Graeme Small – författare

A fresh introduction to the political history of late medieval France duing the turbulent period of the Hundred Years' War, taking into account the social, economic and religious contexts. Graeme Small considers not just the monarchy but also prelates, noble networks and the emerging municipalities in this new analysis.

A fresh introduction to the political history of late medieval France duing the turbulent period of the Hundred Years' War, taking into account the social, economic and religious contexts. Graeme Small considers not just the monarchy but also prelates, noble networks and the emerging municipalities in this new analysis.

This volume is the first ever attempt to unite and translate some of the key texts which informed Johan Huizinga’s famous study of the Burgundian court, The Waning of the Middle Ages, a work which has never gone out of print. It combines these texts with sources that Huizinga did not consider, those that illuminate the wider civic world that the Burgundian court inhabited and the dynamic interaction between court and city. Through these sources, and an introduction offering new perspectives on recent historiography, the book tests whether Huizinga’s controversial vision of the period still stands.Covering subjects including ceremonial events, such as the spectacles and gargantuan banquets that made the Burgundian dukes the talk of Europe, the workings of the court, and jousting, archery and rhetoric competitions, the book will appeal to students of late medieval and early modern Europe and to those with wider interests in court culture, ritual and ceremony.

Philip, who ruled from 1419 to 1467, was one of the most powerful and influential rulers of the fifteenth century. Forced into an alliance with the English, he soon found that he held the balance of power between England and France - reflected in the final crucial phase of the Hundred Years War.Under Philip the Good, grandson of the founder of the duchy's power, Burgundy reached its apogee. Professor Vaughan portrays not only Philip the Good himself, perhaps the most attractive personality among the four great dukes, butthe workings of the court and of one of the most efficent - if not necessarily the most popular - administrations in fifteenth-century Europe. The complex diplomatic history of Philip the Good's long ducal reign (1419-1467) occupies much of the book, in particular Burgundy's relations with England and France. The central theme is Philip the Good's policy of territorial and personal aggrandisement, which culminated in his negotiations with the Holy Roman Emperor for a crown. And due attention is given to the great flowering of artistic life in Burgundy which made Philip's court at Dijon an important cultural centre in the period immediately preceding the Renaissance. All this is based on the close study of the considerable surviving archives of Philip's civil service, and on the chronicles and letters of the period.Philip the Good provides a definitive study of the life and times of the rulerwhose position and achievements made him the greatest magnate in Europe during what has been called "the Burgundian century".

Chastelain's chronicle and career supply the context for a reappraisal of the political aspirations of Philip the Good and Charles the Bold, 15c dukes of Burgundy.Few texts offer as many insights into the history of Valois Burgundy as the work of George Chastelain (c.1414-1475), official chronicler to the dukes Philip the Good and Charles the Bold. Chastelain, a trusted courtier, closely observed his masters' authority in the many dominions they ruled in the Low Countries and France, and the role they played in the political life of neighbouring kingdoms and principalities and in Christendom as a whole. This is thefirst historical study of Chastelain in over half a century. An account of his life and career is followed by a study of his chronicle, Chastelain's interpretation within it of ducal actions and aspirations, and the role it playedin the historical culture of the governing classes in the Netherlands after the death of the last duke in 1477. Overall, Dr Small offers a complete reappraisal of the political ambitions of the ducal elite, particularly with regard to the supposed evolution of the ducal dominions into a "Burgundian state" quite distinct from the Kingdom of France.Dr GRAEME SMALL is lecturer in medieval history, University of Glasgow.

This new English translation of Huizinga's Autumntide of the Middle Ages (Herfsttij der Middeleeuwen) celebrates the centenary of a book that still ranks as one of the most perceptive and in¿uential analyses of the late medieval period. Its wide-ranging discussion of fourteenth and ¿fteenth century France and the Low Countries makes it a classic study of life, culture, and thought in medieval society. The new and now unabridged translation of the original text captures the impact of Huizinga's deep scholarship and powerful language. The translation is based on the Dutch edition of 1941 – the last edition Huizinga worked on. It features English renderings of the Middle French poems and other contemporary sources, and its colour illustrations include over three hundred paintings and prints, illuminated manuscripts, and miniatures pertinent to Huizinga's discourse. A complete bibliography of Huizinga's sources will facilitate further research, while an epilogue addresses the meaning and enduring importance of this classic work.

This new and now unabridged English translation of Huizinga's Autumntide of the Middle Ages (Herfsttij der Middeleeuwen) celebrates the centenary of a book that still ranks as one of the most perceptive and influential analyses of the late medieval period. Its wide-ranging discussion of fourteenth and fifteenth century France and the Low Countries makes it a classic study of life, culture, and thought in medieval society. The translation of the original text captures the impact of Huizinga's deep scholarship and powerful language. The translation is based on the Dutch edition of 1941 – the last edition Huizinga worked on. It features English renderings of the Middle French poems and other contemporary sources. A complete bibliography of Huizinga's sources will facilitate further research, while an epilogue addresses the meaning and enduring importance of this classic work. Johan Huizinga (1872-1945), one of the founders of cultural history, ranks among the most influential Dutch thinkers of the twentieth century. He produced a body of writing on subjects that range from medieval art to the mechanization of modern America. The publication of Herfsttij der Middeleeuwen in 1919 brought him international renown, and contributed to the multiple nominations he received later in his career for the Nobel Prize in Literature, a rare accolade for a professor of history. Among his other important works are Erasmus (1924), In the Shadow of Tomorrow (1935) and Homo Ludens (1938). He died in internal exile, two months before the liberation of the Netherlands.