An introduction to the uncompromising artistic vision of the internationally acclaimed writer

A survey of the life and work of the 2001 Nobel Laureate for Literature, V. S. Naipaul, Man and Writer introduces readers to the writer widely viewed as a curmudgeonly novelist who finds special satisfaction in overturning the vogue presuppositions of his peers. Gillian Dooley takes an expansive look at Naipaul''s literary career, from Miguel Street to Magic Seeds. From readings of his fiction, nonfiction, travel books, and volumes of letters, she elucidates the connections between Naipaul''s personal experiences as a Hindu Indian from Trinidad living an expatriate life and the precise, euphonious prose with which he is synonymous.

Dooley assesses each of Naipaul''s major publications in light of his stated intentions and beliefs, and she traces the development of his writing style over a forty-year career. Devoting separate chapters to three of his chief works, A House for Mr. Biswas, In a Free State, and The Enigma of Arrival, she analyzes their critical reception and the primacy of Naipaul''s specific narrative style and voice. Dooley emphasizes that it is, above all, Naipaul''s refusal to compromise his vision in order to flatter or appease that has made him a controversial writer. At the same time she sees the integrity with which he reports his subjective response to the world as essential to the lasting success of his work.

Metaphysics as a Guide to Morals was Iris Murdoch’s major philosophical testament and a highly original and ambitious attempt to talk about our time. Yet in the scholarship on her philosophical work thus far it has often been left in the shade of her earlier work. This volume brings together 16 scholars who offer accessible readings of chapters and themes in the book, connecting them to Murdoch’s larger oeuvre, as well as to central themes in 20th century and contemporary thought. The essays bring forth the strength, originality, and continuing relevance of Murdoch’s late thought, addressing, among other matters, her thinking about the Good, the role and nature of metaphysics in the contemporary world, the roles of art in human understanding, questions of unity and plurality in thinking, the possibilities of spiritual life without God, and questions of style and sensibility in intellectual work. 

When we think of Iris Murdoch’s relationship with art forms, the visual arts come most readily to mind. However, music and other sounds are equally important. Soundscapes – music and other types of sound – contribute to the richly textured atmosphere and moral tenor of Murdoch’s novels. This book will help readers to appreciate anew the sensuous nature of Iris Murdoch’s prose, and to listen for all kinds of music, sounds and silences in her novels, opening up a new sub-field in Murdoch studies in line with the emerging field of Word and Music Studies.

An introduction to the uncompromising artistic vision of the internationally acclaimed writer

A survey of the life and work of the 2001 Nobel Laureate for Literature, V. S. Naipaul, Man and Writer introduces readers to the writer widely viewed as a curmudgeonly novelist who finds special satisfaction in overturning the vogue presuppositions of his peers. Gillian Dooley takes an expansive look at Naipaul''s literary career, from Miguel Street to Magic Seeds. From readings of his fiction, nonfiction, travel books, and volumes of letters, she elucidates the connections between Naipaul''s personal experiences as a Hindu Indian from Trinidad living an expatriate life and the precise, euphonious prose with which he is synonymous.

Dooley assesses each of Naipaul''s major publications in light of his stated intentions and beliefs, and she traces the development of his writing style over a forty-year career. Devoting separate chapters to three of his chief works, A House for Mr. Biswas, In a Free State, and The Enigma of Arrival, she analyzes their critical reception and the primacy of Naipaul''s specific narrative style and voice. Dooley emphasizes that it is, above all, Naipaul''s refusal to compromise his vision in order to flatter or appease that has made him a controversial writer. At the same time she sees the integrity with which he reports his subjective response to the world as essential to the lasting success of his work.

Metaphysics as a Guide to Morals was Iris Murdoch’s major philosophical testament and a highly original and ambitious attempt to talk about our time. Yet in the scholarship on her philosophical work thus far it has often been left in the shade of her earlier work. This volume brings together 16 scholars who offer accessible readings of chapters and themes in the book, connecting them to Murdoch’s larger oeuvre, as well as to central themes in 20th century and contemporary thought. The essays bring forth the strength, originality, and continuing relevance of Murdoch’s late thought, addressing, among other matters, her thinking about the Good, the role and nature of metaphysics in the contemporary world, the roles of art in human understanding, questions of unity and plurality in thinking, the possibilities of spiritual life without God, and questions of style and sensibility in intellectual work. 

When we think of Iris Murdoch’s relationship with art forms, the visual arts come most readily to mind. However, music and other sounds are equally important. Soundscapes – music and other types of sound – contribute to the richly textured atmosphere and moral tenor of Murdoch’s novels. This book will help readers to appreciate anew the sensuous nature of Iris Murdoch’s prose, and to listen for all kinds of music, sounds and silences in her novels, opening up a new sub-field in Murdoch studies in line with the emerging field of Word and Music Studies.