George H. Jensen – författare

'We cannot separate the writer from the writing. Nor should we try. Both our writing process and our writing products need to carry our unique signature, a bit of our personality.' - From Writing and Personality How you write - what works for you and what makes sense to you - depends on who you are, your personality, your preferences, y

Rereads Jung in light of contemporary theoretical concerns, and offers a variety of examples of post-Jungian literary and cultural criticism.This groundbreaking collection brings the range and diversity of post-Jungian thought into the realm of contemporary literary and cultural criticism. These essays explore, expand, critique, and apply post-Jungian critical theory as they revisit and reread Jung's own writings from numerous perspectives. No longer treated as a source of clear, unequivocal, authoritative pronouncement, Jung's writings are themselves subjected to critical, deconstructive readings, and several of the essays confront head-on Jung's evident racism, antifeminism, anti-Semitism, and political conservatism. While not downplaying such charges, the contributors outline an alternative, post-Jungian theory responsive to contemporary feminist, postcolonial, and poststructural concerns. The result is not just a critical reinterpretation but, more important, a regeneration of Jungian thought.

Rereads Jung in light of contemporary theoretical concerns, and offers a variety of examples of post-Jungian literary and cultural criticism.This groundbreaking collection brings the range and diversity of post-Jungian thought into the realm of contemporary literary and cultural criticism. These essays explore, expand, critique, and apply post-Jungian critical theory as they revisit and reread Jung's own writings from numerous perspectives. No longer treated as a source of clear, unequivocal, authoritative pronouncement, Jung's writings are themselves subjected to critical, deconstructive readings, and several of the essays confront head-on Jung's evident racism, antifeminism, anti-Semitism, and political conservatism. While not downplaying such charges, the contributors outline an alternative, post-Jungian theory responsive to contemporary feminist, postcolonial, and poststructural concerns. The result is not just a critical reinterpretation but, more important, a regeneration of Jungian thought.

Norman Maclean’s “A River Runs through It”: The Search for Beauty is the first book-length study of Norman Maclean or any of his works. Since the publication of “A River Runs through It” in 1976, readers and critics have considered it to be one of the most carefully crafted stories in American literature, in terms of both its structure and its style. The beauty of the story came with much hard work. This study traces Maclean’s revisions through four handwritten drafts and three typescripts, quoting extensively from previously unpublished material. The analysis of Maclean’s composition process lays the foundation for original and detailed discussions of other aspects of Maclean’s craft, such as his approach to genre and style. The study publishes for the first time the complete text of the notes that Maclean wrote after the first draft of “A River Runs through It.”

Norman Maclean’s “A River Runs through It”: The Search for Beauty is the first book-length study of Norman Maclean or any of his works. Since the publication of “A River Runs through It” in 1976, readers and critics have considered it to be one of the most carefully crafted stories in American literature, in terms of both its structure and its style. The beauty of the story came with much hard work. This study traces Maclean’s revisions through four handwritten drafts and three typescripts, quoting extensively from previously unpublished material. The analysis of Maclean’s composition process lays the foundation for original and detailed discussions of other aspects of Maclean’s craft, such as his approach to genre and style. The study publishes for the first time the complete text of the notes that Maclean wrote after the first draft of “A River Runs through It.”

Researchers seem to have made little progress toward better understanding the nature and importance of individual differences. The authors present a paradigm to explain such differences so that researchers will be better able to study the wide variety of approaches that students employ. The volume synthesizes and expands the large body of research on individual differences, and shows how personality theory can explain the kinds of individual differences found in writing processes, written products, teaching styles, and other areas. The authors discuss how personality theory can be used to help students develop their writing skills in a process more suited to their personality type, and demonstrate how teachers' responses to student writing is to some extent a reflection of their personality type.

'We cannot separate the writer from the writing. Nor should we try. Both our writing process and our writing products need to carry our unique signature, a bit of our personality.' - From Writing and PersonalityHow you write - what works for you and what makes sense to you - depends on who you are, your personality, your preferences, your style of thinking and feeling. If you're extraverted and grounded in your senses, your natural writing style will be far different from the person who tends to be introverted and intuitive. Not only that, how you learn to write will be different as well. Here's a book that taps into the natural strengths of your personality and helps you use those strengths in your writing. Whether you're a student, businessperson, or professional writer, this book will help you: engage your natural writing voice; adapt to styles that are less natural; overcome writer's block; and find the right words for communicating effectively, whatever your assignment.

This book explores issues of identity, ethics and epistemology that arise around the writing and reception of creative nonfiction. It examines a range of different nonfiction forms – including the personal essay and memoir – and ethical questions that arise in relation to them, such as truth claims, the confessional mode, counter-narratives. Drawing on the ideas of Bakhtin, Nietzsche and Foucault; examples from creative non-fiction writers such as Strayed and Knausgaard; and the founding principles of the originators of the genre, Seneca, Augustine and Montaigne, George Jensen argues that a limited conception of nonfiction leads to a limited view of its ethics. Writing about the truth in an authentic way is more important than ever before – and essential to this is the creation of the ethical subject.