Exploring our relationship to nature and the role literature can play in shaping a culture responsive to environmental realities, this thematic, multi-genre anthology includes early writers such as John Muir, Henry David Thoreau, and Mary Austin, contemporary luminaries such as Gary Snyder and Terry Tempest Williams, and newer voices such as Michael Pollan and Sandra Steingraber.

This volume examines scholarly perspectives on eco-imaginaries, focusing in particular on how eco-catastrophes have been represented in literature and different visual forms, including film, television and cartoons, among other cultural media. It draws on literary genres such as science fiction, climate fiction, speculative fiction, petrofiction, post-apocalyptic narratives and nuclear fiction to examine the role that literature plays in the dissemination of information about environmental crisis in the Anthropocene and in preparing mankind for a better and sustainable future. Deeply embedded in theoretical conceptualisations, the essays in this volume address issues of natural disasters, deforestation, nuclear disasters and pandemics, among others, which constitute the core subjects of environmental humanities.

A seminal study on the literary and cultural representations of ecodisaster in the global context, and with contributions from across the world, this book, truly interdisciplinary in nature, will be an invaluable read for students, academicians and researchers in literature, film studies, climate change studies, disaster studies, gender studies and cultural studies.

This volume examines scholarly perspectives on eco-imaginaries, focusing in particular on how eco-catastrophes have been represented in literature and different visual forms, including film, television and cartoons, among other cultural media. It draws on literary genres such as science fiction, climate fiction, speculative fiction, petrofiction, post-apocalyptic narratives and nuclear fiction to examine the role that literature plays in the dissemination of information about environmental crisis in the Anthropocene and in preparing mankind for a better and sustainable future. Deeply embedded in theoretical conceptualisations, the essays in this volume address issues of natural disasters, deforestation, nuclear disasters and pandemics, among others, which constitute the core subjects of environmental humanities.

A seminal study on the literary and cultural representations of ecodisaster in the global context, and with contributions from across the world, this book, truly interdisciplinary in nature, will be an invaluable read for students, academicians and researchers in literature, film studies, climate change studies, disaster studies, gender studies and cultural studies.

Ecocriticism and environmental communication studies have for many years co-existed as parallel disciplines, occasionally crossing paths but typically operating in separate academic spheres. These fields are now rapidly converging, and this handbook aims to reinforce the common concerns and methodologies of the sibling disciplines.

The Routledge Handbook of Ecocriticism and Environmental Communication charts the history of the relationship between ecocriticism and environmental communication studies, while also highlighting key new paradigms in information studies, diverse examples of practical applications of environmental communication and textual analysis, and the patterns and challenges of environmental communication in non-Western societies. Contributors to this book include literary, film and religious studies scholars, communication studies specialists, environmental historians, practicing journalists, art critics, linguists, ethnographers, sociologists, literary theorists, and others, but all focus their discussions on key issues in textual representations of human–nature relationships and on the challenges and possibilities of environmental communication. The handbook is designed to map existing trends in both ecocriticism and environmental communication and to predict future directions.

This handbook will be an essential reference for teachers, students, and practitioners of environmental literature, film, journalism, communication, and rhetoric, and well as the broader meta-discipline of environmental humanities.

Ecocriticism and environmental communication studies have for many years co-existed as parallel disciplines, occasionally crossing paths but typically operating in separate academic spheres. These fields are now rapidly converging, and this handbook aims to reinforce the common concerns and methodologies of the sibling disciplines.

The Routledge Handbook of Ecocriticism and Environmental Communication charts the history of the relationship between ecocriticism and environmental communication studies, while also highlighting key new paradigms in information studies, diverse examples of practical applications of environmental communication and textual analysis, and the patterns and challenges of environmental communication in non-Western societies. Contributors to this book include literary, film and religious studies scholars, communication studies specialists, environmental historians, practicing journalists, art critics, linguists, ethnographers, sociologists, literary theorists, and others, but all focus their discussions on key issues in textual representations of human–nature relationships and on the challenges and possibilities of environmental communication. The handbook is designed to map existing trends in both ecocriticism and environmental communication and to predict future directions.

This handbook will be an essential reference for teachers, students, and practitioners of environmental literature, film, journalism, communication, and rhetoric, and well as the broader meta-discipline of environmental humanities.

Exploring our relationship to nature and the role literature can play in shaping a culture responsive to environmental realities, this thematic, multi-genre anthology includes early writers such as John Muir, Henry David Thoreau, and Mary Austin, contemporary luminaries such as Gary Snyder and Terry Tempest Williams, and newer voices such as Michael Pollan and Sandra Steingraber.

This volume examines scholarly perspectives on eco-imaginaries, focusing in particular on how eco-catastrophes have been represented in literature and different visual forms, including film, television and cartoons, among other cultural media. It draws on literary genres such as science fiction, climate fiction, speculative fiction, petrofiction, post-apocalyptic narratives and nuclear fiction to examine the role that literature plays in the dissemination of information about environmental crisis in the Anthropocene and in preparing mankind for a better and sustainable future. Deeply embedded in theoretical conceptualisations, the essays in this volume address issues of natural disasters, deforestation, nuclear disasters and pandemics, among others, which constitute the core subjects of environmental humanities.

A seminal study on the literary and cultural representations of ecodisaster in the global context, and with contributions from across the world, this book, truly interdisciplinary in nature, will be an invaluable read for students, academicians and researchers in literature, film studies, climate change studies, disaster studies, gender studies and cultural studies.

This volume examines scholarly perspectives on eco-imaginaries, focusing in particular on how eco-catastrophes have been represented in literature and different visual forms, including film, television and cartoons, among other cultural media. It draws on literary genres such as science fiction, climate fiction, speculative fiction, petrofiction, post-apocalyptic narratives and nuclear fiction to examine the role that literature plays in the dissemination of information about environmental crisis in the Anthropocene and in preparing mankind for a better and sustainable future. Deeply embedded in theoretical conceptualisations, the essays in this volume address issues of natural disasters, deforestation, nuclear disasters and pandemics, among others, which constitute the core subjects of environmental humanities.

A seminal study on the literary and cultural representations of ecodisaster in the global context, and with contributions from across the world, this book, truly interdisciplinary in nature, will be an invaluable read for students, academicians and researchers in literature, film studies, climate change studies, disaster studies, gender studies and cultural studies.

Ecocriticism and environmental communication studies have for many years co-existed as parallel disciplines, occasionally crossing paths but typically operating in separate academic spheres. These fields are now rapidly converging, and this handbook aims to reinforce the common concerns and methodologies of the sibling disciplines.

The Routledge Handbook of Ecocriticism and Environmental Communication charts the history of the relationship between ecocriticism and environmental communication studies, while also highlighting key new paradigms in information studies, diverse examples of practical applications of environmental communication and textual analysis, and the patterns and challenges of environmental communication in non-Western societies. Contributors to this book include literary, film and religious studies scholars, communication studies specialists, environmental historians, practicing journalists, art critics, linguists, ethnographers, sociologists, literary theorists, and others, but all focus their discussions on key issues in textual representations of human–nature relationships and on the challenges and possibilities of environmental communication. The handbook is designed to map existing trends in both ecocriticism and environmental communication and to predict future directions.

This handbook will be an essential reference for teachers, students, and practitioners of environmental literature, film, journalism, communication, and rhetoric, and well as the broader meta-discipline of environmental humanities.

Ecocriticism and environmental communication studies have for many years co-existed as parallel disciplines, occasionally crossing paths but typically operating in separate academic spheres. These fields are now rapidly converging, and this handbook aims to reinforce the common concerns and methodologies of the sibling disciplines.

The Routledge Handbook of Ecocriticism and Environmental Communication charts the history of the relationship between ecocriticism and environmental communication studies, while also highlighting key new paradigms in information studies, diverse examples of practical applications of environmental communication and textual analysis, and the patterns and challenges of environmental communication in non-Western societies. Contributors to this book include literary, film and religious studies scholars, communication studies specialists, environmental historians, practicing journalists, art critics, linguists, ethnographers, sociologists, literary theorists, and others, but all focus their discussions on key issues in textual representations of human–nature relationships and on the challenges and possibilities of environmental communication. The handbook is designed to map existing trends in both ecocriticism and environmental communication and to predict future directions.

This handbook will be an essential reference for teachers, students, and practitioners of environmental literature, film, journalism, communication, and rhetoric, and well as the broader meta-discipline of environmental humanities.