Georg Simmel – författare

"Slentrianmässigt är vi benägna att säga att konflikten innebär söndring . . . Simmels stora upptäkt . . . är nu den, att (åtminstone vissa) konflikten betyder precis motsatsen till det ovanstående. Om jag förstått honom rätt, så menar Simmel att konflikter kan förena två parter snarare än att skilja dem åt. En konflikt kan öka förståelsen mellan två parter snarare än att minska den... Frånvaron av motsättningar, meningsskiljaktigheter, aggressioner kan istället vara sociala sjukdomstecken. Ett samhälle, vari det inte tycks råda några inre konflikter, kan befinna sig i ett upplösningstillstånd . . . " (Docent Johan Asplund i "Om undran inför samhället". Argos 1970) Om dessa och liknande problem handlar KAMP av en av sociologiens klassiker. Nu för första gången på svenska.

Georg Simmel (1858?1918) räknas till de stora samhällsvetenskapliga klassikerna vid sidan om Durkheim, Marx och Weber. Kanske är han dock numera den modernaste av dem alla. Han representerar mjukdata- och förståelsesociologin, han är en interaktionist och helhetsteoretiker, som betonar och undersöker de inre motsättningarna i det till synes enhetliga.Hans ämnen är i hög grad aktuella: ensamhet, tvåsamhet och mångsamhet; staden och storstadsmänniskan; pengarna och utbytet; det hemliga och kärleken.Erik af Edholm har gjort urvalet, översatt och skrivit en omfattande inledning till denna breda presentation av Simmels texter på svenska.\"Erik af Edholm har begåvat oss med ett utmärkt urval, en omsorgsfull översättning och inte minst en inledning som bringar reda både i Simmels centrala tankegångar och i den kaotiska sjudande miljö som det sena tyska 1800-talets universitetsvärld utgör.\" (Sven-Eric Liedman)

Published in 1918, The View of Life is Georg Simmel's final work. Famously deemed "the brightest man in Europe" by George Santayana, Simmel addressed diverse topics across his essayistic writings, which influenced scholars in aesthetics, epistemology, and sociology. Nevertheless, certain core issues emerged over the course of his career - the genesis, structure, and transcendence of social and cultural forms, and the nature and conditions of authentic individuality, including the role of mindfulness regarding mortality. Composed not long before his death, The View of Life was, Simmel wrote, his "testament," a capstone work of profound metaphysical inquiry intended to formulate his conception of life in its entirety. Now Anglophone readers can at last read in full the work that shaped the argument of Heidegger's Being and Time and whose extraordinary impact on European intellectual life between the wars was extolled by Jurgen Habermas. Presented alongside these seminal essays are aphoristic fragments from Simmel's last journal, providing a beguiling look into the mind of one of the twentieth century's greatest thinkers.

"Of those who created the intellectual capital used to launch the enterprise of professional sociology, Georg Simmel was perhaps the most original and fecund. In search of a subject matter for sociology that would distinguish it from all other social sciences and humanistic disciplines, he charted a new field for discovery and proceeded to explore a world of novel topics in works that have guided and anticipated the thinking of generations of sociologists. Such distinctive concepts of contemporary sociology as social distance, marginality, urbanism as a way of life, role-playing, social behavior as exchange, conflict as an integrating process, dyadic encounter, circular interaction, reference groups as perspectives, and sociological ambivalence embody ideas which Simmel adumbrated more than six decades ago."—Donald N. Levine Half of the material included in this edition of Simmel's writings represents new translations. This includes Simmel's important, lengthy, and previously untranslated "Group Expansion and Development of Individuality," as well as three selections from his most neglected work, Philosophy of Money; in addition, the introduction to Probleme der Geschichtsphilosophie, chapter one of the Lebensanschauung, and three essays are translated for the first time.

Georg Simmel is one of the most original German thinkers of the twentieth century and is considered a founding architect of the modern discipline of sociology. Ranging over fundamental questions of the relationship of self and society, his influential writings on money, modernity, and the metropolis continue to provoke debate today.Fascinated by the relationship between culture, society, and economic life, Simmel took an interest in myriad phenomena of aesthetics and the arts. A friend of writers and artists such as Auguste Rodin, Rainer Maria Rilke, and Stefan George, he wrote dozens of pieces engaging with topics such as the work of Michelangelo, Rembrandt, and Rodin, Japanese art, naturalism and symbolism, Goethe, "art for art's sake", art exhibitions, and the aesthetics of the picture frame.This is the first collection to bring together Simmel's finest writing on art and aesthetics, and many of the items appear in English in this volume for the first time. The more than forty essays show the protean breadth of Simmel's reflections, covering landscape painting, portraiture, sculpture, poetry, theater, form, style, and representation. An extensive introduction by Austin Harrington gives an overview of Simmel's themes and elucidates the significance of his work for the many theorists who would be inspired by his ideas.Something of an outsider to the formal academic world of his day, Simmel wrote creatively with the flair of an essayist. This expansive collection of translations, many of them prepared by the editor, preserves the narrative ease of Simmel's prose and will be a vital source for readers with an interest in Simmel's trailblazing ideas in modern European philosophy, sociology, and cultural theory.

Georg Simmel is one of the most original German thinkers of the twentieth century and is considered a founding architect of the modern discipline of sociology. Ranging over fundamental questions of the relationship of self and society, his influential writings on money, modernity, and the metropolis continue to provoke debate today.Fascinated by the relationship between culture, society, and economic life, Simmel took an interest in myriad phenomena of aesthetics and the arts. A friend of writers and artists such as Auguste Rodin, Rainer Maria Rilke, and Stefan George, he wrote dozens of pieces engaging with topics such as the work of Michelangelo, Rembrandt, and Rodin, Japanese art, naturalism and symbolism, Goethe, "art for art's sake", art exhibitions, and the aesthetics of the picture frame.This is the first collection to bring together Simmel's finest writing on art and aesthetics, and many of the items appear in English in this volume for the first time. The more than forty essays show the protean breadth of Simmel's reflections, covering landscape painting, portraiture, sculpture, poetry, theater, form, style, and representation. An extensive introduction by Austin Harrington gives an overview of Simmel's themes and elucidates the significance of his work for the many theorists who would be inspired by his ideas.Something of an outsider to the formal academic world of his day, Simmel wrote creatively with the flair of an essayist. This expansive collection of translations, many of them prepared by the editor, preserves the narrative ease of Simmel's prose and will be a vital source for readers with an interest in Simmel's trailblazing ideas in modern European philosophy, sociology, and cultural theory.

Georg Simmel is one of the most original German thinkers of the twentieth century and is considered a founding architect of the modern discipline of sociology. Ranging over fundamental questions of the relationship of self and society, his influential writings on money, modernity, and the metropolis continue to provoke debate today. Fascinated by the relationship between culture, society, and economic life, Simmel took an interest in myriad phenomena of aesthetics and the arts.  A friend of writers and artists such as Auguste Rodin, Rainer Maria Rilke, and Stefan George, he wrote dozens of pieces engaging with topics such as the work of Michelangelo, Rembrandt, and Rodin, Japanese art, naturalism and symbolism, Goethe, “art for art’s sake”, art exhibitions, and the aesthetics of the picture frame. This is the first collection to bring together Simmel’s finest writing on art and aesthetics, and many of the items appear in English in this volume for the first time. The more than forty essays show the protean breadth of Simmel’s reflections, covering landscape painting, portraiture, sculpture, poetry, theater, form, style, and representation. An extensive introduction by Austin Harrington gives an overview of Simmel’s themes and elucidates the significance of his work for the many theorists who would be inspired by his ideas. Something of an outsider to the formal academic world of his day, Simmel wrote creatively with the flair of an essayist. This expansive collection of translations preserves the narrative ease of Simmel’s prose and will be a vital source for readers with an interest in Simmel’s trailblazing ideas in modern European philosophy, sociology, and cultural theory.

Published in 1918, "The View of Life" is Georg Simmel's final work. Famously deemed 'the brightest man in Europe by George Santayana, Simmel addressed a variety of topics across his essayistic writings, which have influenced scholars in aesthetics, ethics, epistemology, and sociology. Nevertheless, a set of core issues emerged over the course of his career, most centrally the genesis, structure, and transcendence of social and cultural forms and the nature and genesis of authentic individuality. Composed in the years before his death, "The View of Life" was, according to Simmel, his 'testament', a capstone work of profound metaphysical inquiry intended to formulate his conception of life in its entirety. Now Anglophone readers can at last read in full the work that shaped the argument of Heidegger's "Being and Time" and whose extraordinary impact on European intellectual life between the wars has been extolled by Jurgen Habermas. Presented alongside these seminal essays are aphoristic fragments from Simmel's last journal, providing a beguiling look into the mind of one of the twentieth century's greatest thinkers.

Anticipating contemporary deconstructive readings of philosophical texts,Georg Simmel pits the two German masters of philosophy of life againsteach other in a play of opposition and supplementation. This first Englishtranslation of Simmel's work includes an extensive introduction, providingthe reader with ready access to the text by mapping its discursive strategies.

The noted German sociologist and philosopher Georg Simmel wrote a number of essays that deal directly with religion as a fundamental process in human life. These essays set forth Simmel's mature reflections on religion and its relation to modernity, personality, art, sociology, psychology, philosophy, and science. They also include his views on methods in the study of religion and his thoughts on achieving a broader perspective on religion. Originally published between 1898 and 1918, the last twenty years of Simmel's life, the essays are collected here in English for the first time.The essays provide an excellent picture of the development of the characteristic doctrines of Simmel's thought as applied to religion, based on phenomenological analysis of human experience that emphasizes the subjective dimensions of life. The collection shows that Simmel was interested less in the forms that religions take than in what he calls a "particular spiritual quality" or "attitude of the soul"--a feeling of religiousness that precedes the forms of religion and may later be projected onto them. Viewing religion as primarily a quality of social relationships that can be analyzed in various contexts, Simmel makes a unique contribution to the sociological analysis of religion, as well as offering valuable insights for scientific consideration.Published by arrangement with the Society for the Scientific Study of Religion

'I have lost interest ... in all that I have written prior to The Philosophy of Money. This one is really my book, the others appear to me colourless and seem as if they could have been written by anyone else.' - Georg Simmel to Heinrich Rickert (1904)In The Philosophy of Money, Simmel provides us with a remarkably wide-ranging discussion of the social, psychological and philosophical aspects of the money economy, full of brilliant insights into the forms that social relationships take. He analyzes the relationships of money to exchange, the human personality, the position of women, individual freedom and many other areas of human existence. Later he provides us with an account of the consequences of the modern money economy and the division of labour, which examines the processes of alienation and reification in work, urban life and elsewhere. Perhaps, more than any of his other sociological works, The Philosophy of Money gives us an example of his comprehensive analysis of the interrelationships between the most diverse and seemingly connected social phenomena.This revised edition of the translation by Tom Bottomore and David Frisby, includes a new Preface by David Frisby.

'I have lost interest ...in all that I have written prior to The Philosophy of Money . This one is really my book, the others appear to me colourless and seem as if they could have been written by anyone else.' - Georg Simmel to Heinrich Rickert (1904) In The Philosophy of Money , Simmel provides us with a remarkably wide-ranging discussion of the social, psychological and philosophical aspects of the money economy, full of brilliant insights into the forms that social relationships take. He analyzes the relationships of money to exchange, the human personality, the position of women, individual freedom and many other areas of human existence. Later he provides us with an account of the consequences of the modern money economy and the division of labour, which examines the processes of alienation and reification in work, urban life and elsewhere. Perhaps, more than any of his other sociological works, The Philosophy of Money gives us an example of his comprehensive analysis of the interrelationships between the most diverse and seemingly connected social phenomena. This revised edition of the translation by Tom Bottomore and David Frisby, includes a new Preface by Davi

With a new foreword by Charles Lemert'Its greatness...lies in ceaseless and varied use of the money form to unearth and conceptually reveal incommensurabilities of all kinds, in social reality fully as much as in thought itself.' - Fredric JamesonIn The Philosophy of Money, Georg Simmel puts money on the couch. He provides us with a classic analysis of the social, psychological and philosophical aspects of the money economy, full of brilliant insights into the forms that social relationships take. He analyzes the relationships of money to exchange, human personality, the position of women, and individual freedom. Simmel also offers us prophetic insights into the consequences of the modern money economy and the division of labour, in particular the processes of alienation and reification in work and urban life. An immense and profound piece of work it demands to be read today and for years to come as a stunning account of the meaning, use and culture of money.Georg Simmel (1858-1918) was born in Berlin, the youngest of seven children. He studied philosophy and history at the University of Berlin and was one of the first generation of great German sociologists that included Max Weber.