Georg Schmid – författare

No detailed description available for "e;Principles of Integral Science of Religion"e;.

Civilizations «narrate themselves» in order to establish legitimacy, succeed against others, portray their own merits to their best advantage. The results express societal dynamics, yet also have a retroactive effect and decisively influence the self-conceptions of the «initiating societies». Political philosophies, interpretations of history and social perceptions of artistic achievements all contribute to these narratives. The dignified components, however, are by no means the sole or even the most important ones. Distinction in material culture (technological proficiency, popular art forms, etc.) or economic adroitness are even more consequential. The occidental narrative has been badly vacillating lately. Its severe crisis – due in part to a lack of collective self-confidence, but also to disagreements between its main strands – merits a meticulous analysis of a multitude of criteria. The resulting critique is embedded in reflections on a general theory of narrativity.

For well over a century cinema has exerted enormous influence, yet many questions regarding its fascination remain unanswered. Films work so well because the viewers tend to unconsciously identify with the actors/actresses. The desire to become another, substituting identity by identification, can be traced to the illusion that the filmic heroes/heroines are immortal – identifying with them raises the possibility of gaining «deathlessness.» Viewers can, without real life risks, experiment with the existential drafts presented; the power of imagination is mobilized. Based on a multidisciplinary approach (semiotics, psychoanalysis, cultural anthropology, plus a healthy dose of film history), this book presents prolegomena of a philosophy of cinema.

We forget all kinds of things, trivial and important ones; and not just things but also topics and techniques, and we forget in different ways. Inconvenient as it is to forget your to-do list, forgetting grave political factors can lead to repeating the same mistakes. Foolish as it is to let proven solutions fall by the wayside, repression, both on a personal as on a political level, will lead to catastrophe. This book enumerates many things already forgotten (or in the process of being forgotten) and maps the tortuous paths of relinquishing useful ways of doing things. By analyzing «forgetting» in the light of historical context and psychological necessity, this study offers counter-strategies to the loss of social memory and stresses the benefits of social recollection.

This book gives explanations for the growing gap in wealth and income and the rise of anti-democratic movements. The power of the elites today is supposedly founded on merit (education, intelligence etc.), but a closer look shows that a well-marked-out pool is just self-re-producing. The power these in-groups wield often leads to moral insensibility, made worse by a condescending attitude towards people further down the food chain. The pre-dominance of the model of the nation-state, with its centralism and top-down structure, is one of the roots of this problem, as is the lack of comparisons and value judgements; examples from transport and urbanism show that they are possible. The deplorable situation is made worse by the “anti-“social-media scuppering open and productive discussions.

Die erste umfassende Dokumentation des Leben uns Wirkens des Musikers Otto Ulf. Otto Ulf (1907 1993) gehorte zu jenen herausragenden Musikern und Pionieren, die um die Mitte des 20. Jahrhunderts die zunehmende Musealisierung des klassisch-romantischen Musikbetriebes als Einengung empfanden und sich in der Folge der Alten Musik zuwandten. Ulf tat dies mit erstaunlicher Konsequenz: Seine stets im besten Sinne "e;nachhaltigen"e; Initiativen zielten nicht nur auf die Wiederbelebung eines vernachlassigten Repertoires und vergessener Spielpraktiken ab, sondern von Anfang an auf eine umfassende, auch das vokale und instrumentale Laienmusiizieren betreffende Hebung des Niveaus und musikalische Grundbildung der Ausfuhrenden. Seine Vision einer Erneuerung des Musikbetriebes aus dem Geist der "e;Alten Musik"e; erwuchsen der "e;Innsbrucker Blaserkreis"e;, der Verein "e;Cantare et Sonare"e;, die "e;Ambraser Schlosskonzerte"e; und schlie lich die "e;Innsbrucker Festwochen der Alten Musik"e; mit ihrem Herzstuck, der "e;Internationalen Sommerakademie fur Alte Musik"e;. Ulfs Werdegang, sein au erordentlich vielseitiges Wirken auf vielen Gebieten und die kulturpolitische Bedeutung seiner Initiativen stehen im Mittelpunkt dieser Publikation zum 50-Jahr-Jubilaum der Innsbrucker Festwochen der Alten Musik. Damit erfahrt eine der einflussreichsten und visionarsten Personlichkeiten im Tiroler Kulturleben der zweiten Halfte des 20. Jahrhunderts erstmals eine umfassende Wurdigung.