Heather Glen - Böcker

The hero of Charlotte Bronte's first novel escapes a dreary clerkship in industrial Yorkshire by taking a job as a teacher in Belgium. There, however, his entanglement with the sensuous but manipulative Zoraide Reuter, complicates his affections for a penniless girl who is both teacher and pupil in Reuter's school.

In 1834, Charlotte Brontë and her brother Branwell created the imaginary kingdom of Angria in a series of tiny handmade books. Continuing their saga some years later, the five 'novelettes' in this volume were written by Charlotte when she was in her early twenties, and depict a aristocratic beau monde in witty, racy and ironic language. She creates an exotic, scandalous atmosphere of intrigue and destructive passions, with a cast ranging from the ageing rake Northangerland and his Byronic son-in-law Zamorna, King of Angria, to Mary Percy, Zamorna's lovesick wife, and Charles Townshend, the cynical, gossipy narrator. Together the tales provide a fascinating glimpse into the mind and creative processes of the young writer who was to become one of the world's great novelists.

This stimulating study of Charlotte Brontë's novels draws on extensive original research in a range of early Victorian writings, on subjects ranging from women's day-dreaming to sanitary reform, from the Great Exhibition to early Victorian religious thought. It is not, however, merely a study of context. Through a close consideration of the ways in which Brontë's novels engage with the thinking of their time, it offers a powerful argument for the "literary" as a distinctive mode of intelligence, and reveals a Charlotte Brontë more alert to her historical moment and far more aesthetically sophisticated than she has usually been taken to be. The study will be of interest not only to students of Victorian literature and society, but also to those literary critics and theorists who are beginning to reconsider the nature of the aesthetic and its relation to ideology.

'I see her now - cousin Phillis. The westering sun shone full upon her, and made a slanting stream of light into the room within.'Elizabeth Gaskell has long been one of the most popular of Victorian novelists, yet in her lifetime her shorter fictions were equally well loved, and they are among the most accomplished examples of the genre. The novella-length Cousin Phillis is a lyrical depiction of a vanishing way of life and a girl's disappointment in love: deceptively simple, its undercurrent of feeling leaves an indelible impression. The other five stories in this selection were all written during the 1850s for Dickens's periodical Household Words. They range from a quietly original tale of urban poverty and a fallen woman in 'Lizzie Leigh' to an historical tale of a great family in 'Morton Hall'; echoes of the French Revolution, the bleakness of winter in Westmorland, and a tragic secret are brought vividly to life.Heather Glen reflects on the stories' original periodical publication and on the nineteenth-century development of the short story in her Introduction to these immensely readable and sophisticated tales. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This stimulating study of Charlotte Brontë's novels draws on extensive original research in a range of early Victorian writings, on subjects ranging from women's day-dreaming to sanitary reform, from the Great Exhibition to early Victorian religious thought. It is not, however, merely a study of context. Through a close consideration of the ways in which Brontë's novels engage with the thinking of their time, it offers a powerful argument for the 'literary' as a distinctive mode of intelligence, and reveals a Charlotte Brontë more alert to her historical moment and far more aesthetically sophisticated than she has usually been taken to be. The study will be of interest not only to students of Victorian literature and society, but also to those literary critics and theorists who are beginning to reconsider the nature of the aesthetic and its relation to ideology.

Overlooked or dismissed by critics in the nineteenth and early twentieth centuries, Jane Eyre first began to attract serious critical attention in the 1970s as New Critical, formalist and feminist critics began to re-evaluate Charlotte Bronte's achievement. This New Casebook brings together essays by leading scholars over the past twenty years, encouraging the student to consider a range of different critical approaches.

Work on British Romanticism is often characterised as much by its conscious difference from preceding positions as it is by its approach to or choice of material. As a result, writing neglected or marginalised in one account will be restored to prominence in another, as we reconstruct the past as a history of the present. This collection of essays takes as its starting point the wide-ranging work of Marilyn Butler on Romantic literature, and includes contributions by some of the most prominent scholars of Romanticism working today. The essays offer interesting perspectives on Maria Edgeworth, Coleridge, Austen, Scott and others, showing that the openness of modern critical perceptions matches and reflects the diversity of the literature and culture of the Romantic period itself.

Blake's Songs of Innocence and of Experience and Wordsworth's contributions to Lyrical Ballads were both published in the last decade of the eighteenth century. The similarities between the two collections have often been noticed. However, as Dr Glen argues, to assimilate both collections to a common 'Romanticism' is to obscure that which is most distinctive in each. Each was shaped by and responsive to very different social and cultural pressures in the England of its time and offers a very different vision of human possibility. Moreover each poet uses the language which is the intimate register and vehicle of his society's experience in a very different way. This is a challenging and persuasive interpretation of poems too often seen as part of a coherent and accepted literary tradition: poems which present a continuing challenge to all who would explore possibilities for creative social change. It will be of great interest to all serious readers of Romantic poetry.

The extraordinary works of the three sisters Charlotte, Emily and Anne Brontë have entranced and challenged scholars, students, and general readers for the past 150 years. This Companion offers a fascinating introduction to those works, including two of the greatest novels of the nineteenth century - Charlotte's Jane Eyre and Emily's Wuthering Heights. In a series of original essays, contributors explore the roots of the sisters' achievement in early nineteenth-century Haworth, and the childhood 'plays' they developed; they set these writings within the context of a wider history, and show how each sister engages with some of the central issues of her time. The essays also consider the meaning and significance of the Brontës' enduring popular appeal. A detailed chronology and guides to further reading provide further reference material, making this a volume indispensable for scholars and students, and all those interested in the Brontës and their work.

The extraordinary works of the three sisters Charlotte, Emily and Anne Brontë have entranced and challenged scholars, students, and general readers for the past 150 years. This Companion offers a fascinating introduction to those works, including two of the greatest novels of the nineteenth century - Charlotte's Jane Eyre and Emily's Wuthering Heights. In a series of original essays, contributors explore the roots of the sisters' achievement in early nineteenth-century Haworth, and the childhood 'plays' they developed; they set these writings within the context of a wider history, and show how each sister engages with some of the central issues of her time. The essays also consider the meaning and significance of the Brontës' enduring popular appeal. A detailed chronology and guides to further reading provide further reference material, making this a volume indispensable for scholars and students, and all those interested in the Brontës and their work.