Zygmunt G. Baranski – författare

The second volume in the original William and Katherine Devers Series in Dante Studies, The Fiore in Context: Dante, France, Tuscany is the record of a milestone in the study of the Fiore, and perhaps in Dante studies: the international conference on the Fiore held at St. John's College, Cambridge, in September 1994. The conference, attended by most of the world's leading experts on the Fiore, examined many aspects of the poem, including textual questions, its cultural context, and its relations with the Roman de la Rose and the Comedy. Above all it constituted, in the judgment of the participants themselves, the most important discussion of the poem's attribution to Dante since Contini's pronouncement of the question in 1965. The published proceedings reproduce both the questionnaire that framed the conference, in which each participant weighs all the principal arguments for and against attributing the Fiore to Dante, as well as the lively discussion that followed each paper.

Since the beginnings of Italian vernacular literature, the nature of the relationship between Francesco Petrarch and his predecessor Dante Alighieri has remained an open and endlessly fascinating question of both literary and cultural history. In this volume nine leading scholars of Italian medieval literature and culture address this question involving the two foundational figures of Italian literature.The authors examine Petrarch's contentious and dismissive attitude toward the literary authority of his illustrious predecessor; the dramatic shift in theological and philosophical context that occurs from Dante to Petrarch; and their respective contributions as initiators of modern literary traditions in the vernacular. Petrarch's substantive ideological dissent from Dante clearly emerges, a dissent that casts in high relief the poets' radically divergent views of the relation between the human and the divine and of humans' capacity to bridge that gap.Contributors: Albert Russell Ascoli, Zygmunt G. Baranski, Teodolinda Barolini, Theodore J. Cachey, Jr., Ronald L. Martinez, Giuseppe Mazzotta, Christian Moevs, Justin Steinberg, and Sara Sturm-Maddox.

The second volume in the original William and Katherine Devers Series in Dante Studies, The Fiore in Context: Dante, France, Tuscany is the record of a milestone in the study of the Fiore, and perhaps in Dante studies: the international conference on the Fiore held at St. John's College, Cambridge, in September 1994. The conference, attended by most of the world's leading experts on the Fiore, examined many aspects of the poem, including textual questions, its cultural context, and its relations with the Roman de la Rose and the Comedy. Above all it constituted, in the judgment of the participants themselves, the most important discussion of the poem's attribution to Dante since Contini's pronouncement of the question in 1965. The published proceedings reproduce both the questionnaire that framed the conference, in which each participant weighs all the principal arguments for and against attributing the Fiore to Dante, as well as the lively discussion that followed each paper.

Since the beginnings of Italian vernacular literature, the nature of the relationship between Francesco Petrarch and his predecessor Dante Alighieri has remained an open and endlessly fascinating question of both literary and cultural history. In this volume nine leading scholars of Italian medieval literature and culture address this question involving the two foundational figures of Italian literature.The authors examine Petrarch's contentious and dismissive attitude toward the literary authority of his illustrious predecessor; the dramatic shift in theological and philosophical context that occurs from Dante to Petrarch; and their respective contributions as initiators of modern literary traditions in the vernacular. Petrarch's substantive ideological dissent from Dante clearly emerges, a dissent that casts in high relief the poets' radically divergent views of the relation between the human and the divine and of humans' capacity to bridge that gap.Contributors: Albert Russell Ascoli, Zygmunt G. Baranski, Teodolinda Barolini, Theodore J. Cachey, Jr., Ronald L. Martinez, Giuseppe Mazzotta, Christian Moevs, Justin Steinberg, and Sara Sturm-Maddox.

Prominent Dante scholars from the United States, Italy, and the United Kingdom contribute original essays to the first critical companion in English to Dante's "other works."Rather than speak of Dante's "minor works," according to a tradition of Dante scholarship going back at least to the eighteenth century, this volume puts forward the designation "other works" both in light of their enhanced status and as part of a general effort to reaffirm their value as autonomous works. Indeed, had Dante never written the Commedia, he would still be considered the most important writer of the late Middle Ages for the originality and inventiveness of the other works he wrote besides his monumental poem, including the Rime, the Fiore, the Detto d'amore, the Vita nova, the Epistles, the Convivio, the De vulgari eloquentia, the Monarchia, the Egloge, and the Questio de aqua et terra. Each contributor to this volume addresses one of the "other works" by presenting the principal interpretative trends and questions relating to the text, and by focusing on aspects of particular interest. Two essays on the relationship between the "other works" and the issues of philosophy and theology are included. Dante's "Other Works" will interest Dantisti, medievalists, and literary scholars at every stage of their career.Contributors: Manuele Gragnolati, Christopher Kleinhenz, Zygmunt G. Barański, Claire E. Honess, Simon Gilson, Mirko Tavoni, Paola Nasti, Theodore J. Cachey, Jr., David G. Lummus, Luca Bianchi, and Vittorio Montemaggi.

Prominent Dante scholars from the United States, Italy, and the United Kingdom contribute original essays to the first critical companion in English to Dante's "other works."Rather than speak of Dante's "minor works," according to a tradition of Dante scholarship going back at least to the eighteenth century, this volume puts forward the designation "other works" both in light of their enhanced status and as part of a general effort to reaffirm their value as autonomous works. Indeed, had Dante never written the Commedia, he would still be considered the most important writer of the late Middle Ages for the originality and inventiveness of the other works he wrote besides his monumental poem, including the Rime, the Fiore, the Detto d'amore, the Vita nova, the Epistles, the Convivio, the De vulgari eloquentia, the Monarchia, the Egloge, and the Questio de aqua et terra. Each contributor to this volume addresses one of the "other works" by presenting the principal interpretative trends and questions relating to the text, and by focusing on aspects of particular interest. Two essays on the relationship between the "other works" and the issues of philosophy and theology are included. Dante's "Other Works" will interest Dantisti, medievalists, and literary scholars at every stage of their career.Contributors: Manuele Gragnolati, Christopher Kleinhenz, Zygmunt G. Barański, Claire E. Honess, Simon Gilson, Mirko Tavoni, Paola Nasti, Theodore J. Cachey, Jr., David G. Lummus, Luca Bianchi, and Vittorio Montemaggi.

This original volume proposes a novel way of reading Dante's Vita nova, exemplified in a rich diversity of scholarly approaches to the text.This groundbreaking volume represents the fruit of a two-year-long series of international seminars aimed at developing a fresh way of reading Dante's Vita nova. By analyzing each of its forty-two chapters individually, focus is concentrated on the Vita nova in its textual and historical context rather than on its relationship to the Divine Comedy. This decoupling has freed the contributors to draw attention to various important literary features of the text, including its rich and complex polysemy, as well as its structural fluidity. The volume likewise offers insights into Dante's social environment, his relationships with other poets, and Dante's evolving vision of his poetry's scope. Using a variety of critical methodologies and hermeneutical approaches, this volume offers scholars an opportunity to reread the Vita nova in a renewed context and from a diversity of literary, cultural, and ideological perspectives.Contributors: Zygmunt G. Barański, Heather Webb, Claire E. Honess, Brian F. Richardson, Ruth Chester, Federica Pich, Matthew Treherne, Catherine Keen, Jennifer Rushworth, Daragh O'Connell, Sophie V. Fuller, Giulia Gaimari, Emily Kate Price, Manuele Gragnolati, Elena Lombardi, Francesca Southerden, Rebecca Bowen, Nicolò Crisafi, Lachlan Hughes, Franco Costantini, David Bowe, Tristan Kay, Filippo Gianferrari, Simon Gilson, Rebekah Locke, Luca Lombardo, Peter Dent, George Ferzoco, Paola Nasti, Marco Grimaldi, David G. Lummus, Helena Phillips-Robins, Aistė Kiltinavičiūtė, Alessia Carrai, Ryan Pepin, Valentina Mele, Katherine Powlesland, Federica Coluzzi, K. P. Clarke, Nicolò Maldina, Theodore J. Cachey Jr., Chiara Sbordoni, Lorenzo Dell'Oso, and Anne C. Leone.

This original volume proposes a novel way of reading Dante's Vita nova, exemplified in a rich diversity of scholarly approaches to the text.This groundbreaking volume represents the fruit of a two-year-long series of international seminars aimed at developing a fresh way of reading Dante's Vita nova. By analyzing each of its forty-two chapters individually, focus is concentrated on the Vita nova in its textual and historical context rather than on its relationship to the Divine Comedy. This decoupling has freed the contributors to draw attention to various important literary features of the text, including its rich and complex polysemy, as well as its structural fluidity. The volume likewise offers insights into Dante's social environment, his relationships with other poets, and Dante's evolving vision of his poetry's scope. Using a variety of critical methodologies and hermeneutical approaches, this volume offers scholars an opportunity to reread the Vita nova in a renewed context and from a diversity of literary, cultural, and ideological perspectives.Contributors: Zygmunt G. Barański, Heather Webb, Claire E. Honess, Brian F. Richardson, Ruth Chester, Federica Pich, Matthew Treherne, Catherine Keen, Jennifer Rushworth, Daragh O'Connell, Sophie V. Fuller, Giulia Gaimari, Emily Kate Price, Manuele Gragnolati, Elena Lombardi, Francesca Southerden, Rebecca Bowen, Nicolò Crisafi, Lachlan Hughes, Franco Costantini, David Bowe, Tristan Kay, Filippo Gianferrari, Simon Gilson, Rebekah Locke, Luca Lombardo, Peter Dent, George Ferzoco, Paola Nasti, Marco Grimaldi, David G. Lummus, Helena Phillips-Robins, Aistė Kiltinavičiūtė, Alessia Carrai, Ryan Pepin, Valentina Mele, Katherine Powlesland, Federica Coluzzi, K. P. Clarke, Nicolò Maldina, Theodore J. Cachey Jr., Chiara Sbordoni, Lorenzo Dell'Oso, and Anne C. Leone.

American Dantes provides fresh perspectives on Dante's reception and cultural impact in the United States over the past two hundred years.American Dantes investigates the depth and breadth of Dante's American legacy from the early nineteenth century to the present. Showcasing an impressive array of approaches from renowned literary and Dante scholars, this book explores how Dante has influenced American poetry, fiction, memoir, painting, film, television, and political and religious discourse. This collection offers an in-depth look at the vibrant and ongoing scholarly traditions of research, editing, translation, and creative adaptation that have established Dante's Divine Comedy as a classic in American literary culture, influencing cultural movements from transcendentalism to jazz to the Black radical tradition and more.Contributors: David Wallace, Laura Dassow Walls, Joshua Matthews, Dennis Looney, Kathleen Boyle, Kathleen Verduin, Christian Y. Dupont, Kristina M. Olson, Henry Weinfield, Stephen Fredman, Joseph Elkanah Rosenberg, Arielle Saiber, and Peter S. Hawkins

American Dantes provides fresh perspectives on Dante's reception and cultural impact in the United States over the past two hundred years.American Dantes investigates the depth and breadth of Dante's American legacy from the early nineteenth century to the present. Showcasing an impressive array of approaches from renowned literary and Dante scholars, this book explores how Dante has influenced American poetry, fiction, memoir, painting, film, television, and political and religious discourse. This collection offers an in-depth look at the vibrant and ongoing scholarly traditions of research, editing, translation, and creative adaptation that have established Dante's Divine Comedy as a classic in American literary culture, influencing cultural movements from transcendentalism to jazz to the Black radical tradition and more.Contributors: David Wallace, Laura Dassow Walls, Joshua Matthews, Dennis Looney, Kathleen Boyle, Kathleen Verduin, Christian Y. Dupont, Kristina M. Olson, Henry Weinfield, Stephen Fredman, Joseph Elkanah Rosenberg, Arielle Saiber, and Peter S. Hawkins

The late and turbulent transition from a largely rural and peasant society to a modern urban state involved the crisis of rooted popular traditions and the emergence of mass cultural forms. As a result, Italy, once the centre of a cultural world, has increasingly found itself on the periphery of an American media empire and serious questions of cultural identity have been raised. The Italian case is further significant on account of the theoretical and political problems it has posed. As well as dealing with these and related topics, the book examines current tendencies, such as the rapid multiplication of sub-cultures and the crisis of 'mass' forms. Each chapter is written by a specialist in the field. Although the essays normally deal with specific problems, they also highlight both the historical context and more general considerations within their sphere of interest.

This book presents the proceedings of the fifth and final meeting of the International Dante Seminar. It addresses four major topics of present-day Dante studies: Dante as a lyric poet; Dante as an ethical poet; Dante and the Eclogues; and Dante in nineteenth-century Britain.

This collection of essays provides a comprehensive account of the culture of modern Italy. Contributions focus on a wide range of political, historical and cultural questions. The volume provides information and analysis on such topics as regionalism, the growth of a national language, social and political cultures, the role of intellectuals, the Church, the left, feminism, the separatist movements, organised crime, literature, art, design, fashion, the mass media, and music. While offering a thorough history of Italian cultural movements, political trends and literary texts over the last century and a half, the volume also examines the cultural and political situation in Italy today and suggests possible future directions in which the country might move. Each essay contains suggestions for further reading on the topics covered. The Cambridge Companion to Modern Italian Culture is an invaluable source of materials for courses on all aspects of modern Italy.

This collection of essays provides a comprehensive account of the culture of modern Italy. Contributions focus on a wide range of political, historical and cultural questions. The volume provides information and analysis on such topics as regionalism, the growth of a national language, social and political cultures, the role of intellectuals, the Church, the left, feminism, the separatist movements, organised crime, literature, art, design, fashion, the mass media, and music. While offering a thorough history of Italian cultural movements, political trends and literary texts over the last century and a half, the volume also examines the cultural and political situation in Italy today and suggests possible future directions in which the country might move. Each essay contains suggestions for further reading on the topics covered. The Cambridge Companion to Modern Italian Culture is an invaluable source of materials for courses on all aspects of modern Italy.