Josephine Lang (1815-80) was one of the most gifted, respected, prolific, and widely published song composers of the nineteenth century, yet her life and works have remained virtually unknown. Now, this carefully researched, compelling, and poignant study recognizes the composer for her remarkable accomplishments. Based on years of study of unpublished letters, musical autographs, reviews, and the autobiographical poetry of Lang''s husband, Reinhold Köstlin, the biographical portions of the book offer a stunning portrait of the composer as a woman and an artist. In-depth musical analyses interwoven with the biography will be illuminating to scholars and to musicians of all skill levels. The analyses reveal Lang''s sensitivity to her chosen poetic texts, as well as the validity of her claim that her songs were her diary; the authors demonstrate that many of the songs are directly connected to the events of Lang''s life. The analyses are illustrated by an abundance of musical examples, including a number of complete songs. A companion website, featuring 30 songs by Lang recorded by the authors, complements the text.

This book presents a theory of metrical conflict and applies it to the music of Robert Schumann, thereby placing that composer's distinctive metrical style in focus. Krebs describes various categories of metrical conflict that characterize the music of Schumann, investigates how states of conflict arise and are manipulated and resolved in the course of compositions, and studies the interaction of metrical conflict with form, pitch structure, and text. The theoretical material is fancifully interwoven with commentary by Florestan and Eusebius, fictional characters based on Schumann's names for contrasting aspects of his own personality, who provide numerous illustrations from "their" compositions. Rich in allusions to Schumann's titles, his writings, and his life, Fantasy Pieces will appeal to all who are fond of this composer's music as well as to theorists.

Fantasy Pieces examines from several vantage points a vital life-force of Robert Schumann's music, namely metrical conflict. Harald Krebs's imaginative yet rigorous study makes use of Schumann's fascinating projections of his own personality--the characters Florestan and Eusebius--as one means of addressing the biographical and aesthetic context of the music.In counterpoint with the remarks of these personae, Krebs develops an original theory of metrical conflict by adapting the concepts of consonance and dissonance to metrical analysis. He investigates how states of metrical dissonance arise, and shows how they are manipulated and resolved in the course of compositions. He offers new methods for understanding the metrical progressions of entire works or movements, and studies the interaction of metrical conflict with form, with pitch structure, and with the texts of Schumann's vocal works. Krebs includes a wealth of illustrations from the whole range of Schumann's work and offers numerous insights important for performance. In the final chapter, he provides richly detailed studies of pieces by Schumann in various genres, interspersing them with shorter discussions of music by Berlioz, Chopin, Clara Schumann, Ives, and Schoenberg.This is a book that will appeal not only to students and scholars of music theory, but to all musicians interested in the life, work, and unique personality of Robert Schumann.

Josephine Lang (1815-80) was one of the most gifted, respected, prolific, and widely published song composers of the nineteenth century, yet her life and works have remained virtually unknown. Now, this carefully researched, compelling, and poignant study recognizes the composer for her remarkable accomplishments. Based on years of study of unpublished letters, musical autographs, reviews, and the autobiographical poetry of Lang's husband, Reinhold Köstlin, the biographical portions of the book offer a stunning portrait of the composer as a woman and an artist. In-depth musical analyses interwoven with the biography will be illuminating to scholars and to musicians of all skill levels. The analyses reveal Lang's sensitivity to her chosen poetic texts, as well as the validity of her claim that her songs were her diary; the authors demonstrate that many of the songs are directly connected to the events of Lang's life. The analyses are illustrated by an abundance of musical examples, including a number of complete songs. A companion CD, on which the authors have recorded 30 songs by Lang, complements the text.

Fantasy Pieces examines from several vantage points a vital life-force of Robert Schumann''s music, namely metrical conflict. Harald Krebs''s imaginative yet rigorous study makes use of Schumann''s fascinating projections of his own personality--the characters Florestan and Eusebius--as one means of addressing the biographical and aesthetic context of the music.In counterpoint with the remarks of these personae, Krebs develops an original theory of metrical conflict by adapting the concepts of consonance and dissonance to metrical analysis. He investigates how states of metrical dissonance arise, and shows how they are manipulated and resolved in the course of compositions. He offers new methods for understanding the metrical progressions of entire works or movements, and studies the interaction of metrical conflict with form, with pitch structure, and with the texts of Schumann''s vocal works. Krebs includes a wealth of illustrations from the whole range of Schumann''s work and offers numerous insights important for performance. In the final chapter, he provides richly detailed studies of pieces by Schumann in various genres, interspersing them with shorter discussions of music by Berlioz, Chopin, Clara Schumann, Ives, and Schoenberg.This is a book that will appeal not only to students and scholars of music theory, but to all musicians interested in the life, work, and unique personality of Robert Schumann.

Josephine Lang (1815-80) was one of the most gifted, respected, prolific, and widely published song composers of the nineteenth century, yet her life and works have remained virtually unknown. Now, this carefully researched, compelling, and poignant study recognizes the composer for her remarkable accomplishments. Based on years of study of unpublished letters, musical autographs, reviews, and the autobiographical poetry of Lang''s husband, Reinhold Köstlin, the biographical portions of the book offer a stunning portrait of the composer as a woman and an artist. In-depth musical analyses interwoven with the biography will be illuminating to scholars and to musicians of all skill levels. The analyses reveal Lang''s sensitivity to her chosen poetic texts, as well as the validity of her claim that her songs were her diary; the authors demonstrate that many of the songs are directly connected to the events of Lang''s life. The analyses are illustrated by an abundance of musical examples, including a number of complete songs. A companion website, featuring 30 songs by Lang recorded by the authors, complements the text.

Béla Bartók (1881-1945) was one of the most important composers and musical thinkers of the 20th century. His contributions as a composer, as a performer and as the father of ethnomusicology changed the course of music history and of our contemporary perception of music itself. At the center of Bartók's oeuvre are his string quartets, which are generally acknowledged as some of the most significant pieces of 20th century chamber music. The String Quartets of Béla Bartók brings together innovative new scholarship from 14 internationally recognized music theorists, musicologists, performers, and composers to focus on these remarkable works from a range of theoretical and methodological perspectives. Focusing on a variety of aspects of the string quartets-harmony and tonality, form, rhythm and meter, performance and listening-it considers both the imprint of folk and classical traditions on Bartók's string quartets, and the ways in which they influenced works of the next generation of Hungarian composers. Rich with notated music examples the volume is complemented by an Oxford Web Music companion website offering additional notated as well as recorded examples. The String Quartets of Béla Bartók, reflecting the impact of the composer himself, is an essential resource for scholars and students across a variety of fields from music theory and musicology, to performance practice and ethnomusicology.

B?la Bart?k (1881-1945) was one of the most important composers and musical thinkers of the 20th century. His contributions as a composer, as a performer and as the father of ethnomusicology changed the course of music history and of our contemporary perception of music itself. At the center of Bart?k''s oeuvre are his string quartets, which are generally acknowledged as some of the most significant pieces of 20th century chamber music. The String Quartets of B?la Bart?k brings together innovative new scholarship from 14 internationally recognized music theorists, musicologists, performers, and composers to focus on these remarkable works from a range of theoretical and methodological perspectives. Focusing on a variety of aspects of the string quartets-harmony and tonality, form, rhythm and meter, performance and listening-it considers both the imprint of folk and classical traditions on Bart?k''s string quartets, and the ways in which they influenced works of the next generation of Hungarian composers. Rich with notated music examples the volume is complemented by an Oxford Web Music companion website offering additional notated as well as recorded examples. The String Quartets of B?la Bart?k, reflecting the impact of the composer himself, is an essential resource for scholars and students across a variety of fields from music theory and musicology, to performance practice and ethnomusicology.

Praxis der Eigenbluttherapie stellt die Grundlagen zur Entwicklung und Wirkungsweise der Eigenbluttherapie dar und gibt Ihnen ausf�hrliche Therapieempfehlungen zu Krankheitsbildern, bei denen das Therapieverfahren erfolgreich eingesetzt werden kann.

Entwicklung und Grundlagen der Eigenbluttherapie: Wirkungen und Wirkmechanismen, Nebenwirkungen und Erstverschlimmerungen

Praktische Durchf�hrung: Punktions- und Injektionstechniken, Darstellung und Bewertung der verschiedenen Methoden der Eigenbluttherapie

Therapieempfehlungen zu �ber 100 Krankheitsbildern unterteilt nach Basistherapie und Zusatztherapie, Sonderkapitel zur Eigenbluttherapie in der Sportmedizin, P�diatrie und Geriatrie / Vitamin-C-Therapie zur Immunmodulation

Das Buch aus dem Jahr 2007 jetzt als preiswerte Studienausgabe!

Vitamin-C-Hochdosistherapie - Schritt f�r Schritt

Aktuelle Forschungsergebnisse zeigen: Vitamin C hochdosiert als Pr�vention oder zur Behandlung zahlreicher Erkrankungen ist vielversprechend.

In diesem Buch erfahren Sie

wie�Sie die Vitamin-C-Hochdosistherapie bei �ber 200 Krankheitsbildern einsetzen k�nnen welche Vitamin-C-Infusions- bzw. Injektionstherapie jeweils eingeleitet werden kann welche zus�tzlichen orthomolekularen Ma�nahmen empfohlen werden anhand von Schritt-f�r-Schritt-Abbildungen das praktische Vorgehen bei einer Hochdosisinfusion

Dar�ber hinaus informiert Sie das Buch �ber alles Wissenswerte zur Historie, Wirkungsweise, Funktion, Bedarf, Vertr�glichkeit, Toxizit�t und Kontraindikationen von Vitamin C.

Die neue, 3. Auflage wurde vollst�ndig durchgesehen, korrigiert und aktualisiert, insbesondere hinsichtlich neuer wissenschaftlicher Erkenntnisse, Pr�parate und Pr�parate-Namen.

In der Sektoruntersuchung Stromerzeugung/Stromgroßhandel hält das Bundeskartellamt an dem Konzept des sogenannten Erstabsatzmarktes fest. Die Autoren stellen die Diskrepanz zwischen dem der Marktabgrenzung zugrundeliegenden und dem tatsächlichen Marktgeschehen und die daraus resultierende Fehlerhaftigkeit der Marktabgrenzung des Amtes dar. Die im Rahmen der Sektoruntersuchung entwickelte, auf ein ökonometrisches Instrument gestützte Rechtsfigur der Einzelmarktbeherrschung durch mehrere Unternehmen erscheint weder rechtlich noch ökonomisch tragfähig. Methodische Defizite treten hinzu. Daher ist nach Ansicht der Autoren der vom Bundeskartellamt in der Sektoruntersuchung eingeschlagene aufwendige Weg ungeeignet zur Begründung der Marktbeherrschung elektrizitätserzeugender Unternehmen.

Josephine Lang (1815-80) was one of the most gifted, respected, prolific, and widely published song composers of the nineteenth century, yet her life and works have remained virtually unknown. Now, this carefully researched, compelling, and poignant study recognizes the composer for her remarkable accomplishments. Based on years of study of unpublished letters, musical autographs, reviews, and the autobiographical poetry of Lang''s husband, Reinhold Köstlin, the biographical portions of the book offer a stunning portrait of the composer as a woman and an artist. In-depth musical analyses interwoven with the biography will be illuminating to scholars and to musicians of all skill levels. The analyses reveal Lang''s sensitivity to her chosen poetic texts, as well as the validity of her claim that her songs were her diary; the authors demonstrate that many of the songs are directly connected to the events of Lang''s life. The analyses are illustrated by an abundance of musical examples, including a number of complete songs. A companion website, featuring 30 songs by Lang recorded by the authors, complements the text.

This book presents a theory of metrical conflict and applies it to the music of Robert Schumann, thereby placing that composer's distinctive metrical style in focus. Krebs describes various categories of metrical conflict that characterize the music of Schumann, investigates how states of conflict arise and are manipulated and resolved in the course of compositions, and studies the interaction of metrical conflict with form, pitch structure, and text. The theoretical material is fancifully interwoven with commentary by Florestan and Eusebius, fictional characters based on Schumann's names for contrasting aspects of his own personality, who provide numerous illustrations from "their" compositions. Rich in allusions to Schumann's titles, his writings, and his life, Fantasy Pieces will appeal to all who are fond of this composer's music as well as to theorists.

Fantasy Pieces examines from several vantage points a vital life-force of Robert Schumann's music, namely metrical conflict. Harald Krebs's imaginative yet rigorous study makes use of Schumann's fascinating projections of his own personality--the characters Florestan and Eusebius--as one means of addressing the biographical and aesthetic context of the music.In counterpoint with the remarks of these personae, Krebs develops an original theory of metrical conflict by adapting the concepts of consonance and dissonance to metrical analysis. He investigates how states of metrical dissonance arise, and shows how they are manipulated and resolved in the course of compositions. He offers new methods for understanding the metrical progressions of entire works or movements, and studies the interaction of metrical conflict with form, with pitch structure, and with the texts of Schumann's vocal works. Krebs includes a wealth of illustrations from the whole range of Schumann's work and offers numerous insights important for performance. In the final chapter, he provides richly detailed studies of pieces by Schumann in various genres, interspersing them with shorter discussions of music by Berlioz, Chopin, Clara Schumann, Ives, and Schoenberg.This is a book that will appeal not only to students and scholars of music theory, but to all musicians interested in the life, work, and unique personality of Robert Schumann.

Josephine Lang (1815-80) was one of the most gifted, respected, prolific, and widely published song composers of the nineteenth century, yet her life and works have remained virtually unknown. Now, this carefully researched, compelling, and poignant study recognizes the composer for her remarkable accomplishments. Based on years of study of unpublished letters, musical autographs, reviews, and the autobiographical poetry of Lang's husband, Reinhold Köstlin, the biographical portions of the book offer a stunning portrait of the composer as a woman and an artist. In-depth musical analyses interwoven with the biography will be illuminating to scholars and to musicians of all skill levels. The analyses reveal Lang's sensitivity to her chosen poetic texts, as well as the validity of her claim that her songs were her diary; the authors demonstrate that many of the songs are directly connected to the events of Lang's life. The analyses are illustrated by an abundance of musical examples, including a number of complete songs. A companion CD, on which the authors have recorded 30 songs by Lang, complements the text.

Fantasy Pieces examines from several vantage points a vital life-force of Robert Schumann''s music, namely metrical conflict. Harald Krebs''s imaginative yet rigorous study makes use of Schumann''s fascinating projections of his own personality--the characters Florestan and Eusebius--as one means of addressing the biographical and aesthetic context of the music.In counterpoint with the remarks of these personae, Krebs develops an original theory of metrical conflict by adapting the concepts of consonance and dissonance to metrical analysis. He investigates how states of metrical dissonance arise, and shows how they are manipulated and resolved in the course of compositions. He offers new methods for understanding the metrical progressions of entire works or movements, and studies the interaction of metrical conflict with form, with pitch structure, and with the texts of Schumann''s vocal works. Krebs includes a wealth of illustrations from the whole range of Schumann''s work and offers numerous insights important for performance. In the final chapter, he provides richly detailed studies of pieces by Schumann in various genres, interspersing them with shorter discussions of music by Berlioz, Chopin, Clara Schumann, Ives, and Schoenberg.This is a book that will appeal not only to students and scholars of music theory, but to all musicians interested in the life, work, and unique personality of Robert Schumann.

Josephine Lang (1815-80) was one of the most gifted, respected, prolific, and widely published song composers of the nineteenth century, yet her life and works have remained virtually unknown. Now, this carefully researched, compelling, and poignant study recognizes the composer for her remarkable accomplishments. Based on years of study of unpublished letters, musical autographs, reviews, and the autobiographical poetry of Lang''s husband, Reinhold Köstlin, the biographical portions of the book offer a stunning portrait of the composer as a woman and an artist. In-depth musical analyses interwoven with the biography will be illuminating to scholars and to musicians of all skill levels. The analyses reveal Lang''s sensitivity to her chosen poetic texts, as well as the validity of her claim that her songs were her diary; the authors demonstrate that many of the songs are directly connected to the events of Lang''s life. The analyses are illustrated by an abundance of musical examples, including a number of complete songs. A companion website, featuring 30 songs by Lang recorded by the authors, complements the text.

Béla Bartók (1881-1945) was one of the most important composers and musical thinkers of the 20th century. His contributions as a composer, as a performer and as the father of ethnomusicology changed the course of music history and of our contemporary perception of music itself. At the center of Bartók's oeuvre are his string quartets, which are generally acknowledged as some of the most significant pieces of 20th century chamber music. The String Quartets of Béla Bartók brings together innovative new scholarship from 14 internationally recognized music theorists, musicologists, performers, and composers to focus on these remarkable works from a range of theoretical and methodological perspectives. Focusing on a variety of aspects of the string quartets-harmony and tonality, form, rhythm and meter, performance and listening-it considers both the imprint of folk and classical traditions on Bartók's string quartets, and the ways in which they influenced works of the next generation of Hungarian composers. Rich with notated music examples the volume is complemented by an Oxford Web Music companion website offering additional notated as well as recorded examples. The String Quartets of Béla Bartók, reflecting the impact of the composer himself, is an essential resource for scholars and students across a variety of fields from music theory and musicology, to performance practice and ethnomusicology.

B?la Bart?k (1881-1945) was one of the most important composers and musical thinkers of the 20th century. His contributions as a composer, as a performer and as the father of ethnomusicology changed the course of music history and of our contemporary perception of music itself. At the center of Bart?k''s oeuvre are his string quartets, which are generally acknowledged as some of the most significant pieces of 20th century chamber music. The String Quartets of B?la Bart?k brings together innovative new scholarship from 14 internationally recognized music theorists, musicologists, performers, and composers to focus on these remarkable works from a range of theoretical and methodological perspectives. Focusing on a variety of aspects of the string quartets-harmony and tonality, form, rhythm and meter, performance and listening-it considers both the imprint of folk and classical traditions on Bart?k''s string quartets, and the ways in which they influenced works of the next generation of Hungarian composers. Rich with notated music examples the volume is complemented by an Oxford Web Music companion website offering additional notated as well as recorded examples. The String Quartets of B?la Bart?k, reflecting the impact of the composer himself, is an essential resource for scholars and students across a variety of fields from music theory and musicology, to performance practice and ethnomusicology.

Praxis der Eigenbluttherapie stellt die Grundlagen zur Entwicklung und Wirkungsweise der Eigenbluttherapie dar und gibt Ihnen ausf�hrliche Therapieempfehlungen zu Krankheitsbildern, bei denen das Therapieverfahren erfolgreich eingesetzt werden kann.

Entwicklung und Grundlagen der Eigenbluttherapie: Wirkungen und Wirkmechanismen, Nebenwirkungen und Erstverschlimmerungen

Praktische Durchf�hrung: Punktions- und Injektionstechniken, Darstellung und Bewertung der verschiedenen Methoden der Eigenbluttherapie

Therapieempfehlungen zu �ber 100 Krankheitsbildern unterteilt nach Basistherapie und Zusatztherapie, Sonderkapitel zur Eigenbluttherapie in der Sportmedizin, P�diatrie und Geriatrie / Vitamin-C-Therapie zur Immunmodulation

Das Buch aus dem Jahr 2007 jetzt als preiswerte Studienausgabe!

Vitamin-C-Hochdosistherapie - Schritt f�r Schritt

Aktuelle Forschungsergebnisse zeigen: Vitamin C hochdosiert als Pr�vention oder zur Behandlung zahlreicher Erkrankungen ist vielversprechend.

In diesem Buch erfahren Sie

wie�Sie die Vitamin-C-Hochdosistherapie bei �ber 200 Krankheitsbildern einsetzen k�nnen welche Vitamin-C-Infusions- bzw. Injektionstherapie jeweils eingeleitet werden kann welche zus�tzlichen orthomolekularen Ma�nahmen empfohlen werden anhand von Schritt-f�r-Schritt-Abbildungen das praktische Vorgehen bei einer Hochdosisinfusion

Dar�ber hinaus informiert Sie das Buch �ber alles Wissenswerte zur Historie, Wirkungsweise, Funktion, Bedarf, Vertr�glichkeit, Toxizit�t und Kontraindikationen von Vitamin C.

Die neue, 3. Auflage wurde vollst�ndig durchgesehen, korrigiert und aktualisiert, insbesondere hinsichtlich neuer wissenschaftlicher Erkenntnisse, Pr�parate und Pr�parate-Namen.

In der Sektoruntersuchung Stromerzeugung/Stromgroßhandel hält das Bundeskartellamt an dem Konzept des sogenannten Erstabsatzmarktes fest. Die Autoren stellen die Diskrepanz zwischen dem der Marktabgrenzung zugrundeliegenden und dem tatsächlichen Marktgeschehen und die daraus resultierende Fehlerhaftigkeit der Marktabgrenzung des Amtes dar. Die im Rahmen der Sektoruntersuchung entwickelte, auf ein ökonometrisches Instrument gestützte Rechtsfigur der Einzelmarktbeherrschung durch mehrere Unternehmen erscheint weder rechtlich noch ökonomisch tragfähig. Methodische Defizite treten hinzu. Daher ist nach Ansicht der Autoren der vom Bundeskartellamt in der Sektoruntersuchung eingeschlagene aufwendige Weg ungeeignet zur Begründung der Marktbeherrschung elektrizitätserzeugender Unternehmen.