Dániel Péter Biró is Associate Professor of Composition and Music Theory at the University of Victoria. Dr. Biró completed his PhD in composition at Princeton University in 2004. Awarded the Hungarian Government's Kodály Award for Hungarian composers and the Gigahertz Prize for Electronic Music, his compositions have been performed around the world. Dániel Péter Biró is co-editor of Search - Journal for New Music and Culture.Harald Krebs received his Ph.D. in music theory from Yale University in 1980. He is Distinguished Professor and head of the theory program at the School of Music at the University of Victoria, and President of the Society for Music Theory (2011-13). His book Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann, published by Oxford University Press in 1999, won the Society for Music Theory's Wallace Berry Award in 2002.

lucidly presented.

• Contributors ; Intoduction - Daniel Peter Biro and Harald Krebs ; Chapter 1 - Paul Wilson - "Sonata Form in the First Movement of Bartok's Fourth String Quartet" ; Chapter 2 - Jonathan Bernard - "Bartok and Traditional Form Description: Some Issues Arising from the Middle and Late String Quartets" ; Chapter 3 - Jee Yeon Ryu - "The Structural Role of Formal Contrast in Beethoven's Piano Sonata Op. 101 and Bartok's Third String Quartet" ; Chapter 4 - Harald Krebs - "In Beethoven's Footsteps: Metrical Dissonance in Bartok's String Quartets" ; Chapter 5 - John Roeder - "Bartok's Grooves: Metrical Processes in the Fourth String Quartet" ; Chapter 6 - Daphne Leong - "Between Sound and Structure: Folk Rhythm at the Center of Bartok's Fifth String Quartet" ; Chapter 7 - Elliott Antokoletz - "The Romanian 'Long Song' as Structural Convergent Point for the Chiasmal Harmonic Design in Bartok's Fourth String Quartet" ; Chapter 8 - William Benjamin - "The Use of Tonal Concepts and their Attendant Modes of Continuity in the Inner Hearing of Bartok's String Quartets" ; Chapter 9 - Edward Gollin - "Aggregate Structure and Cyclic Design at the Conclusion of Bartok's Second String Quartet" ; Chapter 10 - Charles Morrison - "The Realization(s) of Functional Qualities in Bartok's Second String Quartet" ; Chapter 11 - Judit Frigyesi - "How Barbaric is Bartok's forte? - About the Performance of Bartok's Fast Movements for Piano and Strings, with Emphasis on the First Movement of the Fifth String Quartet" ; Chapter 12 - Martin Iddon - "Bartok's Relics: Nostalgia in Gyorgy Ligeti's String Quartet No. 2" ; Chapter 13 - Daniel Peter Biro - "Bartok's Quartets, Folk Music, and the Anxiety of Influence" ; Chapter 14 - Friedemann Sallis - "Recycled Flowers: Quotation, Paraphrase and Allusion in Gyorgy Kurtag's Officium breve in memoriam Andreae Szervanszky Op. 28 for String Quartet" ; Epilogue - Daniel Peter Biro and Martin Iddon - "Bartok's Present" ; Bibliography

Dániel Péter Biró is Associate Professor of Composition and Music Theory at the University of Victoria. Dr. Biró completed his PhD in composition at Princeton University in 2004. Awarded the Hungarian Government's Kodály Award for Hungarian composers and the Gigahertz Prize for Electronic Music, his compositions have been performed around the world. Dániel Péter Biró is co-editor of Search - Journal for New Music and Culture.Harald Krebs received his Ph.D. in music theory from Yale University in 1980. He is Distinguished Professor and head of the theory program at the School of Music at the University of Victoria, and President of the Society for Music Theory (2011-13). His book Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann, published by Oxford University Press in 1999, won the Society for Music Theory's Wallace Berry Award in 2002.

lucidly presented.

• Contributors ; Intoduction - Daniel Peter Biro and Harald Krebs ; Chapter 1 - Paul Wilson - "Sonata Form in the First Movement of Bartok's Fourth String Quartet" ; Chapter 2 - Jonathan Bernard - "Bartok and Traditional Form Description: Some Issues Arising from the Middle and Late String Quartets" ; Chapter 3 - Jee Yeon Ryu - "The Structural Role of Formal Contrast in Beethoven's Piano Sonata Op. 101 and Bartok's Third String Quartet" ; Chapter 4 - Harald Krebs - "In Beethoven's Footsteps: Metrical Dissonance in Bartok's String Quartets" ; Chapter 5 - John Roeder - "Bartok's Grooves: Metrical Processes in the Fourth String Quartet" ; Chapter 6 - Daphne Leong - "Between Sound and Structure: Folk Rhythm at the Center of Bartok's Fifth String Quartet" ; Chapter 7 - Elliott Antokoletz - "The Romanian 'Long Song' as Structural Convergent Point for the Chiasmal Harmonic Design in Bartok's Fourth String Quartet" ; Chapter 8 - William Benjamin - "The Use of Tonal Concepts and their Attendant Modes of Continuity in the Inner Hearing of Bartok's String Quartets" ; Chapter 9 - Edward Gollin - "Aggregate Structure and Cyclic Design at the Conclusion of Bartok's Second String Quartet" ; Chapter 10 - Charles Morrison - "The Realization(s) of Functional Qualities in Bartok's Second String Quartet" ; Chapter 11 - Judit Frigyesi - "How Barbaric is Bartok's forte? - About the Performance of Bartok's Fast Movements for Piano and Strings, with Emphasis on the First Movement of the Fifth String Quartet" ; Chapter 12 - Martin Iddon - "Bartok's Relics: Nostalgia in Gyorgy Ligeti's String Quartet No. 2" ; Chapter 13 - Daniel Peter Biro - "Bartok's Quartets, Folk Music, and the Anxiety of Influence" ; Chapter 14 - Friedemann Sallis - "Recycled Flowers: Quotation, Paraphrase and Allusion in Gyorgy Kurtag's Officium breve in memoriam Andreae Szervanszky Op. 28 for String Quartet" ; Epilogue - Daniel Peter Biro and Martin Iddon - "Bartok's Present" ; Bibliography

Dániel Péter Biró is Associate Professor of Composition and Music Theory at the University of Victoria. Dr. Biró completed his PhD in composition at Princeton University in 2004. Awarded the Hungarian Government's Kodály Award for Hungarian composers and the Gigahertz Prize for Electronic Music, his compositions have been performed around the world. Dániel Péter Biró is co-editor of Search - Journal for New Music and Culture.Harald Krebs received his Ph.D. in music theory from Yale University in 1980. He is Distinguished Professor and head of the theory program at the School of Music at the University of Victoria, and President of the Society for Music Theory (2011-13). His book Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann, published by Oxford University Press in 1999, won the Society for Music Theory's Wallace Berry Award in 2002.

lucidly presented.

• Contributors ; Intoduction - Daniel Peter Biro and Harald Krebs ; Chapter 1 - Paul Wilson - "Sonata Form in the First Movement of Bartok's Fourth String Quartet" ; Chapter 2 - Jonathan Bernard - "Bartok and Traditional Form Description: Some Issues Arising from the Middle and Late String Quartets" ; Chapter 3 - Jee Yeon Ryu - "The Structural Role of Formal Contrast in Beethoven's Piano Sonata Op. 101 and Bartok's Third String Quartet" ; Chapter 4 - Harald Krebs - "In Beethoven's Footsteps: Metrical Dissonance in Bartok's String Quartets" ; Chapter 5 - John Roeder - "Bartok's Grooves: Metrical Processes in the Fourth String Quartet" ; Chapter 6 - Daphne Leong - "Between Sound and Structure: Folk Rhythm at the Center of Bartok's Fifth String Quartet" ; Chapter 7 - Elliott Antokoletz - "The Romanian 'Long Song' as Structural Convergent Point for the Chiasmal Harmonic Design in Bartok's Fourth String Quartet" ; Chapter 8 - William Benjamin - "The Use of Tonal Concepts and their Attendant Modes of Continuity in the Inner Hearing of Bartok's String Quartets" ; Chapter 9 - Edward Gollin - "Aggregate Structure and Cyclic Design at the Conclusion of Bartok's Second String Quartet" ; Chapter 10 - Charles Morrison - "The Realization(s) of Functional Qualities in Bartok's Second String Quartet" ; Chapter 11 - Judit Frigyesi - "How Barbaric is Bartok's forte? - About the Performance of Bartok's Fast Movements for Piano and Strings, with Emphasis on the First Movement of the Fifth String Quartet" ; Chapter 12 - Martin Iddon - "Bartok's Relics: Nostalgia in Gyorgy Ligeti's String Quartet No. 2" ; Chapter 13 - Daniel Peter Biro - "Bartok's Quartets, Folk Music, and the Anxiety of Influence" ; Chapter 14 - Friedemann Sallis - "Recycled Flowers: Quotation, Paraphrase and Allusion in Gyorgy Kurtag's Officium breve in memoriam Andreae Szervanszky Op. 28 for String Quartet" ; Epilogue - Daniel Peter Biro and Martin Iddon - "Bartok's Present" ; Bibliography