Griffin - Böcker

The role of philosophy as a valued and effective part of the culture of civilized Romans has aroused an increasing amount of scholarly interest in recent years. In this volume, which gathers together nine papers delivered at a series of seminars on philosophy and Roman society in the University of Oxford, scholars of classical literature, Roman history, and ancient philosophy investigate the place of Platonism and Aristotelianism in Roman intellectual, cultural, and political life from the second century BC to the third century AD. In addition to chapters on such important figures as Cicero, Varro, Plutarch, Favorinus, Celsus, and Porphyry, the book contains essays on the tradition of Aristotle's library at Rome, the theory of the mixed constitution, and the anonomous commentary on Plato's Theaetetus.It thus forms a complement to Philosophia Togata I which addressed the importance of doctrines of the Hellenistic schools to Roman society during the first century BC.

Henry James and Alfred Hitchcock knew too much. Self-imposed exiles fully in the know, they approached American and European society as inside-outsiders, a position that afforded them a kind of double vision. Masters of their arts, manipulators of their audiences, prescient and pathbreaking in their techniques, these demanding and meticulous artists fiercely defended authorial and directorial control. Their fictions and films are obsessed with knowledge and its powers: who knows what? What is there to know?The Men Who Knew Too Much innovatively pairs these two greats, showing them to be at once classic and contemporary. Over a dozen major scholars and critics take up works by James and Hitchcock, in paired sets, to explore the often surprising ways that reading James helps us watch Hitchcock and what watching Hitchcock tells us about reading James. A wide-range of approaches offer fresh insights about spectatorship, narrative structure, and cinematic representation, as well as the relationship between technology and art, the powers of silence, sensory-and sensational-experiences, the impact of cognition, and the uncertainty of interpretation. The essays explore the avowal and disavowal of familial bonds, as well as questions of Victorian convention, female agency, and male anxiety. And they fruitfully engage issues related to patriarchy, colonialism, national, transnational, and global identities. The capacious collection, with its brilliant insights and intellectual surprises, is equally compelling in its range and cogency for James readers and film theorists, for Hitchcock fans and James scholars.

Practical cross-functional coverage of the entire product development process from idea generation through delivery of the final assembled product. Includes sections on benchmarking and changing your new product development process and managing your product portfolio.

What happened to the plague of HIV/AIDS that once seemed so threatening? Gabriele Griffin argues that the explosion of HIV/AIDS into highly visible cultural forms, from movies, theatre, activist interventions, and art from the late-1980s to the mid-1990s has been replaced by a retreat to artisitic invisibility. Griffin suggests that changes in the understanding of HIV/AIDS, the shift from “dying of the disease” to “living with it” in Western cultures, and a failure to grasp the full extent of the growth and impact of HIV/AIDS in a number of African and Asian countries has led to the “death” of the disease in the Western media.

A Companion to Julius Caesar comprises 30 essays from leading scholars examining the life and after life of this great polarizing figure. Explores Caesar from a variety of perspectives: military genius, ruthless tyrant, brilliant politician, first class orator, sophisticated man of letters, and more Utilizes Caesar’s own extant writings Examines the viewpoints of Caesar’s contemporaries and explores Caesar’s portrayals by artists and writers through the ages