Paul Smith – författare

Why did women in France not win the right to vote until 1945, three-quarters of a century after universal male suffrage had been established? The 1789 Déclaration des Droits de l'Homme et du Citoyen had aspired to provide the French people with lasting guarantees of their political and civil rights, whilst the constitutional laws of the Third Republic, established in the 1870s, consolidated a regime based on universal suffrage. For the unenfranchised women of France, however, civil rights had barely advanced since the Napoleonic code in 1904. Frenchwomen were not second-class citizens - they were not citizens at all, although this did not prevent Republicans from demanding sacrifices from women. In this fascinating and ground-breaking study, Paul Smith assesses why Frenchwomen were repeatedly refused the rights of citizenship, while their sisters elsewhere were gradually beginning to enjoy those rights. He examines how feminists in France set about staking a claim for the rights of all women to the vote, to their property, and to their bodies, and how they responded to republican and Catholic discourses on gender roles in the 1920s and 1930s. Finally, he analyses the political relationships established by French feminists in order to achieve their goal.

One of the major intentions of the Conservative governments of the 1980s was to redraw the landscape and map of industrial relations. They aimed to achieve this through a combination of measures: political initiatives and campaigning; a changed economic and social environment; and most directly a programme of industrial relations legislation that increasingly curtailed the role and influence of trade union. This book examines the policies and associated legislation directly intended to change union behaviour. It considers origins, purpose and impact on union behaviour and structure, focusing on the role of ballots as the central mechanism chosen for changing union decision-making. The changes that occurred as a consequence of this legislation are placed in the wider union context and the relative influence of the balloting legislation is assessed against other developments affecting union behaviour, including the strategies adopted by the unions' leaders. It finds the results were not always as intended by the Conservative governments. In a concluding chapter the authors ask whether the framework created in the UK will be an exemplar or exceptional case when compared with developments in other European countries. The book itself is the result of research carried out over almost a decade by a highly experienced and respected team who base their analysis on interviews, detailed analysis of legislation and union rule books, and a series of in-depth case studies. This richly detailed and authoritative book will be essential reading for anyone who wishes to understand how the changing framework of labour relations affected changes in union behaviour. the book will thus appeal to students and academics working in industrial relations, human resource management, labour law, labour economics and politics. Employee relations practitioners and policy makers - managers and trade unionists - will also find it useful for increasing their understanding of the purpose and effect of the legislation.

A clear and concise introduction to moral and political philosophy which critically analyses arguments about controversial and topical practical issues – drug laws, justifications of punishment, civil disobedience, whether there is a duty to obey the law, and global poverty.

A clear and concise introduction to moral and political philosophy which critically analyses arguments about controversial and topical practical issues – drug laws, justifications of punishment, civil disobedience, whether there is a duty to obey the law, and global poverty.

Georges Seurat is best known as the painter of A Sunday on the Grande Jatte—1884, one of the most recognizable and reproduced works of art in the world. In recent years the painting has been the subject of a highly successful exhibition, the inspiration for a Broadway musical (by Stephen Sondheim), and the subject of a television program. The Grande Jatte has achieved this iconic status for a number of reasons, but is unknown to most people except as a simulacrum. The Grande Jatte is also plagued by the long-standing cliché that it embodies a “scientific” way of painting. The painting is much more complex, however; so is Seurat’s body of work as a whole. In this collection of essays, Paul Smith has assembled a broader view of Seurat’s oeuvre. Seurat Re-viewed touches on its engagement with society, gender, politics, new artists’ materials, and developments in art theory.Individual essays focus on the many facets of Seurat’s work and its context, including its use of color and its debt to color theory; its exploitation of different drawing media; its connection to the work of the artist’s contemporaries, including the poets Jules Laforgue and Stéphane Mallarmé; and its concern with nineteenth-century social issues. The contributions also show important links among the Grande Jatte, literary Symbolism, and the development of future Modernist practices. The book amounts to a major reevaluation of Seurat’s art in the culture of the late nineteenth century. In addition to the editor, the contributors are Anthea Callen, S. Hollis Clayson, Jonathan Crary, Joan U. Halperin, Richard Hobbs, John House, Brendan Prendeville, Georges Roque, and Richard Shiff.

Don't get in that car without looking in the back seat! Everyone has heard the story about such-and-such, and while it sounds impossible, so-and-so swears that it must be true. Often gory, disgusting, shocking, and surprising, urban legends are central to everyday experience. From high schools and colleges to offices and organizations, urban legends are everywhere. This book collects more than 150 urban legends from around the world, such as The Mutilated Shopper, The Devil at the Disco, and The Thug in the Back Seat. The tales are grouped in thematic chapters, and each entry includes an introductory discussion of the legend and its presence in popular culture, the text of the legend, suggestions for further reading, and cross-references to similar tales. The volume closes with a selected, general bibliography and a detailed index. Literature students will welcome the opportunity to read and write about these legends, social studies students will value them as a reflection of contemporary culture, and general readers will enjoy browsing them and learning more about their background and significance.Don't pick up that hitchhiker! Don't get in that car without looking in the back seat! If you knew what they put in that, no way would you eat it! Urban legends are central to everyday experience. Everyone has heard the story about such-and-such, and while it sounds impossible, so-and-so swears that it must be true. These legends are everywhere, from high schools and colleges to offices and organizations. They appear in films, television series, and novels, and are now widely spread over the Internet. This book collects and annotates more than 150 urban legends from around the world and is a valuable resource for students, general readers, and anyone interested in contemporary culture.

An Introduction to Structural Mechanics aims to teach the fundamental principles of structures via simple explanations of the theory and numerous worked examples. The emphasis throughout is on problem-based learning. The worked examples start from a fundamental level and progress to more difficult, intricate and taxing problems. Early examples assume little or no experience in the subject matter, but soon propel the reader forward to solving complex, practically-based structural systems. Further problem - with solutions - aim to further bolster learning at the end of each chapter.The book will provide a powerful learning or revision tool for undergraduate civil engineering or building students.

Analyzing the meanings of masculinity in contemporary culture, this book examines specific cultural male icons like Muhammad Ali, Harvey Keitel, Jean-Claude Van Damme, and Newt Gingrich and explores the male stereotypes such as the cowboy, the father, the homosexual, and the Black terror.

Analyzing the meanings of masculinity in contemporary culture, this book examines specific cultural male icons like Muhammad Ali, Harvey Keitel, Jean-Claude Van Damme, and Newt Gingrich and explores the male stereotypes such as the cowboy, the father, the homosexual, and the Black terror.

Since its first published edition more than 30 years ago, the BASES (British Association of Sport and Exercise Sciences) Physiological Testing Guidelines have represented the leading knowledge base of current testing methodology for sport and exercise scientists. Sport and exercise physiologists conduct physiological assessments that have proven validity and reliability, both in laboratory and sport-specific contexts. A wide variety of test protocols have been developed, adapted and refined to support athletes of all abilities reach their full potential. This book is a comprehensive guide to these protocols and to the key issues relating to physiological testing. With contributions from leading specialist sport physiologists and covering a wide range of mainstream sports in terms of ethical, practical and methodological issues, this volume represents an essential resource for sport-specific exercise testing in both research and applied settings. This new edition draws on the authors’ experience of supporting athletes from many sports through several Olympic cycles to achieve world leading performances. While drawing on previous editions, it is presented in a revised format matching the sport groupings used in elite sport support within the UK sport institutes. Building on the underpinning general procedures, these specific chapters are supported by appropriate up-to-date case studies in the supporting web resources.

Since its first published edition more than 30 years ago, the BASES (British Association of Sport and Exercise Sciences) Physiological Testing Guidelines have represented the leading knowledge base of current testing methodology for sport and exercise scientists. Sport and exercise physiologists conduct physiological assessments that have proven validity and reliability, both in laboratory and sport-specific contexts. A wide variety of test protocols have been developed, adapted and refined to support athletes of all abilities reach their full potential. This book is a comprehensive guide to these protocols and to the key issues relating to physiological testing. With contributions from leading specialist sport physiologists and covering a wide range of mainstream sports in terms of ethical, practical and methodological issues, this volume represents an essential resource for sport-specific exercise testing in both research and applied settings. This new edition draws on the authors’ experience of supporting athletes from many sports through several Olympic cycles to achieve world leading performances. While drawing on previous editions, it is presented in a revised format matching the sport groupings used in elite sport support within the UK sport institutes. Building on the underpinning general procedures, these specific chapters are supported by appropriate up-to-date case studies in the supporting web resources.

Many artists and scientists – including Buffon, Goethe, and Philipp Otto Runge – who observed the vividly coloured shadows that appear outdoors around dawn and dusk, or indoors when a candle burns under waning daylight, chose to describe their colours as ‘beautiful’. Paul Smith explains what makes these ephemeral effects worthy of such appreciation – or how depictions of coloured shadows have genuine aesthetic and epistemological significance. This multidisciplinary book synthesises methodologies drawn from art history (close pictorial analysis), psychology and neuroscience (theories of colour constancy), history of science (the changing paradigms used to explain coloured shadows), and philosophy (theories of perception and aesthetic value drawn from Wittgenstein and Merleau-Ponty). This title will be of interest to scholars in art history, art theory, and the history of science and technology.

What are men doing in feminist discourse? Although many feminists have commented on the relation, actual or possible, of men to feminist thinking and practice, and although some male academics have written about feminism, there has so far been little shared discussion. Men in Feminism is the first substantial attempt to produce a dialogue between feminists and their male allies.This lively book, comprised of essays by both men and women, is a controversial sally in the current debate over the future of feminist theory. Its focus is one seemingly direct and yet surprisingly prickly question: the actual and potential relationship of men to the now impressive and widely recognized body of feminist writing. Each essay attempts to assess the benefits or damage of male participation in feminism; several of the contributions stand in direct dialogue with others. The editors present, mediate and reflect upon the agreements and arguments in the book, as well as between themselves as editors. Their dialogue-afterword draws together the questions at the heart of the volume.Offering few comfortable answers, Men in Feminism will open up discussion of this theoretical and thoroughly political issue.

What are men doing in feminist discourse? Although many feminists have commented on the relation, actual or possible, of men to feminist thinking and practice, and although some male academics have written about feminism, there has so far been little shared discussion. Men in Feminism is the first substantial attempt to produce a dialogue between feminists and their male allies.This lively book, comprised of essays by both men and women, is a controversial sally in the current debate over the future of feminist theory. Its focus is one seemingly direct and yet surprisingly prickly question: the actual and potential relationship of men to the now impressive and widely recognized body of feminist writing. Each essay attempts to assess the benefits or damage of male participation in feminism; several of the contributions stand in direct dialogue with others. The editors present, mediate and reflect upon the agreements and arguments in the book, as well as between themselves as editors. Their dialogue-afterword draws together the questions at the heart of the volume.Offering few comfortable answers, Men in Feminism will open up discussion of this theoretical and thoroughly political issue.

We have only one earth, and how we choose to live in it matters. This highly readable and challenging text sets out some important topical issues that tells us we are not making a very good job of it. From the tropical rainforests to the teeming cities of the developing world and the energy hungry nations of Europe and North America, One World for One Earth shows that many of today's environmental problems can only be understood in terms of both the physical and the social processes involved. At present we are in a vicious circle. Uneven development creates problems of affluence in some areas and problems of poverty in others In both, the environment suffers. Independent local action has a crucial part to play, but to be really effective, sustainable development needs a new context which can only be put in place by international government co-operation. This book, by going beyond the conventional accounts of environmental problems, provides a basis for action. Originally published in 1991

The first substantial attempt to produce a dialogue between feminists and their male allies, this collection of essays assesses the benefits or disadvantages of male participation in feminism.This edition first published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.

A landmark publication that captures the beautiful richness of every aspect of trees and their importance for science, culture and the future of humankind. Trees feed us, shelter us, inspire us and heal us. In a world facing the destruction of the Amazon rainforest and a pressing climate emergency, the importance of these primeval beings in shaping our future is hard to understate. Generously illustrated and organized according to tree lifecycle – from seeds, leaves and form to wood, flowers and fruit – this book celebrates the great diversity and beauty of the 60,000 tree species that inhabit our planet. Exquisite details are rendered by surprising photography and infographics: intricate bark and leaf patterns, intertwined ecosystems, colourful flower displays, archaic wooden wheels and timber houses. Integral to science, art and culture, fundamental and fragile, dependent and depended on, the vitality of trees is revealed like never before.

Leader of the Conservative party for seventeen years and prime minister for fourteen, the third Marquis of Salisbury was one of the most successful political practitioners of modern times, as well as a major international statesman. Yet he was also a prolific and pungent writer on politics. The large body of journalism which he produced during the first thirty years of his career enables us to examine in detail the views on politics and society which underlay his practical action. While his brand of Conservatism was conventional in its conclusions, it was distinguished by the highly sceptical and utilitarian mode of reasoning through which it sought to reach them, and by its insistence on a crudely conceived class struggle as the driving force of history and politics. Its central theme was hostility to 'democracy'; and when, after 1867, 'democracy' seemed to have arrived, it questioned how far the system of parliamentary government could work tolerably under the new dispensation.

Film is increasingly engaging the attention of students of history at all levels. In its manifold forms from the newsreel to the 'feature', it is a major source of evidence for, and an important influence upon, contemporary history, and a vivid means of bringing the recent past to life. For earlier periods, it provides a medium in which the often widely dispersed visual evidences of the past can be brought together for the student. It offers the historian a new form in which to interpret and present his subject, and, as television has shown, it is by far the most important vehicle for the presentation of history to mass audiences. The analysis of its content and impact and the exploration of its uses are especially fitted to bring history into an interdisciplinary relationship with other fields, from sociology to the visual arts.

The Enigmatic Body presents the work of an important French theorist. The selection represents the whole of Jean-Louis Schefer's career, from the 1960s, when he was influenced by structuralism, to his more lyrical and autobiographical essays of the 1990s, which meditate on the role of the spectator in relation to art practice. Schefer considers the very nature of art, film and writing through his close examination of artists as diverse as Uccello, Poussin and Cy Twombly, and writers such as Paul Valéry and Roland Barthes. These provocative essays all register the writer's direct confrontation with these various media in a way that stands as a corrective to the formal traditions of interpretation and criticism. Autobiographical, yet theoretically informed and historically detailed, Schefer's work offers some of the most original interpretations of art available.

'There was', Gladstone declared in 1895, 'no life which required so much to be written as that of Disraeli.' Benjamin Disraeli was born in London in 1804, the grandson of an Italian Jew. In this fresh account of his life, Paul Smith looks at Disraeli's unique character as a fuse of Jewishness and Anglicanism, outsider and insider, nationalist and European, Romantic and Tory; and shows how this formed his 'appeal as an original and a card, the most piquant joker in the pack. His indomitable nerve, as a faintly raffish outsider, in scaling the highest peaks of public life, added spice ... to an increasingly unpopular government.'