Heather Webb - Böcker

Curl up this winter with a heart-warming Christmas romance for fans of The Crown and Downton Abbey! 'A page-turning festive read, full of will they/won't they romance, intriguing glimpses of royal life behind palace doors, and inspiring culinary treats. As delicious as a Christmas pudding topped with flaming brandy and lashings of cream' Gill Paul ************************************ December 1952 As a young Queen Elizabeth II prepares to deliver her first Christmas speech, staff work behind the scenes to get ready for the festivities at Sandringham Estate. Among them are Jack and Olive – old friends who are surprised to be reunited after seven years apart.While Olive works for the BBC reporting on the royal family, and Jack is employed in the queen’s kitchens, their bond deepens – until a secret threatens to tear them apart. When the truth comes to light, it could change Olive and Jack's lives forever.But maybe Christmas has one last gift to deliver… Readers love Christmas with the Queen!: ‘Oh what a gorgeous read… full of warmth and love and nostalgia’ ⭐⭐⭐⭐⭐‘So well researched you almost feel like you are with the Queen’ ⭐⭐⭐⭐⭐‘I loved this book from the very first page’ ⭐⭐⭐⭐⭐'Jack and Olive were both wonderfully real and complex, they leapt from the page … A captivating Christmas read to be savoured' Amanda Geard'A must read for anyone in need of Christmas magic' Georgie Blalock

Top voices in historical fiction deliver an unforgettable collection of short stories set in the aftermath of World War I-featuring bestselling authors such as Hazel Gaynor, Jennifer Robson, Beatriz Williams, and Lauren Willig and edited by Heather Webb. On the eleventh hour of the eleventh day of the eleventh month...November 11, 1918. After four long, dark years of fighting, the Great War ends at last, and the world is forever changed. For soldiers, loved ones, and survivors the years ahead stretch with new promise, even as their hearts are marked by all those who have been lost. As families come back together, lovers reunite, and strangers take solace in each other, everyone has a story to tell. In this moving anthology, nine authors share stories of love, strength, and renewal as hope takes root in a fall of poppies. Featuring: Jessica Brockmole Hazel Gaynor Evangeline Holland Marci Jefferson Kate Kerrigan Jennifer Robson Beatriz Williams Lauren Willig Heather Webb

New York Times bestselling author Hazel Gaynor has joined with Heather Webb to create this unforgettably romantic novel of the Great War. August 1914. England is at war. As Evie Elliott watches her brother, Will, and his best friend, Thomas Harding, depart for the front, she believes-as everyone does-that it will be over by Christmas, when the trio plan to celebrate the holiday among the romantic cafes of Paris. But as history tells us, it all happened so differently...Evie and Thomas experience a very different war. Frustrated by life as a privileged young lady, Evie longs to play a greater part in the conflict-but how?-and as Thomas struggles with the unimaginable realities of war he also faces personal battles back home where War Office regulations on press reporting cause trouble at his father's newspaper business. Through their letters, Evie and Thomas share their greatest hopes and fears-and grow ever fonder from afar. Can love flourish amid the horror of the First World War, or will fate intervene? Christmas 1968. With failing health, Thomas returns to Paris-a cherished packet of letters in hand-determined to lay to rest the ghosts of his past.But one final letter is waiting for him...

"A fragrant French bonbon of a book: love, glamour, perfume, and paparazzi all circling around the wedding of the century..."--Kate Quinn, New York Times bestselling author of THE ALICE NETWORK and THE HUNTRESS.Named one of InStyle's best books to put in your totebag for the summer!Named one of Popsugar’s best books to put in your beachbag this summer and one of the best books of July!Set in the 1950s against the backdrop of Grace Kelly’s whirlwind romance and unforgettable wedding to Prince Rainier of Monaco, New York Times bestselling author Hazel Gaynor and Heather Webb take the reader on an evocative sun-drenched journey along the Côte d’Azur in this page-turning novel of passion, fate and second chances...Movie stars and paparazzi flock to Cannes for the glamorous film festival, but Grace Kelly, the biggest star of all, wants only to escape from the flash-bulbs. When struggling perfumer Sophie Duval shelters Miss Kelly in her boutique to fend off a persistent British press photographer, James Henderson, a bond is forged between the two women and sets in motion a chain of events that stretches across thirty years of friendship, love, and tragedy.James Henderson cannot forget his brief encounter with Sophie Duval. Despite his guilt at being away from his daughter, he takes an assignment to cover the wedding of the century, sailing with Grace Kelly’s wedding party on the SS Constitution from New York. In Monaco, as wedding fever soars and passions and tempers escalate, James and Sophie—like Princess Grace—must ultimately decide what they are prepared to give up for love.

“The French Revolution comes alive through the eyes of six diverse and complex women, in the skilled hands of these amazing authors.”--Martha Hall Kelly, New York Times bestselling author of Lilac GirlsA breathtaking, epic novel illuminating the hopes, desires, and destinies of princesses and peasants, harlots and wives, fanatics and philosophers—seven unforgettable women whose paths cross during one of the most tumultuous and transformative events in history: the French Revolution.Ribbons of Scarlet is a timely story of the power of women to start a revolution—and change the world.In late eighteenth-century France, women do not have a place in politics. But as the tide of revolution rises, women from gilded salons to the streets of Paris decide otherwise—upending a world order that has long oppressed them.Blue-blooded Sophie de Grouchy believes in democracy, education, and equal rights for women, and marries the only man in Paris who agrees. Emboldened to fight the injustices of King Louis XVI, Sophie aims to prove that an educated populace can govern itself--but one of her students, fruit-seller Louise Audu, is hungrier for bread and vengeance than learning. When the Bastille falls and Louise leads a women’s march to Versailles, the monarchy is forced to bend, but not without a fight. The king’s pious sister Princess Elisabeth takes a stand to defend her brother, spirit her family to safety, and restore the old order, even at the risk of her head.But when fanatics use the newspapers to twist the revolution’s ideals into a new tyranny, even the women who toppled the monarchy are threatened by the guillotine. Putting her faith in the pen, brilliant political wife Manon Roland tries to write a way out of France’s blood-soaked Reign of Terror while pike-bearing Pauline Leon and steely Charlotte Corday embrace violence as the only way to save the nation. With justice corrupted by revenge, all the women must make impossible choices to survive--unless unlikely heroine and courtesan’s daughter Emilie de Sainte-Amaranthe can sway the man who controls France’s fate: the fearsome Robespierre.

From Hazel Gaynor and Heather Webb, the bestselling authors of Meet Me in Monaco, comes a coming-of-age novel set in pre-WWII Europe, perfect for fans of Jennifer Robson, Beatriz Williams, and Kate Quinn.  Three cities, two sisters, one chance to correct the past . . .New York, 1937: When estranged sisters Clara and Madeleine Sommers learn their grandmother is dying, they agree to fulfill her last wish: to travel across Europe—together. They are to deliver three letters, in which Violet will say goodbye to those she hasn’t seen since traveling to Europe forty years earlier; a journey inspired by famed reporter, Nellie Bly.Clara, ever-dutiful, sees the trip as an inconvenient detour before her wedding to millionaire Charles Hancock, but it’s also a chance to embrace her love of art. Budding journalist Madeleine relishes the opportunity to develop her ambitions to report on the growing threat of Hitler’s Nazi party and Mussolini’s control in Italy.Constantly at odds with each other as they explore the luxurious Queen Mary, the Orient Express, and the sights of Paris and  Venice,, Clara and Madeleine wonder if they can fulfil Violet’s wish, until a shocking truth about their family brings them closer together. But as they reach Vienna to deliver the final letter, old grudges threaten their reconciliation again. As political tensions rise, and Europe feels increasingly volatile, the pair are glad to head home on the Hindenburg, where fate will play its hand in the final stage of their journey.

It was the tumultuous romance that scandalized the world: Frank Sinatra and Ava Gardner fought, loved, and lived life to the hilt. Now their unbridled story is brought vividly to life by Heather Webb, the bestselling author of Meet Me in Monaco and The Next Ship Home. In the golden age of Hollywood, two of the brightest stars would define—and defy—an era…She was the small-town southern beauty transformed into a Hollywood love goddess. He was the legendary crooner whose voice transfixed the world. They were Ava Gardner and Frank Sinatra. Separately they were irresistible; together they were an explosive combination.Ava’s star is rising just as Frank’s career—and public image as a family man—is taking a hit. Gone are the days of the screaming bobbysoxers and chart-topping hits. Ava, however, finds herself gracing the front page of every tabloid in America. Jealousy and cheating abound, and when the two succumb to their temperaments and their vices, their happiness is threatened at every turn.As the pair ride the rollercoaster of success and failure, passion and anger, they both wonder if the next turn will be the end of their careers, and most devastating of all—the end of all they’ve shared.A captivating novel with a star-studded cast spanning continents and decades, Strangers in the Night brings to life the most riveting love story of the twentieth century.

Dante, Artist of Gesture proposes a visual technique for reading Dante's Comedy, suggesting that the reader engages with Dante's striking images of souls as if these images were arranged in an architectural space. Art historians have shown how series of discrete images or scenes in medieval places of worship, such as the mosaics in the Baptistery of San Giovanni in Florence or the frescoes in the Scrovegni Chapel in Padua, establish not only narrative sequences but also parallelisms between registers, forging links between those registers by the use of colour and gestural forms. Heather Webb takes up those techniques to show that the Comedy likewise invites the reader to make visual links between disparate, non-sequential moments in the text. In other words, Webb argues that Dante's poem asks readers to view its verbally articulated sequences of images with a set of observational tools that could be acquired from the practice of engaging with and meditating on the bodily depictions of vice and virtue in fresco cycles or programmes of mosaics in places of worship. One of the most inherently visible aspects of the Comedy is the representation of signature gestures of the characters described in each of the realms. This book traces described gestures and bodily signs across the canticles of the poem to provide a key for identifying affective and devotional itineraries within the text.

Dante's Persons explores the concept of personhood as it appears in Dante's Commedia and seeks out the constituent ethical modes that the poem presents as necessary for attaining a fullness of persona. The study suggests that Dante presents a vision of 'transhuman' potentiality in which the human person is, after death, fully integrated into co-presence with other individuals in a network of relations based on mutual recognition and interpersonal attention. The Commedia, Heather Webb argues, aims to depict and to actively construct a transmortal community in which the plenitude of each individual's person is realized in and through recognition of the personhood of other individuals who constitute that community, whether living or dead. Webb focuses on the strategies the Commedia employs to call us to collaborate in the mutual construction of persons. As we engage with the dead that inhabit its pages, we continue to maintain the personhood of those dead. Webb investigates Dante's implicit and explicit appeals to his readers to act in relation to the characters in his otherworlds as if they were persons. Moving through the various encounters of Purgatorio and Paradiso, this study documents the ways in which characters are presented as persone in development or in a state of plenitude through attention to the 'corporeal' modes of smiles, gazes, gestures, and postures. Dante's journey provides a model for the formation and maintenance of a network of personal attachments, attachments that, as constitutive of persona, are not superseded even in the presence of the direct vision of God.

This original volume proposes a novel way of reading Dante's Vita nova, exemplified in a rich diversity of scholarly approaches to the text.This groundbreaking volume represents the fruit of a two-year-long series of international seminars aimed at developing a fresh way of reading Dante's Vita nova. By analyzing each of its forty-two chapters individually, focus is concentrated on the Vita nova in its textual and historical context rather than on its relationship to the Divine Comedy. This decoupling has freed the contributors to draw attention to various important literary features of the text, including its rich and complex polysemy, as well as its structural fluidity. The volume likewise offers insights into Dante's social environment, his relationships with other poets, and Dante's evolving vision of his poetry's scope. Using a variety of critical methodologies and hermeneutical approaches, this volume offers scholars an opportunity to reread the Vita nova in a renewed context and from a diversity of literary, cultural, and ideological perspectives.Contributors: Zygmunt G. Barański, Heather Webb, Claire E. Honess, Brian F. Richardson, Ruth Chester, Federica Pich, Matthew Treherne, Catherine Keen, Jennifer Rushworth, Daragh O'Connell, Sophie V. Fuller, Giulia Gaimari, Emily Kate Price, Manuele Gragnolati, Elena Lombardi, Francesca Southerden, Rebecca Bowen, Nicolò Crisafi, Lachlan Hughes, Franco Costantini, David Bowe, Tristan Kay, Filippo Gianferrari, Simon Gilson, Rebekah Locke, Luca Lombardo, Peter Dent, George Ferzoco, Paola Nasti, Marco Grimaldi, David G. Lummus, Helena Phillips-Robins, Aistė Kiltinavičiūtė, Alessia Carrai, Ryan Pepin, Valentina Mele, Katherine Powlesland, Federica Coluzzi, K. P. Clarke, Nicolò Maldina, Theodore J. Cachey Jr., Chiara Sbordoni, Lorenzo Dell'Oso, and Anne C. Leone.

This original volume proposes a novel way of reading Dante's Vita nova, exemplified in a rich diversity of scholarly approaches to the text.This groundbreaking volume represents the fruit of a two-year-long series of international seminars aimed at developing a fresh way of reading Dante's Vita nova. By analyzing each of its forty-two chapters individually, focus is concentrated on the Vita nova in its textual and historical context rather than on its relationship to the Divine Comedy. This decoupling has freed the contributors to draw attention to various important literary features of the text, including its rich and complex polysemy, as well as its structural fluidity. The volume likewise offers insights into Dante's social environment, his relationships with other poets, and Dante's evolving vision of his poetry's scope. Using a variety of critical methodologies and hermeneutical approaches, this volume offers scholars an opportunity to reread the Vita nova in a renewed context and from a diversity of literary, cultural, and ideological perspectives.Contributors: Zygmunt G. Barański, Heather Webb, Claire E. Honess, Brian F. Richardson, Ruth Chester, Federica Pich, Matthew Treherne, Catherine Keen, Jennifer Rushworth, Daragh O'Connell, Sophie V. Fuller, Giulia Gaimari, Emily Kate Price, Manuele Gragnolati, Elena Lombardi, Francesca Southerden, Rebecca Bowen, Nicolò Crisafi, Lachlan Hughes, Franco Costantini, David Bowe, Tristan Kay, Filippo Gianferrari, Simon Gilson, Rebekah Locke, Luca Lombardo, Peter Dent, George Ferzoco, Paola Nasti, Marco Grimaldi, David G. Lummus, Helena Phillips-Robins, Aistė Kiltinavičiūtė, Alessia Carrai, Ryan Pepin, Valentina Mele, Katherine Powlesland, Federica Coluzzi, K. P. Clarke, Nicolò Maldina, Theodore J. Cachey Jr., Chiara Sbordoni, Lorenzo Dell'Oso, and Anne C. Leone.

Drawing from the works of Dante, Catherine of Siena, Boccaccio, Aquinas, and Cavalcanti and other literary, philosophic, and scientific texts, Heather Webb studies medieval notions of the heart to explore the “lost circulations” of an era when individual lives and bodies were defined by their extensions into the world rather than as self-perpetuating, self-limited entities.

Fifty years after its publication in English, René Girard’s Deceit, Desire, and the Novel (1965) has never ceased to fascinate, challenge, inspire, and sometimes irritate, literary scholars. It has become one of the great classics of literary criticism, and the notion of triangular desire is now part of the theoretical parlance among critics and students. It also represents the genetic starting point for what has become one of the most encompassing, challenging, and far-reaching theories conceived in the humanities in the last century: mimetic theory. This book provides a forum for new generations of scholars and critics to reassess, challenge, and expand the theoretical and hermeneutical reach of key issues brought forward by Girard’s book, including literary knowledge, realism and representation, imitation and the anxiety of influence, metaphysical desire, deviated transcendence, literature and religious experience, individualism and modernity, and death and resurrection. It also provides a more extensive and detailed historical understanding of the representation of desire, imitation, and rivalry within European and world literature, from Dante to Proust and from Dickens to Jonathan Littell.