G. R. Hibbard – författare
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5 produkter
5 produkter
Häftad, Engelska, 2008
103 kr
Skickas inom 5-8 vardagar
Love's Labour's Lost, now recognized as one of the most delightful and stageworthy of Shakespeare's comedies, came into its own both on the stage and in critical esteem only during the 1930s and 1940s, after three hundred years of neglect by the theatre and undervaluation and misuse by critics. The Introduction to this new edition pays particular attention to this process of rehabilitation. The text, based on the quarto of 1598 and taking full account of the extensive scholarly study that text has received over recent years, rests on the hypothesis that the quarto goes back, probably by way of `lost' quarto, to an authorial manuscript representing the play in a state prior to `fair copy'. If this is so, the quarto takes on a special significance because through it we can watch Shakespeare in the act of composition, improvising, changing his mind, and revising as his play develops under his hand. The editor offers a number of new readings of difficult and disputed passages, together with some suggestions about the way in which the play's notorious `tangles' may have come about. A detailed commentary offers full and helpful guidance to the play's scintillating language. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Häftad, Engelska, 2008
116 kr
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Hamlet's combination of violence and introspection is unusual among Shakespeare's tragedies. It is also full of curious riddles and fascinating paradoxes, making it one of his most widely discussed plays.Professor Hibbard's illuminating and original introduction explains the process by which variant texts were fused in the eighteenth century to create the most commonly used text of today. Drawing on both critical and theatrical history, he shows how this fusion makes Hamlet seem a much more 'problematic' play than it was when it originally appeared in the First Folio of 1623.The Oxford Shakespeare edition presents a radically new text, based on that First Folio, which printed Shakespeare's own revision of an earlier version. The result is a 'theatrical' and highly practical edition for students and actors alike. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Häftad, Engelska, 1994
185 kr
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Shakespearean comedy has as much to do with the structure and movement of the drama as with the wit of its dialogue or the humour of its characters. In these four comedies there is a near-tragic crisis at which disaster or happiness may ensue, but the overriding force of goodwill and the power of understanding, love and generosity brings us through to a joyful conclusion. In comedy, 'sweet are the uses of adversity', so that the most bitter circumstances - exile, oppression, unrequited love - can give rise to higher feelings of friendship, respect, sympathy and acceptance. In this collection of Shakespeare's four most spirited comedies, each text comes complete with notes and an introduction, making this edition of particular value to students, scholars and theatre-goers.
E-bok
Engelska, 200691 kr
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'I pity the man who cannot enjoy Shakespeare' George Bernard ShawThe beautiful and witty Katherina has sworn never to accept the demands of any would-be husband. But when she is pursued by the wily Petruchio, it seems that she has finally met her match. As he meets her caustic words with capricious cruelty, Katherina is forced to reconsider her position, in one of the greatest and most contentious of all comic battles of the sexes.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by G. R. HibbardIntroduction by M. J. Kidnie
E-bok
Engelska, 200594 kr
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'Unable to rely on heaven, we look to Shakespeare as a contemporary conscience' Peter ConradCoriolanus, a famed warrior turned politician, is driven from Rome as a traitor when he arrogantly speaks out against popular rule and loses the good will of the starving people. Banished and embittered, he allies himself with his former enemies and begins to plot a merciless revenge on Rome. Shakespeare's politically ambiguous late tragedy of a great soldier who fails to be a great leader questions the notion of heroism and what power really means. Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by G. R. Hibbard Introduction by Paul Prescott