Geraldine Pratt – författare

By placing the global and the intimate in near relation, sixteen essays by prominent feminist scholars and authors forge a distinctively feminist approach to questions of transnational relations, economic development, and intercultural exchange. This pairing enables personal modes of writing and engagement with globalization debates and forges a definition of justice keyed to the specificity of time, place, and feeling. Writing from multiple disciplinary and geographical perspectives, the contributors participate in a long-standing feminist tradition of upending spatial hierarchies and making theory out of the practices of everyday life.

By placing the global and the intimate in near relation, sixteen essays by prominent feminist scholars and authors forge a distinctively feminist approach to questions of transnational relations, economic development, and intercultural exchange. This pairing enables personal modes of writing and engagement with globalization debates and forges a definition of justice keyed to the specificity of time, place, and feeling. Writing from multiple disciplinary and geographical perspectives, the contributors participate in a long-standing feminist tradition of upending spatial hierarchies and making theory out of the practices of everyday life.

This book follows the travels of Nanay, a testimonial theatre play developed from research with migrant domestic workers in Canada, as it was recreated and restaged in different places around the globe. This work examines how Canadian migration policy is embedded across and within histories of colonialism in the Philippines and settler colonialism in Canada. Translations between scholarship and performance – and between Canada and the Philippines – became more uneasy as the play travelled internationally, raising pressing questions of how decolonial collaborations might take shape in practice. This book examines the strengths and limits of existing framings of Filipina migration and offers rich ideas of how care – the care of children, the elderly and each other – might be rethought in radically new ways within less violently unequal relations that span different colonial histories and complex triangulations of racialised migrants, settlers and Indigenous peoples.This book is a journey towards a new way of doing and performing research and theory. It is part of a growing interdisciplinary exchange between the performing arts and social sciences and will appeal to researchers and students within human geography and performance studies, and those working on migration, colonialisms, documentary theatre and social reproduction.

Gender, Work and Space explores how social boundaries are constructed between women and men, and among women living in different places. Focusing on work, the segregation of men and women into different occupations, and variations in women's work experiences in different parts of the city, the authors argue that these differences are grounded, constituted in and through, space, place, and situated social networks.The sheer range and depth of this extraordinary study throws new light on the construction of social, geographic, economic, and symbolic boundaries in ordinary lives.

Gender, Work and Space explores how social boundaries are constructed between women and men, and among women living in different places. Focusing on work, the segregation of men and women into different occupations, and variations in women's work experiences in different parts of the city, the authors argue that these differences are grounded, constituted in and through, space, place, and situated social networks.The sheer range and depth of this extraordinary study throws new light on the construction of social, geographic, economic, and symbolic boundaries in ordinary lives.

Working Feminism looks at key concepts and debates within feminist theory and puts them to work concretely in relation to the real problems faced by Filipina domestic workers and Asian youth in Canada. It draws to the fore the metaphorical and concrete geographies that lie implicit and underdeveloped within much feminist theory and suggests that a geographical imagination offers a means of reframing debates beyond polarised theoretical and political positions. Alternating between theoretical and empirical chapters, substantial and wide-ranging discussions of human rights, multiculturalism, transnationalism and feminist politics are brought to earth and – by putting them into the context of individual predicaments – to life. The empirical chapters build from a decade-long collaboration with an activist group – the Philippine Women Centre – in Vancouver, Canada. They demonstrate the fruits of a close and innovative engagement between poststructuralist feminist theory and participatory action research. The book demonstrates the immediate practicality of abstract debate, and works away at divisions between culturalist and materialist, theoretical and practical feminisms.

Film and Urban Space: Critical Possibilities traces recurring debates about what constitutes film’s political potential and argues that the relation between film and urban space has been crucial to these debates and their historical transformations. The book demonstrates that in the attempt to follow certain prescriptions – shooting on location, disrupting normalizing time, experimenting with memory, interlinking the spaces of screen and cinema – films invariably use the relation between film and urban space as a kind of laboratory, testing anew received prescriptions but invariably encountering new opportunities and new limits. A wide range of key films, from Dziga Vertov’s 1928 Man with a Movie Camera to Jia Zhangke’s 2008 24 City, are discussed in depth, each offering an argument for how the encounter between specific manifestations of modern urban space and politically engaged film strategies has served to challenge the status quo and stimulate critical thinking.

Film and Urban Space: Critical Possibilities traces recurring debates about what constitutes film’s political potential and argues that the relation between film and urban space has been crucial to these debates and their historical transformations. The book demonstrates that in the attempt to follow certain prescriptions – shooting on location, disrupting normalizing time, experimenting with memory, interlinking the spaces of screen and cinema – films invariably use the relation between film and urban space as a kind of laboratory, testing anew received prescriptions but invariably encountering new opportunities and new limits. A wide range of key films, from Dziga Vertov’s 1928 Man with a Movie Camera to Jia Zhangke’s 2008 24 City, are discussed in depth, each offering an argument for how the encounter between specific manifestations of modern urban space and politically engaged film strategies has served to challenge the status quo and stimulate critical thinking.

In a developing nation like the Philippines, many mothers provide for their families by traveling to a foreign country to care for someone else’s. Families Apart focuses on Filipino overseas workers in Canada to reveal what such arrangements mean for families on both sides of the global divide. The outcome of Geraldine Pratt’s collaboration with the Philippine Women Centre of British Columbia, this study documents the difficulties of family separation and the problems that children have when they reunite with their mothers in Vancouver. Aimed at those who have lived this experience, those who directly benefit from it, and those who simply stand by and watch, Families Apart shows how Filipino migrant domestic workers-often mothers themselves-are caught between competing neoliberal policies of sending and receiving countries and how, rather than paying rich returns, their ambitions as migrants often result in social and economic exclusion for themselves and for their children. This argument takes shape as an open-ended series of encounters, moving between a singular academic voice and the “we” of various research collaborations, between Vancouver and the Philippines, and between genres of “evidence-based” social scientific research, personal testimony, theatrical performance, and nonfictional narrative writing. Through these experiments with different modes of storytelling, Pratt seeks to transform frameworks of perception, to create and collect sympathetic witnesses-in short, to promote a wide-ranging public discussion and debate about a massive worldwide shift in family (and nonfamily) relations of intimacy and care.

This book follows the travels of Nanay, a testimonial theatre play developed from research with migrant domestic workers in Canada, as it was recreated and restaged in different places around the globe. This work examines how Canadian migration policy is embedded across and within histories of colonialism in the Philippines and settler colonialism in Canada. Translations between scholarship and performance – and between Canada and the Philippines – became more uneasy as the play travelled internationally, raising pressing questions of how decolonial collaborations might take shape in practice. This book examines the strengths and limits of existing framings of Filipina migration and offers rich ideas of how care – the care of children and elderly and each other – might be rethought in radically new ways within less violently unequal relations that span different colonial histories and complex triangulations of racialised migrants, settlers and Indigenous peoples.This book is a journey towards a new way of doing and performing research and theory. It is part of a growing interdisciplinary exchange between the performing arts and social sciences and will appeal to researchers and students within human geography and performance studies, and those working on migration, colonialisms, documentary theatre and social reproduction.

THE DICTIONARY OF HUMAN GEOGRAPHY ‘Even better than before, the Dictionary is an essential tool for all human geographers and over the years has provided an invaluable guide to the changing boundaries and content of the discipline. No-one can afford to be without this fifth edition.’ Linda McDowell, University of Oxford ‘From explanations of core concepts and central debates to lucid discussions of the theories driving contemporary research, this is the best conceptual map to the creative and critical thinking that characterises contemporary human geography. The fifth edition belongs on the bookshelf of all serious students.’ Gerard Toal, Virginia Tech ‘With an exceptional balance between breadth and depth, this is undoubtedly a timely and ground-breaking revision of the Dictionary. An outstanding accomplishment of the editors and contributors, and a comprehensive and essential reference for any student or scholar interested in human geography.’ Mei-Po Kwan, Ohio State University ‘I can’t imagine life without it. Definitive, detailed yet accessible: there’s still no single-volume reference work in the field to rival it.’ Noel Castree, University of Manchester The Dictionary of Human Geography represents the definitive guide to issues and ideas, methods and theories in human geography. Now in its fifth edition, this ground-breaking text has been comprehensively revised to reflect the changing nature and practice of human geography and its rapidly developing connections with other fields. The major entries not only describe the development of concepts, contributions and debates in human geography, but also advance them. Shorter, definitional entries allow quick reference and coverage of the wider subject area. Changes to the fifth edition include entries from many new contributors at the forefront of developments in the field, and over 300 key terms appearing for the first time. It features a new consolidated bibliography along with a detailed index and systematic cross-referencing of headwords. The Dictionary of Human Geography continues to be the one guidebook no student, instructor or researcher in the field can afford to be without.

THE DICTIONARY OF HUMAN GEOGRAPHY ‘Even better than before, the Dictionary is an essential tool for all human geographers and over the years has provided an invaluable guide to the changing boundaries and content of the discipline. No-one can afford to be without this fifth edition.’ Linda McDowell, University of Oxford ‘From explanations of core concepts and central debates to lucid discussions of the theories driving contemporary research, this is the best conceptual map to the creative and critical thinking that characterises contemporary human geography. The fifth edition belongs on the bookshelf of all serious students.’ Gerard Toal, Virginia Tech ‘With an exceptional balance between breadth and depth, this is undoubtedly a timely and ground-breaking revision of the Dictionary. An outstanding accomplishment of the editors and contributors, and a comprehensive and essential reference for any student or scholar interested in human geography.’ Mei-Po Kwan, Ohio State University ‘I can’t imagine life without it. Definitive, detailed yet accessible: there’s still no single-volume reference work in the field to rival it.’ Noel Castree, University of Manchester The Dictionary of Human Geography represents the definitive guide to issues and ideas, methods and theories in human geography. Now in its fifth edition, this ground-breaking text has been comprehensively revised to reflect the changing nature and practice of human geography and its rapidly developing connections with other fields. The major entries not only describe the development of concepts, contributions and debates in human geography, but also advance them. Shorter, definitional entries allow quick reference and coverage of the wider subject area. Changes to the fifth edition include entries from many new contributors at the forefront of developments in the field, and over 300 key terms appearing for the first time. It features a new consolidated bibliography along with a detailed index and systematic cross-referencing of headwords. The Dictionary of Human Geography continues to be the one guidebook no student, instructor or researcher in the field can afford to be without.