Hanif Abdurraqib – författare

In a collection of essays published by the New York Times, MTV, and Pitchfork, among others - along with original, previously unreleased essays ' Hanif Abdurraqib explores the political, social, racial condition of our world today through the language of music and culture. From discussions over public displays of affection at a Carly Rae Jepsen show to the everyday threats to the lives of black Americans, including his own, Abdurraqib provides a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

**As featured on Barack Obama's Summer 2022 Reading List**Winner of the Gordon Burn PrizeWinner of the 2022 Andrew Carnegie Medal for Excellence in NonfictionFinalist for the National Book Critics Circle AwardFinalist for the Pen/Diamonstein-Spievogel Award for the Art of the EssayShortlisted for the National Book Award'Gorgeous' - Brit Bennett'Pure genius' - Jacqueline Woodson'One of the most dynamic books I have ever read' - Clint SmithAt the March on Washington, Josephine Baker reflected on her life and her legacy. She had spent decades as one of the most successful entertainers in the world, but, she told the crowd, "I was a devil in other countries, and I was a little devil in America, too". Inspired by these words, Hanif Abdurraqib has written a stirring meditation on Black performance in the modern age, in which culture, history and his own lived experience collide.With sharp insight, humour and heart, Abdurraqib explores a sequence of iconic and intimate performances that take him from mid-century Paris to the moon -- and back down again, to a cramped living room in Columbus, Ohio. Each one, he shows, has layers of resonance across Black and white cultures, the politics of American empire, and his own personal history of love and grief -- whether it's the twenty-seven seconds of 'Gimme Shelter' in which Merry Clayton sings, or the magnificent hours of Aretha Franklin's homegoing; Beyoncé's Super Bowl show or a schoolyard fistfight; Dave Chapelle's skits or a game of spades among friends.

**As featured on Barack Obama's Summer 2022 Reading List**Winner of the Gordon Burn PrizeWinner of the 2022 Andrew Carnegie Medal for Excellence in NonfictionFinalist for the National Book Critics Circle AwardFinalist for the Pen/Diamonstein-Spievogel Award for the Art of the EssayShortlisted for the National Book Award'Gorgeous' - Brit Bennett'Pure genius' - Jacqueline Woodson'One of the most dynamic books I have ever read' - Clint SmithAt the March on Washington, Josephine Baker reflected on her life and her legacy. She had spent decades as one of the most successful entertainers in the world, but, she told the crowd, "I was a devil in other countries, and I was a little devil in America, too". Inspired by these words, Hanif Abdurraqib has written a stirring meditation on Black performance in the modern age, in which culture, history and his own lived experience collide.With sharp insight, humour and heart, Abdurraqib explores a sequence of iconic and intimate performances that take him from mid-century Paris to the moon -- and back down again, to a cramped living room in Columbus, Ohio. Each one, he shows, has layers of resonance across Black and white cultures, the politics of American empire, and his own personal history of love and grief -- whether it's the twenty-seven seconds of 'Gimme Shelter' in which Merry Clayton sings, or the magnificent hours of Aretha Franklin's homegoing; Beyoncé's Super Bowl show or a schoolyard fistfight; Dave Chapelle's skits or a game of spades among friends.

LONGLISTED FOR THE NATIONAL BOOK AWARD • #1 NATIONAL BESTSELLER • A “powerful” (The Guardian) reflection on basketball, life, and home—from the author of the National Book Award finalist A Little Devil in America “Mesmerizing . . . not only the most original sports book I’ve ever read but one of the most moving books I’ve ever read, period.”—Steve James, director of Hoop DreamsONE OF THE CHICAGO PUBLIC LIBRARY AND BOOKPAGE’S TEN BEST BOOKS OF THE YEAR • A BEST BOOK OF THE YEAR: The New York Times Book Review, Time, The Washington Post, NPR, The New York Public Library, Publishers Weekly, Kirkus Reviews, Book RiotGrowing up in Columbus, Ohio, in the 1990s, Hanif Abdurraqib witnessed a golden era of basketball, one in which legends like LeBron James were forged and countless others weren’t. His lifelong love of the game leads Abdurraqib into a lyrical, historical, and emotionally rich exploration of what it means to make it, who we think deserves success, the tension between excellence and expectation, and the very notion of role models, all of which he expertly weaves together with intimate, personal storytelling. “Here is where I would like to tell you about the form on my father’s jump shot,” Abdurraqib writes. “The truth, though, is that I saw my father shoot a basketball only one time.” There’s Always This Year is a triumph, brimming with joy, pain, solidarity, comfort, outrage, and hope. No matter the subject of his keen focus—whether it’s basketball, or music, or performance—Hanif Abdurraqib’s exquisite writing is always poetry, always profound, and always a clarion call to radically reimagine how we think about our culture, our country, and ourselves.LONGLISTED FOR THE ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN NONFICTION

NEW YORK TIMES BESTSELLER | A NEW YORK TIMES, TIME, GUARDIAN, WASHINGTON POST, NPR, PUBLISHERS WEEKLY, KIRKUS and BOOKRIOT BOOK OF THE YEARWINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR CRITICISMLONGLISTED FOR THE NATIONAL BOOK AWARDLONGLISTED FOR THE 2025 ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN NONFICTIONIt might do all of us some good to reconsider what 'making it' even means. Growing up in Columbus, Ohio, in the 1990s, Hanif Abdurraqib witnessed a golden era of basketball, one in which legends like LeBron James were forged -- and countless others weren’t. His lifelong love of the game leads Abdurraqib into a lyrical, historical, and emotionally rich exploration of what it means to make it, who we think deserves success, the tension between excellence and expectation, and the very notion of role models, all of which he expertly weaves together with intimate, personal storytelling.There’s Always This Year is a triumph from one of America’s most celebrated and insightful writers. It brims with joy, pain, solidarity, comfort, outrage, and hope. No matter the subject, Abdurraqib’s exquisite writing is always poetry, always profound, and always a clarion call to radically reimagine how we think about our culture, and ourselves.

NEW YORK TIMES BESTSELLER | A NEW YORK TIMES, TIME, GUARDIAN, WASHINGTON POST, NPR, PUBLISHERS WEEKLY, KIRKUS and BOOKRIOT BOOK OF THE YEARWINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR CRITICISMLONGLISTED FOR THE NATIONAL BOOK AWARDLONGLISTED FOR THE 2025 ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN NONFICTIONIt might do all of us some good to reconsider what 'making it' even means. Growing up in Columbus, Ohio, in the 1990s, Hanif Abdurraqib witnessed a golden era of basketball, one in which legends like LeBron James were forged -- and countless others weren’t. His lifelong love of the game leads Abdurraqib into a lyrical, historical, and emotionally rich exploration of what it means to make it, who we think deserves success, the tension between excellence and expectation, and the very notion of role models, all of which he expertly weaves together with intimate, personal storytelling.There’s Always This Year is a triumph from one of America’s most celebrated and insightful writers. It brims with joy, pain, solidarity, comfort, outrage, and hope. No matter the subject, Abdurraqib’s exquisite writing is always poetry, always profound, and always a clarion call to radically reimagine how we think about our culture, and ourselves.

How does one pay homage to A Tribe Called Quest? Hanif Abdurraqib digs into the group's history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. He traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact, seeking deeper truths that are not simply heard in the head, but felt in the chest.