Graeme Macdonald – författare

Post-Theory brings together some of the most prominent figures and rising stars in the field of Critical Theory. Essays consider such issues as: the current state of Critical Theory; the type of work Theory has made possible; and the future of theory. Opening with a Preface by Ernesto Laclau, the book closes with a 'Post-Word' from Helene Cixous. This volume of new work features examples of new theoretical possibilities. Contributors include: Catherine Besley, Geoffrey Bennington, Hélène Cixous, Patricia Duncker, Lorna Hutson, Ernesto Laclau, Julian Murphet, Christopher Norris, Nicholas Royle, Robert Smith and Eric Woehrling.Key Features* Ground-breaking collection of opinion-changing work* Timely and topical intervention into Critical Theory* Wide range of approaches and examples of theoretical possibilities* Contributors include huge names in the field, such as Catherine Besley, Geoffrey Bennington, Hélène Cixous, Patricia Duncker, Lorna Hutson, Ernesto Laclau, Julian Murphet, Christopher Norris, Nicholas Royle, Robert Smith and Eric Woehrling

The first full-length study of Scottish literature using a post-devolutionary understanding of postcolonial studiesUsing a comparative model and spanning over two hundred years of literary history from the 18th Century to the contemporary, this collection of 19 new essays by some of the leading figures in the field presents a range of perspectives on Scottish and postcolonial writing. The essays explore Scotland''s position on both sides of the colonial divide and also its role as instigator of a devolutionary process with potential consequences for British Imperialism. Key Features* Includes discussion of Robert Burns, Walter Scott, James Kelman and Alasdair Gray as well as Scottish writing in Gaelic* Considers the insights offered by the work of Alice Munro, Wole Soyinka, Ngugi wa Thiong''o, Franz Fanon and Edward Saïd* Looks at Scottish writing in Gaelic and other non-Anglophone postcolonial literatures alongside postcolonial literatures in English

The Renewable Normal confronts the aesthetic, affective, and political dimensions of the transition to renewable energy. Written by the After Oil Collective, the book examines how renewable energy is being marshaled to sustain existing systems of inequality and exploitation under a banner of techno-optimism and green growth. It introduces the concept of the "renewable normal" to describe a regime of energy transition that promises transformation but delivers continuity, repackaging fossil-fueled modernity in a low-carbon disguise. Over four chapters, the volume explores how this regime captures hopes for climate solutions while closing down the very possibilities it appears to open. Rather than offering prescriptive solutions or utopian blueprints, The Renewable Normal urges a disposition to readiness: recognizing openings in the present, embracing the unruly rhythms of renewable life, and struggling collectively for transformative change.At stake is a call to think and act beyond the limits of the current regimes of renewability in support of justice, freedom, and the renewal of collective existence. Recognizing that climate crisis demands collective labor, The Renewable Normal aims to encourage new forms of inquiry in the challenges involved in energetic and social renewal as a genuinely transformative possibility.

The ambition of this book is to resituate the problem of ‘world literature’, considered as a revived category of theoretical enquiry, by pursuing the literary-cultural implications of the theory of combined and uneven development. This theory has a long pedigree in the social sciences, where it continues to stimulate debate. But its implications for cultural analysis have received less attention, even though the theory might be said to draw attention to a central – perhaps the central – arc or trajectory of modern(ist) production in literature and the other arts worldwide. It is in the conjuncture of combined and uneven development, on the one hand, and the recently interrogated and expanded categories of ‘world literature’ and ‘modernism’, on the other, that this book looks for its specific contours. In the two theoretical chapters that frame the book, the authors argue for a single, but radically uneven world-system; a singular modernity, combined and uneven; and a literature that variously registers this combined unevenness in both its form and content to reveal itself as, properly speaking, world-literature. In the four substantive chapters that then follow, the authors explore a selection of modern-era fictions in which the potential of their method of comparativism seems to be most dramatically highlighted. They treat the novel paradigmatically, not exemplarily, as a literary form in which combined and uneven development is manifested with particular salience, due in no small part to its fundamental association with the rise of capitalism and its status in peripheral and semi-peripheral societies as a ‘modernising’ import. The peculiar plasticity and hybridity of the novel form enables it to incorporate not only multiple literary levels, genres and modes, but also other non-literary and archaic cultural forms – so that, for example, realist elements might be mixed with more experimental modes of narration, or older literary devices might be reactivated in juxtaposition with more contemporary frames.