Originally published in 1987, this title is a comprehensive study focused on experimental forms in eighteenth-century fiction. It suggests that the eighteenth-century novel is misread because it is judged with the templates of nineteenth and twentieth century versions of ‘the novel’ in mind, rather than as a standalone genre. Looking at works from well-known authors of the time this learned and lively book, gently but precisely undermines a basic category of modern literary understanding.

Originally published in 1987, this title is a comprehensive study focused on experimental forms in eighteenth-century fiction. It suggests that the eighteenth-century novel is misread because it is judged with the templates of nineteenth and twentieth century versions of ‘the novel’ in mind, rather than as a standalone genre. Looking at works from well-known authors of the time this learned and lively book, gently but precisely undermines a basic category of modern literary understanding.

Originally published in 1987, this title is a comprehensive study focused on experimental forms in eighteenth-century fiction. It suggests that the eighteenth-century novel is misread because it is judged with the templates of nineteenth and twentieth century versions of ‘the novel’ in mind, rather than as a standalone genre. Looking at works from well-known authors of the time this learned and lively book, gently but precisely undermines a basic category of modern literary understanding.

Originally published in 1987, this title is a comprehensive study focused on experimental forms in eighteenth-century fiction. It suggests that the eighteenth-century novel is misread because it is judged with the templates of nineteenth and twentieth century versions of ‘the novel’ in mind, rather than as a standalone genre. Looking at works from well-known authors of the time this learned and lively book, gently but precisely undermines a basic category of modern literary understanding.