George Hart – författare

Two prominent translators present the first complete English-language edition of one of India's greatest works of classical literature: the Purananuru. This anthology of four hundred poems by more than 150 poets between the first and third centuries CE in old Tamil-the literary language of ancient Tamilnadu-was composed before Aryan influence had penetrated the south. It is thus a unique testament to pre-Aryan India. Beyond its importance for understanding the development of South Asia's history, culture, religion, and linguistics, the Purananuru is a great work of literature, reflecting accurately and profoundly the life of southern India 2,000 years ago. One of the few works of classical India that confronts life without the insulation of a philosophical facade and that makes no basic assumptions about karma and the afterlife, the Purananuru has universal appeal. It faces the world as a great and unsolved mystery, delving into living and dying, despair, love, poverty, and the changing nature of existence. To this hidden gem of world literature George L.Hart and Hank Heifetz add a helpful appendix, an annotated bibliography, and an excellent introduction describing the work and placing it in its social and historical context.

Two prominent translators present the first complete English-language edition of one of India's greatest works of classical literature: the Purananuru. This anthology of four hundred poems by more than 150 poets between the first and third centuries CE in old Tamil-the literary language of ancient Tamilnadu-was composed before Aryan influence had penetrated the south. It is thus a unique testament to pre-Aryan India. Beyond its importance for understanding the development of South Asia's history, culture, religion, and linguistics, the Purananuru is a great work of literature, reflecting accurately and profoundly the life of southern India 2,000 years ago. One of the few works of classical India that confronts life without the insulation of a philosophical facade and that makes no basic assumptions about karma and the afterlife, the Purananuru has universal appeal. It faces the world as a great and unsolved mystery, delving into living and dying, despair, love, poverty, and the changing nature of existence. To this hidden gem of world literature George L.Hart and Hank Heifetz add a helpful appendix, an annotated bibliography, and an excellent introduction describing the work and placing it in its social and historical context.

The phrase literature and environment only achieved popularity in recent decades, yet writers dating back to the explorers of the 1500s—and later such 19th-century Romanticists as Thoreau—have long been addressing environmental issues through literary expression. This volume introduces students and educators to the field by tracing the evolution of environmental writing in the United States. Chapters written by distinguished scholars offer new perspectives on important environmental issues, guiding readers through 11 carefully selected literary works. Each chapter provides brief biographical information on the author, discussions of the work's structural, thematic, and stylistic components, and insights into the historical context that relates the work to relevant environmental issues. Each chapter concludes with information on works cited.The analyzed works cover a wide spectrum of literature and span nearly 100 years. Included are early writings, such as Mary Austin's 1903 The Land of Little Rain, and famous groundbreaking works, such as Rachel Carson's Silent Spring (1962) and Gary Snyder's Turtle Island (1974). Also included are frequently assigned works of special interest to students, such as The Monkey Wrench Gang (1975), The Earthsea Trilogy (1977), and Ceremony (1977). A list of selected further suggested readings completes the volume. Students of literature, as well as educators looking for new ways to present social issues, will find many ideas and much inspiration in this volume.

The Routledge Dictionary of Egyptian Gods and Goddesses contains one of the most comprehensive listings and descriptions of Egyptian deities. Now in its second edition, it provides:a new introductionupdated entries and four new entries on deitiesnames of the deities as Hieroglyphsa survey of gods and goddesses as they appear in classical literaturean expanded chronology and updated bibliography, together with a list of relevant websitesdrawings of the gods and emblems of each districta map of ancient Egypt and a time chartPresenting a vivid picture of the complexity and richness of imagery in Egyptian mythology, students studying Ancient Egypt, travelers, visitors to museums and all those interested in mythology will find this an invaluable resource.

The Routledge Dictionary of Egyptian Gods and Goddesses contains one of the most comprehensive listings and descriptions of Egyptian deities. Now in its second edition, it provides:a new introductionupdated entries and four new entries on deitiesnames of the deities as Hieroglyphsa survey of gods and goddesses as they appear in classical literaturean expanded chronology and updated bibliography, together with a list of relevant websitesdrawings of the gods and emblems of each districta map of ancient Egypt and a time chartPresenting a vivid picture of the complexity and richness of imagery in Egyptian mythology, students studying Ancient Egypt, travelers, visitors to museums and all those interested in mythology will find this an invaluable resource.

Larry Eigner (1927–1996) wrote thousands of poems in his lifetime, despite profound physical limitations caused by cerebral palsy. Using only the thumb and index finger of his right hand, Eigner generated a torrent of urgent and rich language, participating in vital correspondences as well as publishing widely in literary magazines and poetry journals.While Eigner wrote before the emergence of ecopoetics, his poetry reflected a serious engagement with scientific writing and media, including Rachel Carson’s seminal Silent Spring. Eigner was writing about environmental disasters and climate change long before such concerns took on a moral incumbency. Similarly, Eigner was ahead of his time in his exploration of disability. The field of disability studies has expanded rapidly in the new millennium. Eigner was not an overtly biographical poet, at least as far as his physical limitations were concerned, but his poetry spoke volumes on the idea of embodiment in all its forms.Finding the Weight of Things: Larry Eigner’s Ecrippoetics is the first full-length study of Eigner’s poetry, covering his entire career from the beginning of his mature work in the 1950s to his last poems of the 1990s. George Hart charts where Eigner’s two central interests intersect, and how their interaction fueled his work as a poet-critic—one whose work has much to tell us about the ecology and embodiment of our futures. Hart sees Eigner’s overlapping concerns for disability, ecology, and poetic form as inextricable, and coins the phrase ecrippoetics here to describe Eigner’s prescient vision.

From 1920 until his death in 1962, consciousness and its effect on the natural world was Robinson Jeffers's obsession. Understanding and explaining the biological basis of mind is one of the towering challenges of modern science to this day, and Jeffers's poetic experiment is an important contribution to American literary history—no other twentieth-century poet attempted such a thorough engagement with a crucial scientific problem. Jeffers invented a sacramental poetics that accommodates a modern scientific account of consciousness, thereby integrating an essentially religious sensibility with science in order to discover the sacramentality of natural process and reveal a divine cosmos.There is no other study of Jeffers or sacramental nature poetry like this one. It proposes that Jeffers's sacramentalism emerged out of his scientifically informed understanding of material nature. Drawing on ecocriticism, religious studies, and neuroscience, Inventing the Languageto Tell It shows how Jeffers produced the most compelling sacramental nature poetry of the twentieth century.

Larry Eigner (1927-1996), born with cerebral palsy, was an active and significant figure for the New American Poets of the 1950s and 1960s, particularly with the Black Mountain School. While his writing has been overshadowed by his contemporaries, such as Charles Olson and Robert Creeley, Eigner's work has had a significant influence on generations of poets as he was at the center of the development of a postmodern poetics. The essays in this collection examine the breadth of Eigner's interests and influence, considering issues pertaining to ecopoetics, race and ethnicity, disability, technology, media, soundscapes, phenomenology, and popular culture.This book promises to be a foundational text for Eigner studies as well as an important addition to critical work about twentieth-century poetry and poetics. Momentous Inconclusions: The Life and Work of Larry Eigner is a valuable contribution to scholars in the field and to academics researching the intersection of disability studies and poetics.