rights of women.

Epic does many things. Among others, it defines the nature of the human storyteller; recalls the creation of the world and of the human race; describes the paradoxical role of the hero as both the Everyman and the radical exception; and establishes the complex quest underlying all human action. Epic illustrates that these ingredients of epic storytelling are universal cultural elements, in existence across multiple remote geographical locations, historical eras, ethnic and linguistic groups, and levels of technological and economic development.Frederick Turner argues that epic, despite being scoffed at and neglected for over sixty years, is the most fundamental and important of all literary forms and thereby deserves serious critical attention. It is the source and originof all other literature, the frame within which any story is possible. The mission of this book is to repair gaps in the literary understanding of epic studies and offer permission to future epic writers and composers.The cultural genres of Marvel Comics, gothic, anime, manga, multi-user dungeon gaming, and superhero movies reprise all the epic themes and motifs. Consider The Wizard of Oz, Star Wars, The Lord of the Rings, Lost, The Matrix, Superman, Harry Potter, and Narnia. Here can be found the epic beast-man, the miraculous birth of the hero, the creation myth, the founding of the city, the quest journey, the descent into the land of the dead, the monsters, and the trickster. This book will be of interest to all readers fascinated by folklore, oral tradition, religious studies, anthropology, mythology, and enthusiastic about literature in general.

There is widespread belief that the world's religions con- tradict each other. It follows that if one religion is true, the others must be false--an assumption that implies, and may actually create, religious strife. In Natural Religion, acclaimed poet, critic and essayist Frederick Turner sets out to show that the natural world offers grounds for stating that all religions are, in some respect, true.Through the ages, various ways have been proposed to resolve religious differences. Some argue for the destruction of all religions but one's own. Others substitute an abstract principle for the real ritual and moral practice of religion. Still others doubt all religious truth and, consequently, all truth. Others accept a kind of pluralistic relativism. This book explores syncretism, whereby all religions are seen as grasping the same strange and complex reality, but by very different means and handles. The idea that all religions are true raises a supervening question: if so, what must the real physical universe be like? Turner approaches these questions in terms of scientific inquiry. There is not enough room in space itself to fit in all theologies; but there may be enough room in time if new scientific descriptions of time's nature are to be believed. Turner argues that in the time-models of contemporary cosmological and evolutionary science all times may be connected and time may be infinitely branched and causally looped so that both forward-in-time and backward-in-time factors may be in operation in the same event. Thus, the fundamental substance of the universe may be information rather than matter or energy. The universe is more like a vast living organism than a vast machine.Turner argues that all existing religions can be shown to fit into this model, which in turn points to deeper implications of religious doctrines, languages and practices. There would be plenty of "room" in such a view of time for a tree of different yet linked religious worlds and poetic language may be the most effective tool for describing the divine.

Epic does many things. Among others, it defines the nature of the human storyteller; recalls the creation of the world and of the human race; describes the paradoxical role of the hero as both the Everyman and the radical exception; and establishes the complex quest underlying all human action. Epic illustrates that these ingredients of epic storytelling are universal cultural elements, in existence across multiple remote geographical locations, historical eras, ethnic and linguistic groups, and levels of technological and economic development.Frederick Turner argues that epic, despite being scoffed at and neglected for over sixty years, is the most fundamental and important of all literary forms and thereby deserves serious critical attention. It is the source and originof all other literature, the frame within which any story is possible. The mission of this book is to repair gaps in the literary understanding of epic studies—and offer permission to future epic writers and composers.The cultural genres of Marvel Comics, gothic, anime, manga, multi-user dungeon gaming, and superhero movies reprise all the epic themes and motifs. Consider The Wizard of Oz, Star Wars, The Lord of the Rings, Lost, The Matrix, Superman, Harry Potter, and Narnia. Here can be found the epic beast-man, the miraculous birth of the hero, the creation myth, the founding of the city, the quest journey, the descent into the land of the dead, the monsters, and the trickster. This book will be of interest to all readers fascinated by folklore, oral tradition, religious studies, anthropology, mythology, and enthusiastic about literature in general.

As we approach the new millenium, the moral, intellectual,and spiritual crisis of our time is visible most plainly in the sickness of the arts. The "postmodern" cultural establishment is philosophically empty and esthetically corrupt. But no one has been able to explain this decline or give a satisfying answer to the question of the proper role of the arts in our society. Now, in The Culture of Hope -- a manifesto for a new vision of culture that is both radical and classical -- Frederick Turner goes beyond the stale dichotomies of Left and Right to take the "third side" in the culture war: the side of art itself.Great art can never be politically correct, Turner reminds us, whether the correction comes from Right or Left, because its sources are deeper than politics. The visionary modernists (Picasso, Joyce, Stravinsky) understood this, but their successors today, as well as their conservative opponents, have forgotten. Turner sharply indicts the bankrupt tribe of venal mediocrities who now infest the arts, citing their naive rejection of morality, their ignorant denial of scientific truth, and their lazy dismissal of the Western cultural heritage. On the other hand, conservatives who call for a return to traditional values seek a socially "safe" vision of art that has never existed and never can.In the past, the arts have flowered when they drew their inspiration from new scientific visions of the cosmos. Thus Turner argues that the revolution in cosmology that is occurring today in the frontier fields of scientific thought will powerfully invigorate the artists of the future. A new esthetic synthesis arising from the unexpected convergence of religion, art, and science will restore a hopeful vision of the cosmos as intelligent, creative, and self-ordering and provide the missing ground for the recovery of classical values in the arts, such as beauty, order, harmony, and meaning. Turner points to new developments in chaos theory, neurobiology, evolution, and environmental science, among other fields, to offer us a guide to the emerging art of the "radical center" which he predicts will shape the culture of the future.

In The Kid and Me Frederick Turner deftly re-creates the Lincoln County War in what was then New Mexico Territory. The 1878 war pitted an established faction led by James Dolan against new arrivals in the county led by John Tunstall and Alexander McSween. When Tunstall and McSween opened a dry-goods store in 1876 in a direct challenge to Dolan’s monopoly on the dry-goods business, trouble was inevitable. Both the Dolan and the Tunstall-McSween factions garnered supporters, including lawmen, criminal gangs, and ranch hands. The ambush and murder of Tunstall by a local sheriff’s posse loyal to Dolan sparked a wave of revenge killings and bloody reprisals in which Billy the Kid-one of Tunstall’s ranch hands-played a prominent role.Narrated by George Coe, an aged veteran of New Mexico’s Lincoln County War but now a devout painter of village churches, The Kid and Me tells what it felt like to ride alongside Billy the Kid, whom Coe both admired and greatly feared. Gang loyalty, extreme violence, political corruption in the highest places, and profound moral ambiguity characterize this tale of what made the American West wild.

An interdisciplinary scholar, devotee of the classics, and leading practitioner of Expansive Poetry, Frederick Turner asks in the introduction to Hadean Eclogues, “Suppose there could be a poetry, even a scientific description of reality, that left undamaged the principles, the honor, the history and myth, the ritual, the intellectual criteria of believers and unbelievers—as long as they were people of depth and thought and imagination?”