Gilbert Hernandez – författare

This latest instalment in the Love and Rockets canon finds the brothers Hernandez writing at the top of their game. In Jaime's stories, Maggie and Hopey take a road trip and a much needed break from their humdrum domestic lives, and travel to visit a 'sick friend'. But while the cat's away, Ray visits some old 'sick friends' of his own. We are also given the latest on Tonta's nutty family! Gilbert offers a veritable suite of stories, including 'The Magic Voyage of Aladdin', a sweeping epic of derring-do.

In this eighth annual volume of New Stories, Jaime takes us to the punk reunion that Maggie & Hopey were road-tripping to in the last issue. Will Hopey actually show up, or will Maggie have to go it alone? Hell, will anybody show up? Lots of old friends and enemies make appearances in the second chapter of this latest Locas epic. Meanwhile, Gilbert serves up the second and concluding part of 'The Magic Voyage of Aladdin', which establishes the rivalry of its two stars, Fritz and Mila.

A prison warden's daughter has fallen in witha separatist militia, and the warden's only chance to rescue her is his mostdangerous inmate: Markham, a notorious contract killer. Markham claims thatafter a near death experience gave him a glimpse of Hell, he wants to atone forhis past sins and start saving lives instead of taking them. So the warden'sgiving him one last shot at redemption. But is Markham ready to die for thatshot?OVER MY DEAD BODY is anall-new original graphic novel, a fast-moving, pulpy thriller for fans of JackReacher and John Wick, featuring characters from the acclaimed NEAR DEATH comicbook series. “A killer crimebook with a very sharp hook.” —BRIAN K. VAUGHAN (SAGA, PAPERGIRLS)

Celebrating its 25th anniversary in 2007, Love and Rockets will finally be released in its most accessible form yet: a series of compact, thick, affordable, mass-market volumes that present the whole story in perfect chronological order. This volume collects the first half of Gilbert Hernandez's acclaimed magical-realist tales of Palomar, the small Central American town, beginning with the groundbreaking Sopa de Gran Pena (which introduces most of his main cast of characters as children), and continuing on through modern-day classics.

Kitten, Maribel, and Gaby are three very different childhood friends about to celebrate their sixteenth birthdays, which all happen to fall on the same day. But someone's missing--their fourth friend, Una, who's imprisoned in Tijuana. So the trio set out to give Una the ultimate birthday gift--freedom--even if it means taking on an entire city!Prepare yourself for some sweet sixteen super-action, madcap plot twists, identity crises aplenty, and--of course--gorgeous girls galore! You'll go crazy over this lighthearted, rowdy, and sexy romp from Pen Center USA Award winner Gilbert Hernandez!

In Fritz After Dark, which collects the graphic novels Luba: Three Daughters, High Soft Lisp, and more, the children are growing up and lovers have come and gone (and come and gone again). Luba, Petra, and Fritz are moving on to the next phases of their lives and careers, which puts their own pasts and relationships in perspective - and, since they've all settled in Los Angeles, showbiz comes calling. Venus shoots a backyard superhero movie, Fritz becomes a B movie actress, and children's TV show host Doralis has the grandest of finales.

In the Eisner Award-winning wordless comic (silent movie?) 'Hypnotwist,' Hernandez's B-movie star Fritz plays a character who doesn't seem to be going anywhere - until she puts on a pair of glittery pumps. Her wanderings become increasingly surreal as she confronts motherhood, alcoholism, a sinister smiley face, cruelty, and her worst fate. 'Killer' cameos!

Collecting the first five issues of Gilbert Hernandez's comic book series Blubber, an absurdly X-rated showcase for the most surreally transgressive of Hernandez's short stories. Weirdos (Blubberoo, Mr. Elvis, John Dick, the Mentor), creatures (the Mau Guag, Doogs, and Orlats ), and anthropomorphs (the Cloarks, the Kekeppy) visit places where most comics fear to go. Blubber veers between an absurdist satire of porn (and occasionally nature documentaries) as well as a defiant provocation to those unable to appreciate the difference between cartooning and obscenity. As R. Crumb said, 'It's only lines on paper, folks!' It is also a howlingly funny book, filled with a rogues gallery of colorful comic book monsters (the Pollum, the Junipero Molestat, the mythical Forest Nimmy) and characters (T.A.C. Man, Mr. Hippy, Padre Puto, the Snowman, Baron Mungo, Red Tempest) that echoes the sheer visual imagination of Jack Kirby.

Gilbert and Jaime Hernandez are now recognised as two of the greatest cartoonists in the history of the medium - award-winning, world-renowned, critically acclaimed. But in 1982 when the first issue of Love and Rockets came out, they (occasionally working with their brother, Mario) were two young, struggling, unknown cartoonists who were bucking the dominant comic book trend of costumed characters and adolescent content with intimate, complex, humane, novelistic stories told in comics form. Love and Rockets has appeared in a variety of formats over the years and continues to this day, but the original 50-issue run represents a milestone in comics history. Fantagraphics is celebrating and honouring the 40th anniversary of Love and Rockets and the debut of the Hernandez's' first published comics with a gigantic eight-volume slipcase reprinting each issue in a facsimile edition. Their organic body of work is available in a series of scrupulously and logically organised graphic novels, but here Fantagraphics honours the original quarterly format by presenting the comics as they appeared between 1981 and 1996, recreating not only the reading experience of tens of thousands of fans, but of a particularly fecund period in comics history when a new generation of cartoonists was exploding the idea of what comics could be. Painstakingly recreated in issue-by-issue facsimile, this boxed set includes every cover, comics page, and letter column (even advertising!) in seven hardcover volumes. An eighth volume densely collates selected essays, reviews, and profiles that appeared in the popular (and unpopular) press between 1981 and 1996, along with over 100 pages of additional, rarely-seen comics from the period by all three Brothers, plus dozens of book and magazine covers - a virtual history of the growth of Love and Rockets and the simultaneous rise of the literary comics movement of which they were exemplars and trailblazers.

Three Fritz B-movies: one is entirely new, while two of the tales are expanded from their original appearances in the ongoing Love and Rockets comic book series. The titular story, 'Proof That the Devil Loves You,' is a fable about a free spirit, Bula, played by Fritz. Something strange is going on in a town very reminiscent of Palomar. Gisel and Kiki are determined to understand why the hamlet's residents are acting so foolishly - is it something in the air? And why can't Gisel leave? But when there's a violent turn, evidence points toward the supernatural. Then, Fritz plays the role of an 'astronette' on an existential journey through space. Proof That The Devil Loves You is the latest in a series of graphic novels featuring Gilbert Hernandez's character Fritz, a B-movie actress (and half-sister to his iconic Love and Rockets character, Luba) whose hourglass figure has earned her a cult following. While Gilbert often explores Fritz's troubled life off-screen in Love and Rockets, for years he has also been 'adapting' her exploitation films in various forms, including a series of standalone graphic novels that include Chance in Hell, The Troublemakers, Garden of the Flesh, Maria M., and Hypnotwist/Scarlet By Starlight.

Both Gilbert and Jaime Hernandez developed their skills as artists in public, in the pages of Love & Rockets, and as quickly as any artists ever have. The first issue showed two promising young tyros; by the fourth, both brothers were clearly among the foremost cartoonists of their generation. But not all of that development took place on the main stage of their shared magazine. They built up to their 1981 self-published debut with years of experiments, fan art, zine illustrations, early short comics, and gig posters, and continued to work out in personal sketchbooks after establishing themselves as the preeminent cartoonists they became. Fantagraphics published two volumes of this nascent or private drawing in 1989 and 1992; now, a single volume collects the work from these two volumes with other rarely-seen artwork, for a new generation of admirers. Gilbert and Jaime Hernandez's mastery of comics is seen on every page of the thousands of pages of Love and Rockets they've drawn over the last 40 years. Here, for the first time in three decades, see the work they put into becoming those artists.