Gerard Woodward – författare

It is 1970 in the suburbs of north London and, from the untidy comfort of her crowded house, Colette Jones is watching her older brother go to pieces, drinking himself into oblivion on home-made wine. Colette knows the solace a drink can provide, being partial to an evening at the Red Lion herself. But soon she finds she cannot afford to ignore the destructive effect that alcohol is having on her family, and with gritted teeth Colette is forced to exile the alcoholic son she loves so much from the house. But this act takes its toll and, just as she can't resist a drink, so she can't resist allowing Janus back into her life - with heartbreaking consequences for everyone.Gerard Woodward's magnificent second novel continues the story of the Joneses, so memorably introduced in August. By way of an odyssey through the pubs, parks and shopping parades of suburban London, it lurches from farce to tragedy as the members of one unforgettable family build and destroy their lives.

There is no such thing as an ordinary life. But Kenneth Brill's is more extraordinary than most. By the time he is arrested for espionage towards the end of the Second World War he has an incredible story to tell.Under interrogation he describes his unusual childhood, shares the decadent details of his training as a painter at the prestigious Slade School of Art in the 1930s and explains just why he was so very friendly with the prostitutes of London's Soho underworld; he narrates his heroic actions as a camouflage officer before El Alamein, when he helped pull off one of the greatest acts of deception in the history of warfare, and accounts for his part in a night-time break-in of the royal residence of Buckingham Palace.This is a life lived to the full, whether as son, friend, lover, teacher or pupil. The only question is: whose side is he really on?'A huge, complex novel, at turns both blackly funny and bleakly moving, driven by truly original characters' Daily Mail'Clever, subtle, and rewarding' Times Literary Supplement

Colette Jones has had problems of her own with alcohol, but now it seems as though her whole family is in danger of turning to booze. Her oldest son, Janus, the family's golden boy, has wasted his talents as a concert pianist. His drinking sprees with his brother-in-law, Bill, a pseudo-Marxist supermarket butcher who sees alcohol as central to the proletarian revolution, have turned violent and landed him in trouble with the police. Meanwhile Colette's recently widowed older brother is desperate to numb his grief. This is a darkly funny novel about a quirky, troubled family as it lurches from farce to tragedy to pub and back again."The narrative is mind-bogglingly crisp, resourceful and sometimes hilarious in its description of the myriad ways in which people drink. . . . This is both a moral and a literary book. . . . Remarkable."—London Sunday Times "Far above the ordinary. Woodward's characters are wonderfully complex and rich."—London Telegraph

In this successor to his Man Booker Prize finalist, Gerard Woodward slyly pits defiant Aldous Jones against the hazards of aging.

Shortlisted for the Whitbread Award, August is the life of a family through fifteen summer trips to Wales.

Gerard Woodward’s poetry has long been admired for its sharp and unflinching eye, its fearless surrealism, its blacker-than-black humour, and its ability to find a little abyss in any detail, no matter how innocuous or domestic.Here, his considerations of trampolines, bird-tables and lightbulbs will leave the reader unable to regard those things in quite the same way again; they will also find science-fiction novels compressed to a few stanzas, strange potted biographies, and lists of edicts from long-dead tyrants.However, The Seacunny finds this inimitable voice extend itself in new and unexpected directions, with the poet turning to the natural world and to human relationships in ways that are affecting as they are surprising. This is a book of astonishing range, and declares a new lyric direction in Woodward’s poetry.

A stunning new collection of stories from the Man Booker Prize and Whitbread Prize shortlisted author.Many of Legoland's stories begin with the seemingly every day, only for a turn of events to land them in an unsettling place where life's normal rules no longer apply. Whether he's writing about a child’s birthday party or the invasion of an unnamed country each story is full of Woodward's blacker-than-black humour, fearless surrealism, and poetic phrasing. Included here is his brilliant story 'The Family Whistle', shortlisted for the Sunday Times EFG Short Story Award.Legoland celebrates Woodward's trademark gift for wit and surprise: his lithe prose carrying us from comedy to tragedy and back again within a single tale. It confirms him as one of the most gifted and original writers of our time.‘Gerard Woodward falls squarely between the comic lunacy of American short-form virtuoso George Saunders and the everyday rhapsodies of Raymond Carver’ Time Out

The vulture, the presiding genius of Gerard Woodward’s collection, is at once sympathetic and awful, intimate and other. Woodward naturally positions himself at uncomfortable borders and thresholds, and in doing so alerts us to the flimsiness of the conceits of home, of family and human culture. Many poets have challenged our lazy habit of addressing nature though the pathetic fallacy; few have had the nerve to consciously embrace it as a subversive strategy, through which we can explore the strange intimacies we share with other life-forms. The Vulture shows insects and animals and plants invade, infect and fuse with us at every turn; elsewhere, the architecture of our lives, our houses, gardens, careers and bodies, are revealed as the provisional drafts they are. No contemporary poet unsettles like Woodward: he does so through no easy surrealism, but instead an extraordinary ability to render our home the alien planet it is, and give conscious voice and vivid shape to the terrible sense of precariousness that lies just below our waking state.