Haifa Zangana – författare

Exiled, displaced, tortured, and grieving-each of the five Iraqi women whose lives and losses come to us through Haifa Zangana's skillfully wrought novel is searching in her own way for peace with a past that continually threatens to swallow up the present. Majda, the widow of a former Ba'ath party official who was killed by the government he served. Adiba, a political dissident tortured under Saddam Hussein's regime. Um Mohammed, a Kurdish refugee who fled her home for political asylum. Iqbal, a divorced mother whose family in Iraq is suffering the effects of Western economic sanctions. And Sahira, the wife of a Communist politician, struggling with his disillusionment and her own isolation. Bound to one another by a common Iraqi identity and a common location in 1990s London, these women come together across differences in politics, ethnic and class background, age, and even language. In narrating the friendship that develops among them, Zangana captures their warmth and humor as well as their sadness, their feelings of despair along with their search for hope, their sense of uprootedness, and their yearnings for home. Weaving between the women's memories of Iraq-nostalgic and nightmarish-and their lives as exiles in London, Zangana's novel gives voice to the richness and complexity of Iraqi women's experiences. Through their stories, the novel represents a powerful critique of the violence done to ordinary people by those who hold power both in Iraq and in the West.

The carefully crafted, subtle, and humorous stories in Packaged Lives show Zangana at her best as a fiction writer. She portrays her subjects keenly, sensitively, and lovingly but without compromise. Iraqis living in exile come to life in her narratives as men and women who are caught between two worlds. They cannot return to their homeland and are forced to wait for news of Iraq from afar. At the same time, they are unable to fully adjust to life in Britain and make a new home for themselves. The question "What is home?" is at the heart of each story in this collection. Her protagonists, who are stuck in ready-made lives, or "packaged lives," struggle to set themselves free from a web of relationships in which they are entangled. Art, poetry, and nature provide lines of escape. The relief may be fleeting, but the peace of mind and serenity are reached through the moment of epiphany at the end of each story, a much-needed balm.

Salt Journals is a compelling collection of essays by Tunisian women, sharing their personal experiences with dictatorship and oppression. While rooted in the history and culture of Tunisia, these narratives reflect universal feelings of isolation, pain, and the indomitable quest for freedom. Drawn from a variety of different professions, including a lawyer, an engineer, a nurse, a student, and a city council member, among others, these women are contesting the culture of silence surrounding women’s prison narratives. Employing words as their weapons of nonviolent resistance, the authors recount the harsh realities of a militarized state and its oppressive prison system. Their creative defiance against state repression emerges not just as a means of survival, but as a profound act of dissidence, reclaiming control from the brutality imposed upon their lives.A testament to the power of self-representation, Salt Journals opens a vital space for dialogue on the necessity of empathy, resilience, and the importance of speaking out in the face of tyranny.

The carefully crafted, subtle, and humorous stories in Packaged Lives show Zangana at her best as a fiction writer. She portrays her subjects keenly, sensitively, and lovingly but without compromise. Iraqis living in exile come to life in her narratives as men and women who are caught between two worlds. They cannot return to their homeland and are forced to wait for news of Iraq from afar. At the same time, they are unable to fully adjust to life in Britain and make a new home for themselves. The question "What is home?" is at the heart of each story in this collection. Her protagonists, who are stuck in ready-made lives, or "packaged lives," struggle to set themselves free from a web of relationships in which they are entangled. Art, poetry, and nature provide lines of escape. The relief may be fleeting, but the peace of mind and serenity are reached through the moment of epiphany at the end of each story, a much-needed balm.

“With passion and commitment,” an exiled Iraqi woman recounts her time organizing resistance to Saddam Hussein and imprisonment in Abu Ghraib (Nawal El Saadawi, author of Zeina).   In 1970s Iraq, the Ba’ath Party was at the height of its influence in the Middle East and popularity throughout the West. But a group of activists recognized the disastrous potential of the regime as its charismatic leader, Saddam Hussein, came to power. Haifa Zangana was among those who resisted Saddam’s rule, a small group of whom were captured and imprisoned at Abu Ghraib.   Now, from a distance of time and place, Zangana writes about her incarceration, the agonizing loss of comrades to torture and death in prison, her safe yet haunted life so far away from friends, family, and her beloved country, and the ways memory conspires to make us forget.   In this poetic, emotionally-tinged memoir, the author of Women on a Journey: Between Baghdad and London “drags politics down from the realm of the abstract into the mud, fear, and loneliness of personal experience and psychological ruin that is life under dictatorship” (Christian Parenti, author of The Freedom: Shadows and Hallucinations in Occupied Iraq).

In City of Widows, Haifa Zangana tells the story of her country, from the early twentieth century through the US-UK invasion and the current occupation. She brings to light a sense of Iraq as a society mainly of secularists who have been denied, through years of sanctions, war, and occupation, a systemwithin which to build the country according to their own values. She points to the long history of political activism and social participation of Iraqi women, and the fact that, before the recent invasion, they had been among the most liberated of their gender in the Middle East. Finally, she writes aboutBaghdad today as a city populated by bereaved women and children who have lost their loved ones and their land, but who are still emboldened by the native right to resist and liberate themselves to create an independent Iraq.

Before the US invasion of Iraq, before the American public saw the infamous photos from Abu Ghraib, the CIA went to the White House with a question: What, according to the Constitution, was the line separating interrogation from torture—and could that line be moved? The White House lawyers'' answer—in the form of legal documents later known as the "Torture Memos"—became the US''s justification for engaging in torture.The Torturer in the Mirror shows us how when one of us tortures, we are all implicated in the crime. In three uncompromising essays, Iraqi dissident Haifa Zangana, former US Attorney General Ramsey Clark, and professor of sociology Thomas Ehrlich Reifer teach us how physically and psychologically insidious torture is, how deep a mark it leaves on both its victims and its practitioners, and how necessary it is for us as a society to hold torturers accountable.

Not One More Death examines the record of US and UK troops in Iraq, questions Bush and Blair''s position under international law, and considers the responsibilities of artists, writers and the wider public in a time of war and occupation.Published in collaboration with the Stop the War Coalition (www.stopwar.org.uk).

On October 7th 2001, US-led forces invaded Afghanistan, marking the start of George Bush and Tony Blair''s "War on Terror." Six years on, where have the policies of Bush and Blair left us? Bringing together some of the finest contemporary writers, this wide-ranging anthology, from reportage and "faction" to fiction, explores the impact of this "long war" throughout the world, from Palestine to Iraq, Abu Ghraib, the curtailment of civil liberties and manipulation of public opinion.Published in conjunction with Stop the War coalition and United for Peace and Justice, War With No End provides an urgent, necessary reflection on the causes and consequences of the ideological War on Terror.

Not One More Death examines the record of US and UK troops in Iraq, questions Bush and Blair's position under international law, and considers the responsibilities of artists, writers and the wider public in a time of war and occupation.Published in collaboration with the Stop the War Coalition (www.stopwar.org.uk).

On October 7th 2001, US-led forces invaded Afghanistan, marking the start of George Bush and Tony Blair's "War on Terror." Six years on, where have the policies of Bush and Blair left us? Bringing together some of the finest contemporary writers, this wide-ranging anthology, from reportage and "faction" to fiction, explores the impact of this "long war" throughout the world, from Palestine to Iraq, Abu Ghraib, the curtailment of civil liberties and manipulation of public opinion.Published in conjunction with Stop the War coalition and United for Peace and Justice, War With No End provides an urgent, necessary reflection on the causes and consequences of the ideological War on Terror.