Gail Peter Borden - Böcker

This book examines the interrelationship of representational methods and material systems as fundamental drivers of the design process. Identifying four primary categories of representational logics - point, line, surface, mass - each category is illustrated through four precedent projects that deploy iterative material sensibilities. As a collection, this text provides a comprehensive categorization of the architectural design process.Through the comprehensive definition of categorical typologies, it illustrates the collective capability of this conceptual methodology. By unpacking projects through their specific design devices, the collective analysis reveals the impact of material techniques and methods of representation as a generative tool. Broad in scope, it identifies and uniformly analyses some of the most significant projects from the last century, including:UK Pavilion Shanghai - Heatherwick Studio, Shanghai,ChinaGatehouse - Office dA, Beijing, ChinaMaison Colonial - Jean Prouve, France/Africade Young Museum - Herzog and de Meuron, California USAMontreal Expo 67 - Buckminster Fuller, Montreal, CanadaJean Marie Tjibou Cultural Center – RPBW, Noumea, IndonesiaHouse III - Peter Eisenman, New York, USABarcelona Pavilion - Mies van der Rohe, Barcelona, SpainTel Aviv - Scott Cohen, Tel Aviv, IsraelLos Manantiales - Felix Candella, Mexico City, MexicoYokahama Terminal – FOA, Yokahama, JapanPantheon, Rome, ItalyTres Grand Bibliotheque - Rem Koolhaas, OMA, Paris, FranceBrother Claus Field Chapel - Peter Zumthor, SwitzerlandEmbryonic House- Greg LynnRichly illustrated with consistent, clear and precise line drawings, the book presents a series of iconic precedents through a unique analytical and graphic sensibility.

This book examines the interrelationship of representational methods and material systems as fundamental drivers of the design process. Identifying four primary categories of representational logics - point, line, surface, mass - each category is illustrated through four precedent projects that deploy iterative material sensibilities. As a collection, this text provides a comprehensive categorization of the architectural design process.Through the comprehensive definition of categorical typologies, it illustrates the collective capability of this conceptual methodology. By unpacking projects through their specific design devices, the collective analysis reveals the impact of material techniques and methods of representation as a generative tool. Broad in scope, it identifies and uniformly analyses some of the most significant projects from the last century, including:UK Pavilion Shanghai - Heatherwick Studio, Shanghai,ChinaGatehouse - Office dA, Beijing, ChinaMaison Colonial - Jean Prouve, France/Africade Young Museum - Herzog and de Meuron, California USAMontreal Expo 67 - Buckminster Fuller, Montreal, CanadaJean Marie Tjibou Cultural Center – RPBW, Noumea, IndonesiaHouse III - Peter Eisenman, New York, USABarcelona Pavilion - Mies van der Rohe, Barcelona, SpainTel Aviv - Scott Cohen, Tel Aviv, IsraelLos Manantiales - Felix Candella, Mexico City, MexicoYokahama Terminal – FOA, Yokahama, JapanPantheon, Rome, ItalyTres Grand Bibliotheque - Rem Koolhaas, OMA, Paris, FranceBrother Claus Field Chapel - Peter Zumthor, SwitzerlandEmbryonic House- Greg LynnRichly illustrated with consistent, clear and precise line drawings, the book presents a series of iconic precedents through a unique analytical and graphic sensibility.

Beginning with material, this book revolves around physical material making and design decisions that emerge from material interaction. Combining essays from both practice and academia, this book presents some of the most significant projects and thoughts on materiality from the last decade. Beautifully illustrated with a great deal of technical information throughout, it shows work, technical technique and process, and positions it within a broader theoretical intention. By assembling a range of voices, here is a multifaceted portrait of material design today. Students and design professionals alike should find in this book an essential resource for understanding this increasingly important aspect of design.

Part-to-part relationships and the approach to governing their sensibilities is at the root of all architecture. The need for engaging in a dialogue around these systems is essential to contemporary architectural discourse and practice. Assembly builds on and extends the investigations of materials and representation techniques in the editors’ previous books, Matter and Lineament. This book uses a collection of detailed case studies, explained by first-person authors, about experimental and innovative takes on assembling architecture. Bridging theory and practice, 17 projects and their principled approaches each demonstrate an important vein of inquiry within the topic. Essays probe issues such as latent and overt geometry, fabrication and technology, part-to-part elements, joinery and representation, material vernacular geometries, labor and place-based contextual assemblies, detailing, and pedagogical examinations. This text articulates the traditions and trends of material as the defining premise in the contemporary making of architecture. Its outcomes are applicable to beginning students of architecture and advanced practitioners alike.

Part-to-part relationships and the approach to governing their sensibilities is at the root of all architecture. The need for engaging in a dialogue around these systems is essential to contemporary architectural discourse and practice. Assembly builds on and extends the investigations of materials and representation techniques in the editors’ previous books, Matter and Lineament. This book uses a collection of detailed case studies, explained by first-person authors, about experimental and innovative takes on assembling architecture. Bridging theory and practice, 17 projects and their principled approaches each demonstrate an important vein of inquiry within the topic. Essays probe issues such as latent and overt geometry, fabrication and technology, part-to-part elements, joinery and representation, material vernacular geometries, labor and place-based contextual assemblies, detailing, and pedagogical examinations. This text articulates the traditions and trends of material as the defining premise in the contemporary making of architecture. Its outcomes are applicable to beginning students of architecture and advanced practitioners alike.

This comprehensive catalogue of contemporary work examines the renewed investment in the relationship between representation, materiality, and architecture. It assembles a range of diverse voices across various institutions, practices, generations, and geographies, through specific case studies that collectively present a broader theoretical intention.

This comprehensive catalogue of contemporary work examines the renewed investment in the relationship between representation, materiality, and architecture. It assembles a range of diverse voices across various institutions, practices, generations, and geographies, through specific case studies that collectively present a broader theoretical intention.

New Essentialism: Material Architecture examines how architecture engages material to create effect. It approaches this complex topic through five critical historical thresholds, represented by analytical precedents and coupled with projective experimental design projects. Unpacking the fundamental methodologies of their geometric, material, spatial, and effectual sensibilities, each threshold builds an examination that reveals the essential methods and processes of design. In turn, this illustrates the basis of the argument for a New Essentialism: its characteristics, methods and the sensibilities that mark its definition.