Harriet Margolis – författare

Jane Campion's The Piano is one of the most unusual love stories in the history of cinema. The film swept the world upon its release, winning awards for its performances, script, and direction, including prestigious Cannes and Academy Award prizes. Rejecting virtually every stereotype of the romance genre, it poses a wholly new set of questions about relationships between men and women, and marriage in particular, as well as issues related to colonialism and property ownership. This volume examines The Piano from a variety of critical perspectives. In six essays, specially commissioned for this project, an international team of scholars examine topics such as the controversial representation of the Maori, the use of music in the film, the portrayal of the mother-daughter relationship, and the significance of the film in terms of international cinema, the culture of New Zealand, and the work of Jane Campion.

Jane Campion's The Piano is one of the most unusual love stories in the history of cinema. The film swept the world upon its release, winning awards for its performances, script, and direction, including prestigious Cannes and Academy Award prizes. Rejecting virtually every stereotype of the romance genre, it poses a wholly new set of questions about relationships between men and women, and marriage in particular, as well as issues related to colonialism and property ownership. This volume examines The Piano from a variety of critical perspectives. In six essays, specially commissioned for this project, an international team of scholars examine topics such as the controversial representation of the Maori, the use of music in the film, the portrayal of the mother-daughter relationship, and the significance of the film in terms of international cinema, the culture of New Zealand, and the work of Jane Campion.

Peter Jackson's epic trilogy, the biggest film event of the 21st century, turned the best-selling book of the 20th century into a popular, critical and financial success all over again. This comprehensive collection draws together twenty-five essays on the making, the meaning and the reception of The Lord of the Rings. There is a section on the business of the ‘event film’, critical chapters on techniques and meanings ranging from music to spirituality, essays on the multimedia products associated with the films, observations on the trilogy’s global audience, and an informative dossier of reviews, interviews, production details and box-office returns. More closely integrated, and more attuned to the global marketplace than the older blockbusters, the event film, with its attention-grabbing pitch for the status of news, will be one of the most influential media forms of the coming years. These meticulous essays combine with Peter Jackson's remarkable trilogy to form a unique entry to the study of 21st century media.

Peter Jackson's epic trilogy, the biggest film event of the 21st century, turned the best-selling book of the 20th century into a popular, critical and financial success all over again. This comprehensive collection draws together twenty-five essays on the making, the meaning and the reception of The Lord of the Rings. There is a section on the business of the ‘event film’, critical chapters on techniques and meanings ranging from music to spirituality, essays on the multimedia products associated with the films, observations on the trilogy’s global audience, and an informative dossier of reviews, interviews, production details and box-office returns. More closely integrated, and more attuned to the global marketplace than the older blockbusters, the event film, with its attention-grabbing pitch for the status of news, will be one of the most influential media forms of the coming years. These meticulous essays combine with Peter Jackson's remarkable trilogy to form a unique entry to the study of 21st century media.