Guy Maupassant – författare

Guy de Maupassant's scandalous tale of an opportunistic young man corrupted by the allure of power, Bel-Ami is translated with an introduction by Douglas Parmée in Penguin Classics.Young, attractive and very ambitious, George Duroy, known to his admirers as Bel-Ami, is offered a job as a journalist on La Vie francaise and soon makes a great success of his new career. But he also comes face to face with the realities of the corrupt society in which he lives - the sleazy colleagues, the manipulative mistresses and wily financiers - and swiftly learns to become an arch-seducer, blackmailer and social climber in a world where love is only a means to an end. Written when Maupassant was at the height of his powers, Bel-Ami is a novel of great frankness and cynicism, but it is also infused with the sheer joy of life - depicting the scenes and characters of Paris in the belle epoque with wit, sensitivity and humanity.Douglas Parmée's translation captures all the vigour and vitality of Maupassant's novel. His introduction explores the similarities between Bel-Ami and Maupassant himself and demonstrates the skill with which the author depicts his large cast of characters and the French society of the Third Republic.Guy de Maupassant (1850-1893) was born in Normandy. By the late 1870s, the first signs of syphilis had appeared, and Maupassant had become Flaubert's pupil in the art of prose. He led a hectic social life, and in 1891, having tried to commit suicide, he was committed to an asylum in Paris, where he died two years later.If you enjoyed Bel-Ami, you might like William Makepeace Thackeray's Vanity Fair, also available in Penguin Classics.

The fraternal love that Pierre Roland feels for his younger brother Jean has always been tinged with jealousy. But when a lawyer arrives at the house of their parents, to declare that an old family friend has bequeathed his entire fortune to Jean, this envy rapidly becomes an all-consuming force. Despising himself for the hate that he feels, Pierre roams the seaport of Le Havre alone, desperate to come to terms with his brother's success. As he walks through the streets, however, one thought dominates his mind. Why was he not left a share of the friend's estate? Vivid, ironical and emotionally profound, Pierre and Jean is considered Maupassant's greatest novel - an intensely personal story of suspicion, jealousy and family love.

Young, attractive and very ambitious, George Duroy, known to his friends as Bel-Ami, is offered a job as a journalist on La Vie francaise and soon makes a great success of his new career. But he also comes face to face with the realities of the corrupt society in which he lives - the sleazy colleagues, the manipulative mistresses and wily financiers - and swiftly learns to become an arch-seducer, blackmailer and social climber in a world where love is only a means to an end. Written when Maupassant was at the height of his powers, Bel-Ami is a novel of great frankness and cynicism, but it is also infused with the sheer joy of life - depicting the scenes and characters of Paris in the belle epoque with wit, sensitivity and humanity.

The fraternal love that Pierre Roland feels for his younger brother Jean has always been tinged with jealousy. But when a lawyer arrives at the house of their parents, to declare that an old family friend has bequeathed his entire fortune to Jean, this envy rapidly becomes an all-consuming force. Despising himself for the hate that he feels, Pierre roams the seaport of Le Havre alone, desperate to come to terms with his brother's success. As he walks through the streets, however, one thought dominates his mind. Why was he not left a share of the friend's estate? Vivid, ironical and emotionally profound, Pierre and Jean is considered Maupassant's greatest novel - an intensely personal story of suspicion, jealousy and family love.

"Oh, spirit of Maupassant come to my aid!", escriu Henry James al seu diari. Maupassant té devots des d''Amèrica fins a Rússia. Joseph Conrad i Lev Tolstoi en prologuen les obres, Isaak Babel el tradueix. Tots, amb una barreja de fervor i desesperació, analitzen l''aparent senzillesa dels seus relats. "Els fets, sempre els fets, no hi ha res més que el preocupi", escriu Conrad. Tolstoi, en plena crisi mística, s''arrenca els cabells davant d''aquest artista sense credo ni déu que narra tan prodigiosament els humans. L''obra de Maupassant va ser l''aliment dels gegants de la literatura moderna. ¿Per què no forma part avui del nostre imaginari? Potser pel mateix motiu que feia que Tolstoi s''arrenqués els cabells: no conté ni un bri d''ideologia. El que hi batega és la festa dels sentits, el tacte de les coses, la trepidació de la vida i, dins d''ella, la reïna del sentiment, que circula i fa que sigui plena.Dues de les nouvelles que oferim se centren en una figura particular: la prostituta, dispensada de sotmetre''s als codis perquè atempta contra tots. Al recambró del volum, una escena domèstica desferma una rialla fonda i franca com el tro. Mia Tarradas s''ha posat al servei d''aquest fill de Flaubert per fer-li trobar les paraules en català. Un repte formidable, i una declaració d''amor