Gerad Gentry – författare
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Scholarship on Immanuel Kant and the German Idealists often attends to the points of divergence. While differences are vital, this volume does the opposite, offering a close inspection of some of the key Kantian concepts that are embraced and retained by the Idealists. It does this by bringing together an original set of critical reflections on the role that the German Idealists ascribe to fundamental Kantian ideas and insights within their own systems. A central motivation for this volume is to resist reductive accounts of the complex relationship between German Idealism and Kant’s Idealism through a study of the inheritance of Kant’s legacy in German Idealism. As such, this volume contributes to new interpretations and rethinking of traditional accounts in light of these reflections on some of the significant components of German Idealism that can defensibly be called Kantian. The contributors to this volume are Dina Emundts, Eckart Förster, Gerad Gentry, Johannes Haag, Dean Moyar, Lydia Moland, Dalia Nassar, Karin Nisenbaum, Anne Pollok, and Nicholas Stang.
730 kr
Läs direkt efter köp
Scholarship on Immanuel Kant and the German Idealists often attends to the points of divergence. While differences are vital, this volume does the opposite, offering a close inspection of some of the key Kantian concepts that are embraced and retained by the Idealists. It does this by bringing together an original set of critical reflections on the role that the German Idealists ascribe to fundamental Kantian ideas and insights within their own systems. A central motivation for this volume is to resist reductive accounts of the complex relationship between German Idealism and Kant’s Idealism through a study of the inheritance of Kant’s legacy in German Idealism. As such, this volume contributes to new interpretations and rethinking of traditional accounts in light of these reflections on some of the significant components of German Idealism that can defensibly be called Kantian. The contributors to this volume are Dina Emundts, Eckart Förster, Gerad Gentry, Johannes Haag, Dean Moyar, Lydia Moland, Dalia Nassar, Karin Nisenbaum, Anne Pollok, and Nicholas Stang.
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This volume looks to core ideas defining Goethe’s work and his influence on his contemporaries and inheritors. Contributions to this volume explore his impact through ideas of organic and aesthetic formation; methods of biology, reason, becoming, and Bildung; modes of self-conscious comportment to nature, art, and the self; and conceptions of finitude and divinity. This volume underscores the interdisciplinary impact of Goethe’s thought and work. Of particular note is Goethe''s unified and non-reductive account of nature, human education, social life, and reason. These contributions shed light on how Goethe''s thought furthers the methodological sciences of his day while yielding resources for the grounding of theories of art in principles of idealism as well as imminent critiques of idealism through insights about organic formation and activity. The result is a compelling sense of unity through plurality. Contributors: James Conant, Richard Eldridge, Camilla Flodin, Michael Forster, Gerad Gentry, Keren Gorodeisky, Johannes Haag, Joel Lande, Lara Ostaric, Mattias Pirholt, Anne Pollok, Karin Schutjer, Allen Speight, Joan Steigerwald, Violetta Waibel, David Wellbery.
1 644 kr
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This volume looks to core ideas defining Goethe’s work and his influence on his contemporaries and inheritors. Contributions to this volume explore his impact through ideas of organic and aesthetic formation; methods of biology, reason, becoming, and Bildung; modes of self-conscious comportment to nature, art, and the self; and conceptions of finitude and divinity. This volume underscores the interdisciplinary impact of Goethe’s thought and work. Of particular note is Goethe''s unified and non-reductive account of nature, human education, social life, and reason. These contributions shed light on how Goethe''s thought furthers the methodological sciences of his day while yielding resources for the grounding of theories of art in principles of idealism as well as imminent critiques of idealism through insights about organic formation and activity. The result is a compelling sense of unity through plurality. Contributors: James Conant, Richard Eldridge, Camilla Flodin, Michael Forster, Gerad Gentry, Keren Gorodeisky, Johannes Haag, Joel Lande, Lara Ostaric, Mattias Pirholt, Anne Pollok, Karin Schutjer, Allen Speight, Joan Steigerwald, Violetta Waibel, David Wellbery.