Gillian Bennett – författare

Don't get in that car without looking in the back seat! Everyone has heard the story about such-and-such, and while it sounds impossible, so-and-so swears that it must be true. Often gory, disgusting, shocking, and surprising, urban legends are central to everyday experience. From high schools and colleges to offices and organizations, urban legends are everywhere. This book collects more than 150 urban legends from around the world, such as The Mutilated Shopper, The Devil at the Disco, and The Thug in the Back Seat. The tales are grouped in thematic chapters, and each entry includes an introductory discussion of the legend and its presence in popular culture, the text of the legend, suggestions for further reading, and cross-references to similar tales. The volume closes with a selected, general bibliography and a detailed index. Literature students will welcome the opportunity to read and write about these legends, social studies students will value them as a reflection of contemporary culture, and general readers will enjoy browsing them and learning more about their background and significance.Don't pick up that hitchhiker! Don't get in that car without looking in the back seat! If you knew what they put in that, no way would you eat it! Urban legends are central to everyday experience. Everyone has heard the story about such-and-such, and while it sounds impossible, so-and-so swears that it must be true. These legends are everywhere, from high schools and colleges to offices and organizations. They appear in films, television series, and novels, and are now widely spread over the Internet. This book collects and annotates more than 150 urban legends from around the world and is a valuable resource for students, general readers, and anyone interested in contemporary culture.

First published in 1996. For most of the time since the Grimm brothers first contrasted the fairy tale (Märchen) and the legend (Sage), the former has enjoyed the greater reputation among folklorists. Only in recent years, and with the work of such scholars as Gillian Bennett and Paul Smith, has it been recognized that—both as art and as news—the legend is now central to contemporary culture in a way that the Märchen no longer is. The present book is the first collection of essays on legend to appear in English since 1971. Nevertheless, its publication consolidates a gradual shift which has taken place over the last two decades, in which English-language scholarship has taken the lead in the study of certain kinds of legends—variously dubbed modern horror legends, urban legends, urban myths or, here, contemporary legends.

First published in 1996. For most of the time since the Grimm brothers first contrasted the fairy tale (Märchen) and the legend (Sage), the former has enjoyed the greater reputation among folklorists. Only in recent years, and with the work of such scholars as Gillian Bennett and Paul Smith, has it been recognized that—both as art and as news—the legend is now central to contemporary culture in a way that the Märchen no longer is. The present book is the first collection of essays on legend to appear in English since 1971. Nevertheless, its publication consolidates a gradual shift which has taken place over the last two decades, in which English-language scholarship has taken the lead in the study of certain kinds of legends—variously dubbed modern horror legends, urban legends, urban myths or, here, contemporary legends.

First published in 1996. For most of the time since the Grimm brothers first contrasted the fairy tale (Märchen) and the legend (Sage), the former has enjoyed the greater reputation among folklorists. Only in recent years, and with the work of such scholars as Gillian Bennett and Paul Smith, has it been recognized that—both as art and as news—the legend is now central to contemporary culture in a way that the Märchen no longer is. The present book is the first collection of essays on legend to appear in English since 1971. Nevertheless, its publication consolidates a gradual shift which has taken place over the last two decades, in which English-language scholarship has taken the lead in the study of certain kinds of legends—variously dubbed modern horror legends, urban legends, urban myths or, here, contemporary legends.

First published in 1996. For most of the time since the Grimm brothers first contrasted the fairy tale (Märchen) and the legend (Sage), the former has enjoyed the greater reputation among folklorists. Only in recent years, and with the work of such scholars as Gillian Bennett and Paul Smith, has it been recognized that—both as art and as news—the legend is now central to contemporary culture in a way that the Märchen no longer is. The present book is the first collection of essays on legend to appear in English since 1971. Nevertheless, its publication consolidates a gradual shift which has taken place over the last two decades, in which English-language scholarship has taken the lead in the study of certain kinds of legends—variously dubbed modern horror legends, urban legends, urban myths or, here, contemporary legends.

Because they are so often told as news, contemporary legends force us to reevaluate life as we know it. They confront us with macabre, fantastic, horrific, or hilarious characters and events that seem to come straight out of myths and folktales, but are presented as present day events. The difficulty is that it is not at all easy to decide whether these often disturbing stories should be treated as reliable or dismissed as fantasy. The legends explored in this book are some of the most bizarre, gruesome, and politically sensitive stories in the contemporary legend canon. At any moment a body may be invaded by noxious creatures, deliberately infected with deadly disease, or raided to provide donor organs for sick foreigners. These are ""winter's tales,"" the stuff of nightmares. In this book Gillian Bennett traces the cultural history of six legends, well-known in Europe and America from medieval times to the present day. Appearing in broadsides, ballads, myths, ancient and modern legends, novels, plays, films, television shows, and stories told in the oral tradition, these legends are not just silly tales which can be dismissed as trivial and untrue. They reveal much about the concerns and fears of everyday life and demonstrate the limits of knowledge and power in the modern world. Gillian Bennett is the author of ""Alas, Poor Ghost!"": Traditions of Belief in Story and Discourse and Traditions of Belief: Women and the Supernatural and coauthor of the standard legend bibliography and reader. She lives in Stockport, United Kingdom.