Michael Meredith – författare

Ocean Mixing: Drivers, Mechanisms and Impacts presents a broad panorama of one of the most rapidly-developing areas of marine science. It highlights the state-of-the-art concerning knowledge of the causes of ocean mixing, and a perspective on the implications for ocean circulation, climate, biogeochemistry and the marine ecosystem. This edited volume places a particular emphasis on elucidating the key future questions relating to ocean mixing, and emerging ideas and activities to address them, including innovative technology developments and advances in methodology. Ocean Mixing is a key reference for those entering the field, and for those seeking a comprehensive overview of how the key current issues are being addressed and what the priorities for future research are. Each chapter is written by established leaders in ocean mixing research; the volume is thus suitable for those seeking specific detailed information on sub-topics, as well as those seeking a broad synopsis of current understanding. It provides useful ammunition for those pursuing funding for specific future research campaigns, by being an authoritative source concerning key scientific goals in the short, medium and long term. Additionally, the chapters contain bespoke and informative graphics that can be used in teaching and science communication to convey the complex concepts and phenomena in easily accessible ways. Presents a coherent overview of the state-of-the-art research concerning ocean mixing Provides an in-depth discussion of how ocean mixing impacts all scales of the planetary system Includes elucidation of the grand challenges in ocean mixing, and how they might be addressed

Volume 15 in The Complete Poetical Works of Robert Browning presents poetry Browning wrote in his seventies, his last two volumes: Parleyings (1887) and Asolando (1889). The former is the poet's last sustained meditation on life and on his times, a nine-section credo covering religion, history, poetry, politics, art, and music. Asolando is a coda to his whole oeuvre, a mixture of short love lyrics, historical monologues and anecdotes, light verse, and poems which are quite sui generis, all grouped around the theme of 'fancies and fact'. Both volumes are presented here with previously unknown sources, a wealth of new contextual material, and many textual nuances clarified, giving a fresh view of the last phase of Browning's career. What emerges is a poet more seriously Christian, Protestant, and Liberal than previously supposed, more interested in Britain's destiny and Empire, more enmeshed in the local battles of the 1880s?and a writer of considerable range and wit.

Beginning with material, this book revolves around physical material making and design decisions that emerge from material interaction. Combining essays from both practice and academia, this book presents some of the most significant projects and thoughts on materiality from the last decade. Beautifully illustrated with a great deal of technical information throughout, it shows work, technical technique and process, and positions it within a broader theoretical intention. By assembling a range of voices, here is a multifaceted portrait of material design today. Students and design professionals alike should find in this book an essential resource for understanding this increasingly important aspect of design.

Part-to-part relationships and the approach to governing their sensibilities is at the root of all architecture. The need for engaging in a dialogue around these systems is essential to contemporary architectural discourse and practice. Assembly builds on and extends the investigations of materials and representation techniques in the editors’ previous books, Matter and Lineament. This book uses a collection of detailed case studies, explained by first-person authors, about experimental and innovative takes on assembling architecture. Bridging theory and practice, 17 projects and their principled approaches each demonstrate an important vein of inquiry within the topic. Essays probe issues such as latent and overt geometry, fabrication and technology, part-to-part elements, joinery and representation, material vernacular geometries, labor and place-based contextual assemblies, detailing, and pedagogical examinations. This text articulates the traditions and trends of material as the defining premise in the contemporary making of architecture. Its outcomes are applicable to beginning students of architecture and advanced practitioners alike.

Part-to-part relationships and the approach to governing their sensibilities is at the root of all architecture. The need for engaging in a dialogue around these systems is essential to contemporary architectural discourse and practice. Assembly builds on and extends the investigations of materials and representation techniques in the editors’ previous books, Matter and Lineament. This book uses a collection of detailed case studies, explained by first-person authors, about experimental and innovative takes on assembling architecture. Bridging theory and practice, 17 projects and their principled approaches each demonstrate an important vein of inquiry within the topic. Essays probe issues such as latent and overt geometry, fabrication and technology, part-to-part elements, joinery and representation, material vernacular geometries, labor and place-based contextual assemblies, detailing, and pedagogical examinations. This text articulates the traditions and trends of material as the defining premise in the contemporary making of architecture. Its outcomes are applicable to beginning students of architecture and advanced practitioners alike.

This comprehensive catalogue of contemporary work examines the renewed investment in the relationship between representation, materiality, and architecture. It assembles a range of diverse voices across various institutions, practices, generations, and geographies, through specific case studies that collectively present a broader theoretical intention.

This comprehensive catalogue of contemporary work examines the renewed investment in the relationship between representation, materiality, and architecture. It assembles a range of diverse voices across various institutions, practices, generations, and geographies, through specific case studies that collectively present a broader theoretical intention.

In their new book, Michael Meredith and Hilary Sample, principals of acclaimed New York-based architecture firm MOS, offer a deep dive into the ever-changing nature of public spaces, revealing their complexity, instability, and contested nature. Through a focused examination of New York City—one of the most densely populated and symbolically charged urban environments—the volume explores how public spaces are shaped by legal frameworks, private interests, and community needs.Drawing on historical context, legal principles, and detailed mapping of Manhattan’s public spaces, Meredith and Sample illustrate how spaces like parks, sidewalks, plazas, and even cemeteries serve as arenas for expression, conflict, and negotiation. From anti-homeless measures to inaccessible infrastructure: they highlight the ways in which public spaces can both include and exclude, reflecting the larger social and political structures that govern them.A sequel to their precious Vacant Spaces, NY (2021), Public Spaces, NY invites an imagination of a more inclusive, equitable vision for the shared urban spaces we all navigate.