Haim Hazan – författare

One of the major characteristics of our contemporary culture is a positive, almost banal, view of the transgression and disruption of cultural boundaries. Strangers, migrants and nomads are celebrated in our postmodern world of hybrids and cyborgs. But we pay a price for this celebration of hybridity: the non-hybrid figures in our societies are ignored, rejected, silenced or exterminated. This book tells the story of these non-hybrid figures Ð the anti-heroes of our pop culture.

The main example of non-hybrids in an otherwise hybridized world is that of deep old age. Hazan shows how we fervently distance ourselves from old age by grading and sequencing it into stages such as ‘the third age’, ‘the fourth age’ and so on. Aging bodies are manipulated through anti-aging techniques until it is no longer possible to do it anymore, at which point they become un-transformable and non-marketable objects and hence commercially and socially invisible or masked. Other examples are used to elucidate the same cultural logic of the non-hybrid: pain, the Holocaust, autism, fundamentalism and corporeal death. On the face of it, these examples may seem to have nothing in common, but they all exemplify the same cultural logic of the non-hybrid and provoke similar reactions of criticism, terror, abhorrence and moral indignation.

This highly original and iconoclastic book offers a fresh critique of contemporary Western culture by focusing on that which is perceived as its other Ð the non-hybrid in our midst, often rejected, ignored or silenced and deemed to be in need of globally manageable correction.

Through an ethnohistorical chronicling of the emotionally-laden treatment of selected suicide media-events, this book offers a neo-Durkheimean account of suicide, addressing its social-moral threat and the ensuing need to gloss over its unsettling incomprehensibility. An analysis of the social dramas, cultural performances, and suicide talk aired in the Israeli public sphere, it suggests that such public glossing practices atone for and bring about the symbolic rectification of the socially detrimental effects of suicide. Drawing on Durkheim’s thought on the social significance of suicide and the sacred cohesive power of society’s self-representations through rituals and commemorations, the authors revamp the contemporary pertinence of these cultural devices, showing how, in the process of reconstituting and redressing the disrupted order, suicide talk constitutes a revival mechanism of communal ‘life giving’. A rekindling of the Durkheimian approach to suicide that examines how society deals with suicide’s shattering of normative we-feelings, Suicide Social Dramas: Moral Breakdowns in the Israeli Public Sphere will appeal to scholars and students of sociology and anthropology with interests in social theory, Israel studies, suicide studies, and the interpretation of societal and cultural processes.

Through an ethnohistorical chronicling of the emotionally-laden treatment of selected suicide media-events, this book offers a neo-Durkheimean account of suicide, addressing its social-moral threat and the ensuing need to gloss over its unsettling incomprehensibility. An analysis of the social dramas, cultural performances, and suicide talk aired in the Israeli public sphere, it suggests that such public glossing practices atone for and bring about the symbolic rectification of the socially detrimental effects of suicide. Drawing on Durkheim’s thought on the social significance of suicide and the sacred cohesive power of society’s self-representations through rituals and commemorations, the authors revamp the contemporary pertinence of these cultural devices, showing how, in the process of reconstituting and redressing the disrupted order, suicide talk constitutes a revival mechanism of communal ‘life giving’. A rekindling of the Durkheimian approach to suicide that examines how society deals with suicide’s shattering of normative we-feelings, Suicide Social Dramas: Moral Breakdowns in the Israeli Public Sphere will appeal to scholars and students of sociology and anthropology with interests in social theory, Israel studies, suicide studies, and the interpretation of societal and cultural processes.

First published in 1980, The limbo people is based upon research carried out in a day centre (‘the Centre’) for elderly Jewish people in a London Borough and studies the experience and the conception of time among the elderly. The development of the arguments concerning time was founded on (a) the relationship between the community of participants and the outside world; and (b) the construction of events and interactions between participants at the Centre. The organization of this book re-enacts the process of reconstituting time as manifested in the Centre, against the background of the participants previous experiences, and in terms of their present existential situations. This book will be of interest to students of sociology, anthropology and gerontology.

First published in 1980, The limbo people is based upon research carried out in a day centre (‘the Centre’) for elderly Jewish people in a London Borough and studies the experience and the conception of time among the elderly. The development of the arguments concerning time was founded on (a) the relationship between the community of participants and the outside world; and (b) the construction of events and interactions between participants at the Centre. The organization of this book re-enacts the process of reconstituting time as manifested in the Centre, against the background of the participants previous experiences, and in terms of their present existential situations. This book will be of interest to students of sociology, anthropology and gerontology.

Talking about the Holocaust has provided an international language for ethics, victimization, political claims, and constructions of collective identity. As part of a worldwide vocabulary, that language helps set the tenor of the era of globalization. This volume addresses manifestations of Holocaust-engendered global discourse by critically examining their function and inherent dilemmas, and the ways in which Holocaust-related matters still instigate public debate and academic deliberation. It contends that the contradiction between the totalizing logic of globalization and the assumed uniqueness of the Holocaust generates continued intellectual and practical discontent.

At the core of the author''s concern stands the question of cultural transmutation in an era riddled with media channels and all-embracing messages. Fragments of the Israeli experience are pieced together in this provocative essay to provide a socio-anthropological agenda for some of the issues involved in the manufacturing of items of symbolic solidarity and common national imagery in an epoch of social disunification and cultural pastiche. The author argues that even though the aesthetic forms of major cultural idioms have unrecognizably altered and are accommodated to befit the shape and style of post-modern living, the basic programs underlying them have remained immutable. Furthermore, it is the quality of adaptability to changing aesthetic conventions that allow such symbolic corner-stones to be left unturned. The case of the youth culture is chose here as a yardstick for examining the double voice of such process - the global versus the tribal.

Age into Race is a socio-anthropological essay on the repercussions of the Covid-19 pandemic on the cultural status of the old. As the worldwide horrors of the Corona era have since been publicly repressed, the text is geared to revisit and relive the tenor of that time while considering its latent revolutionary aftermath. There was wide agreement that Covid-19 policies targeted older people as a risk group in need of protection, setting it apart from the rest of society. Yet, paradoxically, long-term facilities for older people effectively became Covid-19 death traps. What kind of abandonment propelled this apparent contradiction? This book provides an answer by looking at ageist practices regarding Covid-19 triaging, lockdowns and distancing that affected older people around the world, devising Covid-19 as an inevitable "problem of the elderly" and, by implication, instating and categorizing "the elderly" as a public problem to be bio-politically managed and wrought.

The Covid-19 pandemic and its concomitant "state of emergency" triggered an accelerated transmutation of customary ageism into emergent racism, spelling a fatal switch to designating the old as bearers of "bare" life unworthy of human living, thus turning old age from a seemingly cultural category to a socially fabricated viral menace of nature. The book tracks down the process through which the "Coronization" of culture legitimized and impelled a further stigmatization of old age beyond mere ageism to sheer racism. Thus, this transmutation, while compromising their autonomy and subjectivity via imposed lockdowns, social isolation, excommunication and selective discrimination rendered the old a race apart. Subsequently, the moral panic invoked by the specter of the pandemic transformed the social perceptions of later life from a containable social problem to an unbridled public hazard that summoned total measures presented as bureaucratically regimented regulations that dehumanized its victims with impunity.