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This exciting new guide is the ideal companion to Greece if you are a traveller with historical and archaeological interests, as it combines practical information with impeccable scholarly research.Written by an expert on Greece's landscape and archaeology, the guide is unique in exploring a wide range of sites off the beaten track. It also tours all the best-known monuments and regions, from the Acropolis to Aegina, from Megara to Marathon and from Sounion to Salamis.Beautifully illustrated with over 200 plates, maps, plans and drawings, it includes:* precise descriptions of routes and individual sites* artistic, historical, social and political background* unprecedented coverage outside Athens* detailed exploration of the post-classical, Byzantine and post-Byzantine periods.Take it with you on your travels or read it at home; either way, you will gain a deeper appreciation and enjoyment of Greece's history and archaeology.

This exciting new guide is the ideal companion to Greece if you are a traveller with historical and archaeological interests, as it combines practical information with impeccable scholarly research.Written by an expert on Greece's landscape and archaeology, the guide is unique in exploring a wide range of sites off the beaten track. It also tours all the best-known monuments and regions, from the Acropolis to Aegina, from Megara to Marathon and from Sounion to Salamis.Beautifully illustrated with over 200 plates, maps, plans and drawings, it includes:* precise descriptions of routes and individual sites* artistic, historical, social and political background* unprecedented coverage outside Athens* detailed exploration of the post-classical, Byzantine and post-Byzantine periods.Take it with you on your travels or read it at home; either way, you will gain a deeper appreciation and enjoyment of Greece's history and archaeology.

Age-old scholarly dogma holds that the death of serious theatre went hand-in-hand with the 'death' of the city-state and that the fourth century BC ushered in an era of theatrical mediocrity offering shallow entertainment to a depoliticised citizenry. The traditional view of fourth-century culture is encouraged and sustained by the absence of dramatic texts in anything more than fragments. Until recently, little attention was paid to an enormous array of non-literary evidence attesting, not only the sustained vibrancy of theatrical culture, but a huge expansion of theatre throughout (and even beyond) the Greek world. Epigraphic, historiographic, iconographic and archaeological evidence indicates that the fourth century BC was an age of exponential growth in theatre. It saw: the construction of permanent stone theatres across and beyond the Mediterranean world; the addition of theatrical events to existing festivals; the creation of entirely new contexts for drama; and vast investment, both public and private, in all areas of what was rapidly becoming a major 'industry'. This is the first book to explore all the evidence for fourth century ancient theatre: its architecture, drama, dissemination, staging, reception, politics, social impact, finance and memorialisation.