Patrick Boyde - Böcker
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36 produkter
36 produkter
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The second volume in the original William and Katherine Devers Series in Dante Studies, The Fiore in Context: Dante, France, Tuscany is the record of a milestone in the study of the Fiore, and perhaps in Dante studies: the international conference on the Fiore held at St. John's College, Cambridge, in September 1994. The conference, attended by most of the world's leading experts on the Fiore, examined many aspects of the poem, including textual questions, its cultural context, and its relations with the Roman de la Rose and the Comedy. Above all it constituted, in the judgment of the participants themselves, the most important discussion of the poem's attribution to Dante since Contini's pronouncement of the question in 1965. The published proceedings reproduce both the questionnaire that framed the conference, in which each participant weighs all the principal arguments for and against attributing the Fiore to Dante, as well as the lively discussion that followed each paper.
1 538 kr
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The second volume in the original William and Katherine Devers Series in Dante Studies, The Fiore in Context: Dante, France, Tuscany is the record of a milestone in the study of the Fiore, and perhaps in Dante studies: the international conference on the Fiore held at St. John's College, Cambridge, in September 1994. The conference, attended by most of the world's leading experts on the Fiore, examined many aspects of the poem, including textual questions, its cultural context, and its relations with the Roman de la Rose and the Comedy. Above all it constituted, in the judgment of the participants themselves, the most important discussion of the poem's attribution to Dante since Contini's pronouncement of the question in 1965. The published proceedings reproduce both the questionnaire that framed the conference, in which each participant weighs all the principal arguments for and against attributing the Fiore to Dante, as well as the lively discussion that followed each paper.
Del 38 - Cambridge Studies in Medieval Literature
Chaucer's Legendary Good Women
Häftad, Engelska, 2005
584 kr
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Chaucer's Legend of Good Women is a testament to the disparate views of women prevalent in the Middle Ages. Dr Percival contends that the complex medieval notion of Woman informs the structure of the poem: in the Prologue Chaucer praises conventional ideas of female virtue, while in the Legends he demonstrates a humorous scepticism, apparently influenced by a contemporary antifeminist tradition. The debate Chaucer thus promotes could be relied on to entertain many medieval readers, at the same time that it demonstrates the power of the vernacular translator/poet to handle language wittily and to do just as he pleases with the august texts of the past. This is a comprehensive account of the Legend's interpretative puzzles, which does not ignore the element of political writing, and adds to a close and nuanced reading of the text an examination of literary, historical, and social contexts.
Del 25 - Cambridge Studies in Medieval Literature
Sciences and the Self in Medieval Poetry
Alan of Lille's Anticlaudianus and John Gower's Confessio Amantis
Häftad, Engelska, 2005
644 kr
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In this 1995 study James Simpson examines two great poems of the later medieval period, the Latin philosophical epic, Alan of Lille's Anticlaudianus (1181-3), and John Gower's English poem, The Confessio Amantis (1390-3). Simpson locates these works in a cultural context dominated by two kinds of literary humanism: the absolutist, whose philosophical mentor is Plato, whose literary model is Virgil and whose concept of the self is centred in the intellect, and the constitutionalist, whose classical models are Aristotle and Ovid and whose concept of the self resides in the mediatory power of the imagination. Both poems are examples of the Bildungsroman, in which the self reaches its fullness only by traversing an educational cursus in the related sciences of ethics, politics and cosmology, but as this study shows, there are very different modes of thought behind their conceptions of selfhood and education.
Del 22 - Cambridge Studies in Medieval Literature
Dante and the Mystical Tradition
Bernard of Clairvaux in the Commedia
Häftad, Engelska, 2005
442 kr
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In this study, Steven Botterill explores the intellectual relationship between the greatest poet of the fourteenth century, Dante, and the greatest spiritual writer of the twelfth century, Bernard of Clairvaux. Botterill analyses the narrative episode involving Bernard as a character in the closing cantos of the Paradiso, against the background of his medieval reputation as a contemplative mystic, devotee of Mary, and, above all, a preacher of outstanding eloquence. Botterill draws on a wide range of materials to establish and illustrate the connections between Bernard's reputation and his portrayal in Dante's poem. Botterill's fresh approach to the analysis of the whole episode will provoke the reader to re-evaluate the significance and implications of Bernard's presence in the Commedia.
Del 31 - Cambridge Studies in Medieval Literature
Lies, Slander and Obscenity in Medieval English Literature
Pastoral Rhetoric and the Deviant Speaker
Häftad, Engelska, 2005
614 kr
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Drawing on manuscript sources, this book examines how the medieval clergy developed the authority and persuasive force to attempt to govern the day-to-day speech of Western Christians. It shows how attempts were made to portray some political, social and private speech as deviant and destructive, labelling it lying, slander, blasphemy and other Sins of the Tongue. It explores, for the first time, how Chaucer, Langland, Gower and the 'Patience' poet use the different strains of this pastoral discourse not only to expose the destructive power of speech in political and social life but also to judge clerical claims to authority and efficacy in formulating and applying codes of speech.
Del 37 - Cambridge Studies in Medieval Literature
Clerical Discourse and Lay Audience in Late Medieval England
Häftad, Engelska, 2005
477 kr
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The translation of learned Latin materials into English between around 1370 and 1410 was a highly controversial activity. It was thought likely to make available to lay audiences the authoritative and intellectual information and methods of argument previously only accessible to an educated elite - and with that knowledge the power of information. Fiona Somerset's 1998 study examines what kinds of academic material were imported into English, what sorts of audience were projected for this kind of clerical discourse and how writers positioned themselves with respect to potential audience and opponents. The well-known concerns with clerical corruption and lay education of authors such as Langland, Trevisa, and Wyclif are linked to those of more obscure writers in both Latin and English, some only recently edited, or only extant in manuscript.
Del 18 - Cambridge Studies in Medieval Literature
Ideas and Forms of Tragedy from Aristotle to the Middle Ages
Häftad, Engelska, 2005
644 kr
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'Tragedy' has been understood in a variety of conflicting ways over the centuries, and the term has been applied to a wide range of literary works. In this book, H. A. Kelly explores the various meanings given to tragedy, from Aristotle's most basic notion (any serious story, even with a happy ending), via Roman ideas and practices, to the middle ages, when Averroes considered tragedy to be the praise of virtue but Albert the Great thought of it as the recitation of the foul deeds of degenerate men. Professor Kelly demonstrates the importance of finding out what writers like Horace, Ovid, Dante and Chaucer meant by the term, and how they used it as a tool of interpretation and composition. Referring to a wealth of texts, he shows that many modern analyses of ancient and medieval concepts and works are oversimplified and often result in serious misinterpretations. The book ends with surveys of works designated as tragedies in England, France, Italy and Spain.
Del 28 - Cambridge Studies in Medieval Literature
Editing Piers Plowman
The Evolution of the Text
Häftad, Engelska, 2006
690 kr
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The fifty-plus extant manuscripts of Piers Plowman have always posed a puzzle to editors and readers. This 1996 book is an account of the editions of the poem which have appeared since 1550, when it was first published by the protestant reformer Robert Crowley. It examines the circumstances in which the editions were produced, the lives and intellectual motivations of the editors, and the relationship between one edition and the next. Brewer places the work of W. W. Skeat at the centre of Piers Plowman editing, showing how he towered above his predecessors and determined the path subsequently taken by editors of the poem, and presents much new biographical information about this extraordinary man. She uses a wide range of published and previously unpublished material to explain the difficulties of editing and to shed light on attempts to crack one of the major editorial conundrums in medieval studies.
Del 30 - Cambridge Studies in Medieval Literature
Texts and the Self in the Twelfth Century
Häftad, Engelska, 2006
493 kr
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Texts and the Self in the Twelfth Century analyses key twelfth-century Latin and vernacular texts which articulate a subjective, often autobiographical, stance. The contention is that the self forged in medieval literature could not have come into existence without both the gap between Latinity and the vernacular and a shift in perspective towards a visual and spatial orientation. This results in a self which is not an agent that will act on the outside world like the Renaissance self, but, rather, one which inhabits a potential, middle ground, or 'space of agency', explained here partly in terms of object-relations theory.
Del 46 - Cambridge Studies in Medieval Literature
Women, Reading, and Piety in Late Medieval England
Häftad, Engelska, 2006
644 kr
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Women, Reading, and Piety in Late Medieval England traces networks of female book ownership and exchange which have so far been obscure, and shows how women were responsible for both owning and circulating devotional books. In seven narratives of individual women who lived between 1350 and 1550, Mary Erler illustrates the ways in which women read and the routes by which they passed books from hand to hand. These stories are prefaced by an overview of nuns' reading and their surviving books, and are followed by a survey of women who owned the first printed books in England. An appendix lists a number of books not previously attributed to religious women's ownership. Erler's narratives also provide studies of female friendship, since they situate women's reading in a network of family and social connections. The book uses bibliography to explore social and intellectual history.
Del 43 - Cambridge Studies in Medieval Literature
Fictions of Identity in Medieval France
Häftad, Engelska, 2006
568 kr
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In this study of vernacular French narrative from the twelfth century through the later Middle Ages, first published in 2000, Donald Maddox considers the construction of identity in a wide range of fictions. He focuses on crucial encounters, widespread in medieval literature, in which characters are informed about fundamental aspects of their own circumstances and selfhood. These always arresting and highly significant moments of 'specular' encounter are examined in numerous Old and Middle French romances, hagiographic texts, epics and brief narratives. Maddox discloses the key role of identity in an original reading of the Lais of Marie de France as a unified collection, as well as in Arthurian literature, fictions of the courtly tryst, genealogies and medieval family romance. The study offers many new perspectives on the poetic and cultural implications of identity as an imaginary construct during the long formative period of French literature.
Del 41 - Cambridge Studies in Medieval Literature
The Early History of Greed
The Sin of Avarice in Early Medieval Thought and Literature
Häftad, Engelska, 2006
584 kr
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The history of avarice as the deadliest vice in western Europe has been said to begin in earnest only with the rise of capitalism or, earlier, the rise of a money economy. In this first full-length study of the early history of greed, Richard Newhauser shows that avaritia, the sin of greed for possessions, has a much longer history, and is more important for an understanding of the Middle Ages, than has previously been allowed. His examination of theological and literary texts composed between the first century CE and the tenth century reveals new significance in the portrayal of various kinds of greed, to the extent that by the early Middle Ages avarice was available to head the list of vices for authors engaged in the task of converting others from pagan materialism to Christian spirituality.
629 kr
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Patrick Boyde brings Dante's thought and poetry into focus for the modern reader by restoring the Comedy to its intellectual and literary context in 1300. He begins by describing the authorities that Dante acknowledged in the field of ethics and the modes of thought he shared with the great thinkers of his time. After giving a clear account of the differing approaches and ideals embodied in Aristotelian philosophy, Christianity and courtly literature, Boyde concentrates on the poetic representation of the most important vices and virtues in the Comedy. He stresses the heterogeneity and originality of Dante's treatment, and the challenges posed by his desire to harmonize these divergent value-systems. The book ends with a detailed case study of the 'vices and worth' of Ulysses in which Boyde throws light on recent controversies by deliberately remaining within the framework of the thirteenth-century assumptions, methods and concepts explored in previous chapters.
Del 24 - Cambridge Studies in Medieval Literature
Virgil in Medieval England
Figuring The Aeneid from the Twelfth Century to Chaucer
Häftad, Engelska, 2006
720 kr
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What happens when a prestigious text of one period is read and reused in a different, much later world? What can we learn from the annotations accumulated by a single manuscript as it moved among different institutions and readerships? In this study Christopher Baswell takes as his model Virgil's ancient epic poem The Aeneid, which held many kinds of appeal for the culture of the Middle Ages. He examines a series of Latin manuscripts of the text which were copied in twelfth-century England but reused and reannotated for three centuries, and shows how their users approached the epic in very different ways. He then charts the progression from the Latin of the original to the vernaculars of the Roman d'Eneas and Chaucer's House of Fame and Legend of Good Women, to show how medieval vernacular poets used Virgil's prestige to lay their own claim to poetic and even political authority.
Del 32 - Cambridge Studies in Medieval Literature
'Floire and Blancheflor' and the European Romance
Häftad, Engelska, 2006
493 kr
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This comparative 1997 study examines a medieval love story, Floire and Blancheflor, and shows how writers from Spain, France, Italy, England and Scandinavia reworked the story from the twelfth to the sixteenth century to develop and emphasize social, political, religious and artistic goals, while maintaining its entertaining qualities. It shows the importance of a little-known medieval Spanish version to the development of the story throughout Europe, and especially as a precursor to Boccaccio's Il Filocolo, and examines important issues of the development of prose fiction in medieval and Renaissance Europe. This study is unique for its breadth of coverage of one story and for its inclusion of Spain as a significant participant in the development of medieval narrative.
Del 29 - Cambridge Studies in Medieval Literature
Vernacular Literary Theory in the Middle Ages
The German Tradition, 800-1300, in its European Context
Häftad, Engelska, 2006
674 kr
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The first edition of this book appeared in German in 1985, and set an agenda for the study of medieval literary theory. Rather than seeing vernacular writers' reflections on their art, as found in prologues, epilogues and interpolations in literary texts, as merely deriving from established Latin traditions, Walter Haug shows that they marked the gradual emancipation of an independent vernacular poetics that went hand in hand with changing narrative forms. While focusing primarily on medieval German writers, Haug also takes into account French literature of the same period, and the principles underlying his argument are equally relevant to medieval literature in English or any other European language.
705 kr
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Patrick Boyde argues that the way in which Dante represents what he (or his fictional self) saw and felt was profoundly influenced by the thirteenth-century science of psychology. Professor Boyde offers an authoritative account of the way in which vision and the emotions were understood in Dante's lifetime, and rereads many of the most dramatic and moving episodes in the Comedy, throwing light on Dante's narrative technique. Seeing and feeling were known to be inextricably bound up with thinking and voluntary action, and were treated as special cases of motion and motive forces. Dante's treatment of perception and passion is set in the context of Aristotelian epistemology, ethics and physics. In these areas too a knowledge of Dante's philosophical ideas is shown to illuminate his poetic representation of mental processes and value judgements, and the meaning of his journey towards the source of goodness and truth.
Del 19 - Cambridge Studies in Medieval Literature
The Making of Textual Culture
'Grammatica' and Literary Theory 350-1100
Häftad, Engelska, 2006
750 kr
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This is the a major study of the cultural work performed by grammatica, the central discipline concerned with literacy, language, interpretation and literature in medieval society. Grammatica was, with all aspects of Latin literary text, its language, meaning and value. Martin Irvine demonstrates that grammatica, though the first of the liberal arts, was not simply one discipline among many: it had an essentially constitutive function, defining language, meaning and texts for other medieval disciplines. Martin Irvine draws together several aspects of medieval culture - literary theory, the nature of literacy, education, biblical interpretation, the literary canon and linguistic thought - in order to disclose the more far-reaching social effect of grammatica, chief of which was the making of textual culture in the medieval West.
Del 13 - Cambridge Studies in Medieval Literature
Richard Rolle and the Invention of Authority
Häftad, Engelska, 2007
690 kr
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This 1991 book is a literary study of the career of Richard Rolle (d.1349), a Yorkshire hermit and mystic who was one of the most widely read English writers of the late Middle Ages. Nicholas Watson proposes a chronology of Rolle's writings, and offers a literary analyses of a number of his works. He shows how Rolle's career, as a writer of passionate religious works in Latin and later in English, has as its principal focus the establishment of his own spiritual authority. The book also addresses wider issues, suggesting an alternative way of looking at mystical writing in general and challenging the prevailing view of the relationship between medieval and renaissance attitudes to authors and authority.
584 kr
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Originally published in 1981, the ten essays in this collection were originally delivered as public Lecturae Dantis in the University of Cambridge. As far as possible the contributors have preserved the form of the original lectures, which combined elements of the running commentary and the critical essay. Each reading is devoted to a single canto of the Comedy, and the text of that canto has been broken down into manageable units. The authors provide information about background and context and elucidate obscurities or difficult allusions, but their primary concern has been to give a connected critical account of Dante's style, thought, narrative technique, imagery and symbolism in the given canto. The editors have aimed at producing a well-rounded volume that would illustrate as many facets as possible of Dante's complex art.
674 kr
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A very close and clear description of Dante's style in those lyric poems, which can be dated with reasonable confidence. Dr Boyde explains the nature and objective of his analyses in the substantial introduction which does not assume any previous knowledge of the poems or of modern stylistic theory. He has three principal aims: first, to relate the style of the poems to medieval rhetorical teaching; secondly, to assess the degree of Dante's stylistic originality by comparison with the style of earlier medieval authors; and thirdly, to provide an accurate detailed description of the many developments in Dante's style over a period of twenty years. Close attention is paid throughout to the frequency and distribution of the features described, and there is abundant quotation of examples. The book will have a considerable theoretical interest to all those concerned with the analysis of the style of literature from the past.
705 kr
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This book is devoted to a full and lucid exposition of Boyde's ideas. In the first two parts, the author presents a systematic account of the universe as Dante accepted it, and explains the processes of 'creation' and 'generation' as they operate in the non-human parts of the cosmos. Dr Boyde then shows how the two processes combine in Dante's theory of human embryology, and how this combination affects the issues of love, choice and freedom. The third and last part of the book consolidates these expository sections with a generous selection of quotations from Dante's authorities and from his own works in prose. At the same time, the book offers far more than a clear account of Dante's cosmology and anthropology. Dr Boyde is interested in Dante's ideas in so far as they inspired and gave shape to the Divine Comedy. Furthermore, in every chapter he demonstrates how the relevant concepts and habits of thought were transmuted into imagery, symbolism, and dramatic scenes, or simply transformed by the energy and concision of Dante's poetic style.
1 658 kr
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Patrick Boyde argues that the way in which Dante represents what he (or his fictional self) saw and felt was profoundly influenced by the thirteenth-century science of psychology. Professor Boyde offers an authoritative account of the way in which vision and the emotions were understood in Dante's lifetime, and rereads many of the most dramatic and moving episodes in the Comedy, throwing light on Dante's narrative technique. Seeing and feeling were known to be inextricably bound up with thinking and voluntary action, and were treated as special cases of motion and motive forces. Dante's treatment of perception and passion is set in the context of Aristotelian epistemology, ethics and physics. In these areas too a knowledge of Dante's philosophical ideas is shown to illuminate his poetic representation of mental processes and value judgements, and the meaning of his journey towards the source of goodness and truth.
Del 41 - Cambridge Studies in Medieval Literature
The Early History of Greed
The Sin of Avarice in Early Medieval Thought and Literature
Inbunden, Engelska, 2000
1 719 kr
Skickas inom 7-10 vardagar
The history of avarice as the deadliest vice in western Europe has been said to begin in earnest only with the rise of capitalism or, earlier, the rise of a money economy. In this first full-length study of the early history of greed, Richard Newhauser shows that avaritia, the sin of greed for possessions, has a much longer history, and is more important for an understanding of the Middle Ages, than has previously been allowed. His examination of theological and literary texts composed between the first century CE and the tenth century reveals new significance in the portrayal of various kinds of greed, to the extent that by the early Middle Ages avarice was available to head the list of vices for authors engaged in the task of converting others from pagan materialism to Christian spirituality.
Del 18 - Cambridge Studies in Medieval Literature
Ideas and Forms of Tragedy from Aristotle to the Middle Ages
Inbunden, Engelska, 1993
1 431 kr
Skickas inom 7-10 vardagar
'Tragedy' has been understood in a variety of conflicting ways over the centuries, and the term has been applied to a wide range of literary works. In this book, H. A. Kelly explores the various meanings given to tragedy, from Aristotle's most basic notion (any serious story, even with a happy ending), via Roman ideas and practices, to the middle ages, when Averroes considered tragedy to be the praise of virtue but Albert the Great thought of it as the recitation of the foul deeds of degenerate men. Professor Kelly demonstrates the importance of finding out what writers like Horace, Ovid, Dante and Chaucer meant by the term, and how they used it as a tool of interpretation and composition. Referring to a wealth of texts, he shows that many modern analyses of ancient and medieval concepts and works are oversimplified and often result in serious misinterpretations. The book ends with surveys of works designated as tragedies in England, France, Italy and Spain.
Del 22 - Cambridge Studies in Medieval Literature
Dante and the Mystical Tradition
Bernard of Clairvaux in the Commedia
Inbunden, Engelska, 1994
1 431 kr
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In this study, Steven Botterill explores the intellectual relationship between the greatest poet of the fourteenth century, Dante, and the greatest spiritual writer of the twelfth century, Bernard of Clairvaux. Botterill analyses the narrative episode involving Bernard as a character in the closing cantos of the Paradiso, against the background of his medieval reputation as a contemplative mystic, devotee of Mary, and, above all, a preacher of outstanding eloquence. Botterill draws on a wide range of materials to establish and illustrate the connections between Bernard's reputation and his portrayal in Dante's poem. Botterill's fresh approach to the analysis of the whole episode will provoke the reader to re-evaluate the significance and implications of Bernard's presence in the Commedia.
Del 27 - Cambridge Studies in Medieval Literature
Medieval Reading
Grammar, Rhetoric and the Classical Text
Inbunden, Engelska, 1996
1 371 kr
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This book argues for a radically new approach to the history of reading and literacy in the Middle Ages. It investigates the use of complex literary texts as the basis of elementary instruction in the Latin language and, using medieval teachers' notes (glosses) on a classical text (Horace's Satires) and a selection of other unpublished manuscript materials, it demonstrates that the reading of classical literature was profoundly shaped by the demands of acquiring Latin literacy through the arts of grammar and rhetoric. The resolutely literal readings of Latin texts found in these educational and institutional contexts call for a reassessment of the relationship of Latin and vernacular discourses in medieval culture, and of some central notions in medieval hermeneutics, notably allegory and authorial intention.
Del 40 - Cambridge Studies in Medieval Literature
Christine de Pizan and the Moral Defence of Women
Reading beyond Gender
Häftad, Engelska, 2003
599 kr
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Christine de Pizan's Livre de la Cité des Dames (1405) is justly renowned for its full-scale assault on the misogynist stereotypes which dominated the culture of the Middle Ages. Rosalind Brown-Grant locates the Cité in the context of Christine's defence of women as it developed over a number of years and through a range of different texts. Arguing that Christine tailored her critique of misogyny according to the genre in which she was writing and the audience she was addressing, this study shows that Christine's case for women nonetheless had an underlying unity in its insistence on the moral, if not the social, equality of the sexes. Whilst Christine may not have been a radical in modern feminist terms, she was able to draw upon the cultural resources of her day in order to construct an intellectual authority for herself that challenged the prevailing orthodoxy of the day.
Del 49 - Cambridge Studies in Medieval Literature
Poetry and Music in Medieval France
From Jean Renart to Guillaume de Machaut
Inbunden, Engelska, 2003
1 658 kr
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In Poetry and Music in Medieval France, first published in 2003, Ardis Butterfield examines vernacular song in medieval France. She begins with the moment when French song first survives in writing in the early thirteenth century, and examines a large corpus of works which combine elements of narrative and song, as well as a range of genres which cross between different musical and literary categories. Emphasising the cosmopolitan artistic milieu of Arras, Butterfield describes the wide range of contexts in which secular songs were quoted and copied, including narrative romances, satires and love poems. She uses manuscript evidence to shed light on medieval perceptions of how music and poetry were composed and interpreted. The volume is well illustrated to demonstrate the rich visual culture of medieval French writing and music. This interdisciplinary study will be of interest to both literary and musical scholars of late medieval culture.