Hana Wirth-Nesher - Böcker

City Codes is a study of the representation of the city in the modern novel that takes difference as its point of departure, so that cities are read according to the cultural and social position of the urbanite. These urban narratives are analysed in the context of a cultural repertoire of city codes, from the architectural features of window and street to the social and historical signs of the landmark and the passer-by, with the emphasis on the subject's construction of his or her place as shaped by history, politics, nationality, gender, class and race. The study moves from boundaries inscribed onto the cityscape to distances experienced by the city dwellers; its 'real' and textual cities are Warsaw, Jerusalem, New York, Chicago, Paris, London and Dublin. The novels discussed are by Isaac Bashevis Singer, Amos Oz, Theodore Dreiser, Ralph Ellison, Henry James, Henry Roth, James Joyce and Virginia Woolf.

Henry Roth's Call It Sleep, praised when it first appeared in the 1930s, neglected for decades and reissued to wide acclaim in the 1960s, has been hailed, finally, as the finest Jewish-American novel of the first half of the century and one of the richest modernist novels to appear in America. The introduction by Hana Wirth-Nesher locates the novel in its cultural context and in terms of contemporary debates about ethnic literature, minority writing, and the problem of representativeness. Thus, the volume sets out to consider Roth's hybrid status - as an American writer, a Jewish writer, and a European modernist.

Henry Roth's Call It Sleep, praised when it first appeared in the 1930s, neglected for decades and reissued to wide acclaim in the 1960s, has been hailed, finally, as the finest Jewish-American novel of the first half of the century and one of the richest modernist novels to appear in America. The introduction by Hana Wirth-Nesher locates the novel in its cultural context and in terms of contemporary debates about ethnic literature, minority writing, and the problem of representativeness. Thus, the volume sets out to consider Roth's hybrid status - as an American writer, a Jewish writer, and a European modernist.

City Codes is a study of the representation of the city in the modern novel that takes difference as its point of departure, so that cities are read according to the cultural and social position of the urbanite. These urban narratives are analysed in the context of a cultural repertoire of city codes, from the architectural features of window and street to the social and historical signs of the landmark and the passer-by, with the emphasis on the subject's construction of his or her place as shaped by history, politics, nationality, gender, class and race. The study moves from boundaries inscribed onto the cityscape to distances experienced by the city dwellers; its 'real' and textual cities are Warsaw, Jerusalem, New York, Chicago, Paris, London and Dublin. The novels discussed are by Isaac Bashevis Singer, Amos Oz, Theodore Dreiser, Ralph Ellison, Henry James, Henry Roth, James Joyce and Virginia Woolf.

For more than two hundred years, Jews have played important roles in the development of American literature. The Cambridge Companion to Jewish American Literature addresses a wide array of themes and approaches to the distinct yet multifaceted body of Jewish American literature. Essays examine writing from the 1700s to major contemporary writers such as Saul Bellow and Philip Roth. Topics covered include literary history, immigration and acculturation, Yiddish and Hebrew literature, popular culture, women writers, literary theory and poetics, multilingualism, the Holocaust, and contemporary fiction. This collection of specially commissioned essays by leading figures discusses Jewish American literature in relation to ethnicity, religion, politics, race, gender, ideology, history, and ethics, and places it in the contexts of both Jewish and American writing. With its chronology and guides to further reading, this volume will prove valuable to scholars and students alike.

For more than two hundred years, Jews have played important roles in the development of American literature. The Cambridge Companion to Jewish American Literature addresses a wide array of themes and approaches to the distinct yet multifaceted body of Jewish American literature. Essays examine writing from the 1700s to major contemporary writers such as Saul Bellow and Philip Roth. Topics covered include literary history, immigration and acculturation, Yiddish and Hebrew literature, popular culture, women writers, literary theory and poetics, multilingualism, the Holocaust, and contemporary fiction. This collection of specially commissioned essays by leading figures discusses Jewish American literature in relation to ethnicity, religion, politics, race, gender, ideology, history, and ethics, and places it in the contexts of both Jewish and American writing. With its chronology and guides to further reading, this volume will prove valuable to scholars and students alike.

Call It English identifies the distinctive voice of Jewish American literature by recovering the multilingual Jewish culture that Jews brought to the United States in their creative encounter with English. In transnational readings of works from the late-nineteenth century to the present by both immigrant and postimmigrant generations, Hana Wirth-Nesher traces the evolution of Yiddish and Hebrew in modern Jewish American prose writing through dialect and accent, cross-cultural translations, and bilingual wordplay. Call It English tells a story of preoccupation with pronunciation, diction, translation, the figurality of Hebrew letters, and the linguistic dimension of home and exile in a culture constituted of sacred, secular, familial, and ancestral languages. Through readings of works by Abraham Cahan, Mary Antin, Henry Roth, Delmore Schwartz, Bernard Malamud, Saul Bellow, Cynthia Ozick, Grace Paley, Philip Roth, Aryeh Lev Stollman, and other writers, it demonstrates how inventive literary strategies are sites of loss and gain, evasion and invention.The first part of the book examines immigrant writing that enacts the drama of acquiring and relinquishing language in an America marked by language debates, local color writing, and nativism. The second part addresses multilingual writing by native-born authors in response to Jewish America's postwar social transformation and to the Holocaust. A profound and eloquently written exploration of bilingual aesthetics and cross-cultural translation, Call It English resounds also with pertinence to other minority and ethnic literatures in the United States.

This History offers an unparalleled examination of all aspects of Jewish American literature. Jewish writing has played a central role in the formation of the national literature of the United States, from the Hebraic sources of the Puritan imagination to narratives of immigration and acculturation. This body of writing has also enriched global Jewish literature in its engagement with Jewish history and Jewish multilingual culture. Written by a host of leading scholars, The Cambridge History of Jewish American Literature offers an array of approaches that contribute to current debates about ethnic writing, minority discourse, transnational literature, gender studies, and multilingualism. This History takes a fresh look at celebrated authors, introduces new voices, locates Jewish American literature on the map of American ethnicity as well as the spaces of exile and diaspora, and stretches the boundaries of American literature beyond the Americas and the West.